Kasimir Malevich's treatise on Suprematism was included in the
Bauhausbucher series in 1927, as was Piet Mondrian's reflections on
Russian Constructivism in 1925 (New Design, Bauhausbucher 5). Like
Mondrian, who was never an official member of the Bauhaus, Malevich
nevertheless had a close connection to the ideas of the school in
terms of content. This volume 11 laid the foundation for the
Russian avant-garde artist's late work: to wrest the mask of life
from the true face of art.
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