A young Guyanese woman sets out to write an historical novel based
on the 1823 Demerara Slave Rebellion and the fate of an English
missionary who is condemned to hang for his alleged part in the
uprising, but who dies in prison before his execution. She has
wanted to document historical fact through fiction, but the
characters she invents make an altogether messier intrusion into
her life with their conflicting interests and ambivalent
motivations. As an African-Guyanese in a country where a Black
ruling elite oppresses the population, she begins to wonder what
lay behind her 'ancestral enslavement', why fellow Africans had
'exchanged silver for the likes of me'. As a committed Christian,
she also wonders why God has allowed slavery to happen. Beset by
her unruly characters and these questions, the novel is stymied. In
an attempt to unblock it, she decides that she should take up a
family contact to spend some time in Nigeria, to experience her
African origins at first hand. For a couple of years, falling in
love, marriage to a Nigerian university professor and the birth of
their first child silence the characters in her head. Then the
hanging of a family friend by El Presidente, Butcher Boy's
murderous military regime brutally plunges her back into the world
of her novel. To her consternation, one after the other, the seven
main characters in the novel reveal themselves in contemporary
Nigerian guise and she finds herself implicated in uncomfortably
personal ways in a narrative where the distinctions between her
'life' and the 'fiction' she is writing have become utterly
permeable. Almost uncontrollably, the novel begins to write itself.
To try to regain the semblance of control, she falls back on a game
of childhood, Hangman, which she plays with the Nigerian
'manifestation' of the most personally threatening of her
characters, as a form of sympathetic magic to try to ensure her
survival. Not until the last page do we know whether she succeeds.
Karen King-Aribisala has written a densely layered, challengingly
ambitious work of fiction. There is the actual historical novel,
her thoughts about it, the drama of her life in Nigeria and the
seepage between the different worlds. As such, "The Hangman's Game"
has much to say about the Guyanese past and present, and the nature
of postcolonial power in both Africa and the Caribbean. And, if
"The Hangman's Game" is provocatively post-modern in its
self-reflexivity on the nature of both historical and fictional
writing, its ideas are dramatically communicated through action in
a novel that is rich in tension, dark humour and complex,
strikingly drawn characters.
General
Imprint: |
Peepal Tree Press Ltd
|
Country of origin: |
United Kingdom |
Release date: |
September 2007 |
First published: |
November 2007 |
Authors: |
Karen King-Aribisala
|
Dimensions: |
206 x 137 x 14mm (L x W x T) |
Format: |
Paperback
|
Pages: |
191 |
ISBN-13: |
978-1-84523-046-3 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
1-84523-046-9 |
Barcode: |
9781845230463 |
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