The almost three hundred portraits that once composed the New
York Chamber of Commerce's renowned collection capture the giants
of American business with aesthetic and symbolic power. The images
of civic leaders and entrepreneurs, carefully assembled over two
hundred years, tell the story of American industry as shaped and
reflected in the life of a major institution. Interpreting these
images as historical documents, "Picturing Power" traces the
establishment, growth, and eventual decline of the nation's most
powerful business organization. Lavishly illustrated, this book
also charts the social and aesthetic course of institutional
portraiture in the United States.
From its inception in 1768, the Chamber regulated and codified
commercial practice, provided business interests with a unified
means of forming and advancing their agendas, and consolidated and
elevated the status of its members and their professions. By
linking commercial development to social and cultural progress,
portraiture did much to support these ends. Whether enhancing,
sanitizing, or stabilizing the reputations of business leaders;
downplaying their wealth; or whitewashing their questionable
practices, portraiture fashioned a public identity that matched
corporate and civic needs as they evolved over time.
By following changes in the use of these images, "Picturing
Power" reveals the strategies and preoccupations of an American
business culture that strove for egalitarian virtue while remaining
firmly committed to the principles of competitive capitalism.
Americans' shifting and ambivalent relationship to commerce
situates these portraits -- representations of the human face of
business -- at the critical intersection of enduring contests in
American life, between self-interest and the greater good, between
equality and the social hierarchy that wealth engenders.
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