How do Muslims who grew up after September 11 balance their love
for hip-hop with their devotion to Islam? How do they live the
piety and modesty called for by their faith while celebrating an
art form defined, in part, by overt sexuality, violence, and
profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores
the tension between Islam and the global popularity of hip-hop,
including attempts by the hip-hop ummah, or community, to draw from
the struggles of African Americans in order to articulate the human
rights abuses Muslims face. Nasir explores state management of
hip-hop culture and how Muslim hip-hoppers are attempting to
"Islamize" the genre's performance and jargon to bring the music
more in line with religious requirements, which are perhaps even
more fraught for female artists who struggle with who has the right
to speak for Muslim women. Nasir also investigates the vibrant
underground hip-hop culture that exists online. For fans living in
conservative countries, social media offers an opportunity to
explore and discuss hip-hop when more traditional avenues have been
closed. Representing Islam considers the complex and multifaceted
rise of hip-hop on a global stage and, in doing so, asks broader
questions about how Islam is represented in this global community.
General
Imprint: |
Indiana University Press
|
Country of origin: |
United States |
Series: |
Framing the Global |
Release date: |
December 2020 |
Authors: |
Kamaludeen Mohamed Nasir
|
Dimensions: |
229 x 152 x 21mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
222 |
ISBN-13: |
978-0-253-05303-9 |
Categories: |
Books
|
LSN: |
0-253-05303-X |
Barcode: |
9780253053039 |
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