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Evidence and the Archive - Ethics, Aesthetics and Emotion (Paperback)
Loot Price: R1,300
Discovery Miles 13 000
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Evidence and the Archive - Ethics, Aesthetics and Emotion (Paperback)
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Total price: R1,310
Discovery Miles: 13 100
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This collection explores the stakes, risks and opportunities
invoked in opening and exploring law's archive and re-examining
law's evidence. It draws together work exploring how evidence is
used or mis-used during the legal process, and re-used after the
law's work has concluded by engaging with ethical, aesthetic or
emotional dimensions of using law's evidence. Within socio-legal
discourse, the move towards 'open justice' has emerged concurrently
with a much broader cultural sensibility, one that has been called
the "archival turn" (Ann Laura Stoler), the "archival impulse" (Hal
Foster) and "archive fever" (Jacques Derrida). Whilst these terms
do not describe exactly the same phenomena, they collectively
acknowledge the process by which we create a fetish of the stored
document. The archive facilitates our material confrontation with
history, historicity, order, linearity, time and bureaucracy. For
lawyers, artists, journalists, publishers, curators and scholars,
the document in the archive has the attributes of authenticity,
contemporaneity, and the unique tangibility of a real moment
captured in material form. These attributes form the basis for the
strict interpretive limits imposed by the rules of evidence and
procedure. These rules do not contain the other attributes of the
archival document, those that make it irresistible as the basis for
creative work: beauty, violence, surprise, shame, volume, and the
promise that it contains a tantalising secret. This book was
previously published as a special issue of Australian Feminist Law
Journal.
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