Starting with one of the best-known poems in the American canon,
William Carlos Williams' 'This is Just to Say, ' Kate McLoughlin
adopts and transposes Picasso's template for re-imagining Vel
zquez's Las Meninas onto both Williams' poem and the history of the
Vel zquez painting. The result is 58 variations - short poems that
embody both Williams' pithy wit and the mystery of Picasso's 58
adaptations of Las Meninas; where Picasso's paintbrush transforms
Vel zquez's muted tones to bold colours, McLoughlin's 'I' says of
Williams' Plums, 'They are the last things you'll take of mine.'
'Plums' is a tour de force of transformation, an example of how
compelling art can emerge from a chrysalis of absurdity.
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