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Clocking Out - The Machinery of Life in 1960s Italian Cinema (Hardcover)
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Clocking Out - The Machinery of Life in 1960s Italian Cinema (Hardcover)
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An original reflection on Italy's postwar boom considers potentials
for resistance in today's neoliberal (dis)order What can 1960s
Italian cinema teach us about how to live and work today? Clocking
Out challenges readers to think about labor, cinema, and machines
as they are intertwined in complex ways in Italian cinema of the
early '60s. Drawing on critical theory and archival research, this
book asks what kinds of fractures we might exploit for living
otherwise, for resisting traditional narratives, and for
anticapitalism. Italy in the 1960s was a place where the
mass-producing factory was the primary mode of understanding what
it meant to work, but it was also a time when things might have
gone another way. This thinking and living differently appears in
the cracks, lapses, or moments of film. Clocking Out is organized
into scenes from an obscure 1962 Italian comedy (Renzo e Luciana,
from Boccaccio 70). Reconsidering the origins of paradigms such as
clocking in and out, "society is a factory," and the gendered
division of labor, Karen Pinkus challenges readers to think through
cinema, enabling us to see gaps and breakdowns in the postwar
order. She focuses on the Olivetti typewriter company and a
little-known film from an Italian anthology movie, thinking with
cinema about the power of the Autonomia movement, the refusal to
work, and the questions of wages, paternalism, and sexual
difference. Alternating microscopic attention to details and
zooming outward, Pinkus examines rituals of production, automation,
repetition, and fractures in a narrative of labor that begins in
the 1960s and extends to the present-the age of the precariat,
right-wing resentment, and nostalgia for an order that was probably
never was.
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