A pioneer in the international studio glass movement, Erwin
Eisch helped establish the medium in Europe with his distinctively
distorted glass vessels and imaginative sculptures of mold-blown
glass. His works--which also include paintings, drawings, and
vitreographic prints--are important as well for the challenge they
pose to the distinctions among the art forms, as well as between
concreteness and abstraction. With contributions by scholars
well-versed in Eisch's body of work, this book provides an
introduction to the artist and an in-depth look at his development,
from his start within the glassmaker tradition of the Bavarian
Forest to the present. Eisch began with functional vessels,
including bottles, vases, and steins, often distorting the hot
glass to create interesting, imperfect shapes. Incorporating
ceramic molds, he also produced painted glass sculptures, including
a series of busts that depict Picasso, Buddha, and friend and
fellow glass artist Harvey Littleton. Later, Eisch's creative
output expanded to include drawings, paintings, and prints. Eisch's
works are inspired by reality, but move well beyond it to
incorporate vivid elements of imagination and fantasy. In addition
to the essays and more than one hundred illustrations of Eisch's
work, the book contains selected writings by the artist
himself.
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