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The Politics of Expertise in Cultural Labour - Arts, Work and Inequalities (Hardcover)
Loot Price: R3,169
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The Politics of Expertise in Cultural Labour - Arts, Work and Inequalities (Hardcover)
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What is expertise? In the arts, or cultural work, the experts in
this area are commonly regarded to be art critics, dealers or
intermediaries. Why are they considered experts? What about the
expertise of the artists or cultural workers themselves? This book
provides a much-needed account of the concept of expertise in
cultural work, providing new insights into the individual
experiences of cultural workers and the role of social media in
their creative practice and development of expertise. It also
explores the potential reasons for inequalities in the sector which
centre not only on protected characteristics such as class, gender
and race, but increasingly the digital divide. Drawing on
interviews with cultural workers and an innovative social media
analysis, this book highlights the characteristics of aesthetic
expertise in production - the practical skills cultural workers
hone and deploy over years of training and creative practice. This
is a new take on aesthetic expertise, which is traditionally
associated with those involved in the judgement of culture, such as
critics, dealers and intermediaries. The book highlights how social
media platforms both enable and constrain the development of
practical aesthetic expertise, and the platforms' role in the
mediation of the cultural object online. Finally, the book
interrogates the power dimensions of expertise, focusing primarily
on gender. Drawing on the work of Pierre Bourdieu, it explores how
opportunities to develop aesthetic expertise, and the ability to
use social media platforms to signal that expertise, are not
available to everyone. In this sense, the book adds new
perspectives to the growing body of work on inequalities in the
creative and cultural industries, as well as scholarship on social
media and creative work. The book concludes with the argument that
the term 'expertise' needs to be problematised and reclaimed by
those who are not equally represented in the cultural industries,
using gender as a case in point.
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