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Humanism and Good Books in Sixteenth-Century England (Hardcover)
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Humanism and Good Books in Sixteenth-Century England (Hardcover)
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This book explores sixteenth-century humanism as an origin for the
idea of literature as good, even great, books. It argues that
humanists located the value of books not only in the goodness of
their writing-their eloquence-but also in their capacity to shape
readers in good and bad behavior, thoughts, and feelings, in other
words, in their morality. To approach humanism in this way, by
attending to its moral interests, is to provide a new perspective
on periodization, the transition from the Middle Ages to the
Renaissance / early modern. That is, humanists did not so much
rupture with medieval ideas about literature or with medieval
models as they adapted and altered them, offering a new confidence
about an old idea: the moral instructiveness of pagan, classical
texts for Christian readers. This revaluation of literature was a
double-edged sword. On the one hand, humanist confidence inspired
authors to invent their own good books-good in style and morals-in
morality plays such as Everyman and the Christian Terence tradition
and in educational treatises such as Sir Thomas Elyot's Boke of the
Governour. On the other hand, humanism placed a new burden on
authors, requiring their work to teach and delight. In the wake of
humanism, authors struggled to articulate the value of their work
for readers, returning to a pre-humanist path that they associated
with Geoffrey Chaucer. This medieval-inflected doubt pervades the
late sixteenth-century writings of the most prolific and
influential Elizabethans-Robert Greene, George Gascoigne, and
Edmund Spenser.
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