Captive Images examines the law 's treatment of photographic
evidence and uses it to investigate the relationship between law,
image and fantasy. Based around the scholarly examination of a bank
robbery, in which a surveillance camera captures the robbery in
progress, Katherine Biber draws upon critical writing from
psychoanalysis, postcolonialism, art, law, literature and feminism
to 'read' this crime, its texts and its images.
The result is an interdisciplinary study of crime that unfolds a
compelling narrative about race relations, national identity and
fear.
This book is an essential read for all levels of law students
studying, or interested in, law, criminology and cultural
studies.
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