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Dimensions of Originality - Essays on Seventeenth-Century Chinese Art Theory and Criticism (Hardcover)
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Dimensions of Originality - Essays on Seventeenth-Century Chinese Art Theory and Criticism (Hardcover)
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Dimensions of Originality investigates the issue of conceptual
originality in art criticism of the seventeenth century, a period
in which China dynamically reinvented itself. In art criticism, the
term which was called upon to indicate conceptual originality more
than any other was qi , literally, "different"; but secondarily,
"odd," like a number and by extension, "the novel," and
"extraordinary." This work finds that originality, expressed
through visual difference, was a paradigmatic concern of both
artists and critics. Burnett speculates on why many have dismissed
originality as a possible "traditional Chinese" value, and the
ramifications this has had on art historical understanding. She
further demonstrates that a study of individual key terms can
reveal social and cultural values and provides a linear history of
the increase in critical use of qi as "originality" from the fifth
through the seventeenth centuries, exploring what originality looks
like in artworks by members of the gentry elite and commoner
classes.
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