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Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
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The Plot Machine - The French Novel and the Bachelor Machines in the Electric Years (1880-1914) (Paperback)
Loot Price: R3,354
Discovery Miles 33 540
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The Plot Machine - The French Novel and the Bachelor Machines in the Electric Years (1880-1914) (Paperback)
Series: Faux Titre, 215
Expected to ship within 18 - 22 working days
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This book presents a new and exciting theory of the modern French
novel by developing the notion of the narrative as a "textual
machine". Many turn-of-the-century French novels thematically
identified their means of narration through the various machines
that they depicted. The narrative devices that were particularly
important in this self-reflection included: the temporal order of
the plot, the question of a narrative's beginning and end, the
hierarchy of narrative voices, and the techniques of the point of
view. The question of mechanization became central on all these
fronts. Has the novel become automated or machine-like? At the same
time, the machine metaphors in the novels of Alfred Jarry, Emile
Zola, Jules Verne, Villiers de l'Isle-Adam, Raymond Roussel
combined the question of the narrative form with new ways to think
about man's relationship with technology and the cultural
environment. The early modernist texts drew upon contradictory
notions of technological promise and threat while they also
depicted new forms of identity and behavior, related to or modeled
after machines. These texts highlighted cultural assumptions
concerning technological innovations and critiqued, mainly through
parody and through various figures of man-machine fusion, the
positivistic belief in progress. Such writers looked for evidence
of advanced forms of consciousness arising out of encounters with
new technology such as: telephones, trains, bicycles, telegraphy,
phonographs and electricity. This volume will be of interest to
anyone working in the field of modern French literary and cultural
history. It will especially appeal to anyone intrigued with the
origins of the modernist novel, the history of narrative forms, and
the question of how the experience of new technology may be
portrayed in literary texts.
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