This book explores the textured process of rewriting and revising
theatrical works in the Spanish-speaking Caribbean as both a
material and metaphorical practice. Deftly tracing these themes
through community theater groups, ancient Greek theater, religious
traditions, and national historical events, Katherine Ford weaves
script, performance and final product together with an eye to the
social significance of revision. Ultimately, to rewrite and revise
is to re-envision and re-imagine stage practices in the
twentieth-century Hispanic Caribbean.
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