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Opera for the People - English-Language Opera and Women Managers in Late 19th-Century America (Hardcover)
Loot Price: R1,795
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Opera for the People - English-Language Opera and Women Managers in Late 19th-Century America (Hardcover)
Series: AMS Studies in Music
Expected to ship within 12 - 17 working days
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Opera for the People is an in-depth examination of a forgotten
chapter in American social and cultural history: the love affair
that middle-class Americans had with continental opera (translated
into English) in the 1870s, 1880s, and 1890s. Author Katherine
Preston reveals how-contrary to the existing historiography on the
American musical culture of this period-English-language opera not
only flourished in the United States during this time, but found
its success significantly bolstered by the support of women
impresarios, prima-donnas, managers, and philanthropists who
provided financial backing to opera companies. This rich and
compelling study details the lives and professional activities of
several important players in American postbellum opera, including
manager Effie Ober, philanthropist Jeannette Thurber, and
performers/artistic directors Caroline Richings, Euphrosyne
Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna"
Emma Abbott. Drawing from an impressive range of primary sources,
including contemporaneous music and theater periodicals, playbills,
memoirs, librettos, scores, and reviews and commentary on the
performances in digitized newspapers, Preston tells the story of
how these and other women influenced the activities of some of the
more than one hundred opera companies touring the United States
during the second half of the 19th century, performing opera in
English for a diverse range of audiences. Countering a pervasive
and misguided historical understanding of opera reception in the
United States-unduly influenced by modern attitudes about the genre
as elite, exclusive, expensive, and of interest only to a niche
market-Opera for the People demonstrates the important (and
hitherto unsuspected) place of opera in the rich cornucopia of
late-century American musical theatre, which would eventually lead
to the emergence of American musical comedy.
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