These essays, as Karl Miller points out in his introduction, are
'largely about a time that is past, about the modern Scotland which
began after the First World War and lasted out the second. The main
tracks followed in the essays are the course of Modernism itself;
what might be called the romantic survival; and the progress of
Scottish Nationalism. One of their less predictable features is the
prominence which it was thought necessary to give to the activities
of poets - during a period when poetry has seemed to many in
Britain to be of declining importance, the most doubtful of the
arts.'
Between them they provide a lively and coherent portrait of the
age. They also provide a portrait of Edinburgh, and try to show
what has become of the city since the great days of the early
nineteenth century, described in Henry Cockburn's "Memorials," the
days when Edinburgh was Walter Scott's 'romantic town'.
The contributors are Arthur Marwick, Tom Nairn, Hugh MacDiarmid,
Louis Simpson, George Scott-Moncrieff, Robert Taubman, Sorley
Maclean, George Mackay Brown, Muriel Spark, Alastair Reid, William
McIlvanney, Charles McAra, Ronald Stevenson, Stuart Hood and Karl
Miller himself, founder of the "London Review of Books."
General
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