Dealing with some of the major themes in film narratives, this book
draws on the theories of French psychoanalyst Julia Kristeva. It
looks at how narratives have changed over time, and considers the
sources of our variable reactions to themes and representations of
horror, strangers, and love.
In addition to a selection of contemporary mainstream films,
the major films for analysis are New Zealand "New Wave" films such
as Alison Maclean's Kitchen Sink and Crush; Vincent Ward's Vigil;
and Jane Campion's Sweety, An Angel at My Table, and The Piano.
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