"A Space on the Side of the Road" vividly evokes an "other"
America that survives precariously among the ruins of the West
Virginia coal camps and "hollers." To Kathleen Stewart, this
particular "other" exists as an excluded subtext to the American
narrative of capitalism, modernization, materialism, and democracy.
In towns like Amigo, Red Jacket, Helen, Odd, Viper, Decoy, and
Twilight, men and women "just settin'" track a dense social
imaginary through stories of traumas, apparitions, encounters, and
eccentricities. Stewart explores how this rhythmic, dramatic, and
complicated storytelling imbues everyday life in the hills and
forms a cultural poetics. Alternating her own ruminations on
language, culture, and politics with continuous accounts of "just
talk," Stewart propels us into the intensity of this nervous,
surreal "space on the side of the road." It is a space that gives
us a glimpse into a breach in American society itself, where
graveyards of junked cars and piles of other trashed objects endure
along with the memories that haunt those who have been left behind
by "progress."
Like James Agee's portrayal of the poverty-stricken tenant
farmers of the Depression South in "Let Us Now Praise Famous Men, "
this book uses both language and photographs to help readers
encounter a fragmented and betrayed community, one "occupied" by
schoolteachers, doctors, social workers, and other professionals
representing an "official" America. Holding at bay any attempts at
definitive, social scientific analysis, Stewart has concocted a new
sort of ethnographic writing that conveys the immediacy, density,
texture, and materiality of the coal camps. "A Space on the Side of
the Road" finally bridges the gap between anthropology and cultural
studies and provides us with a brilliant and challenging experiment
in thinking and writing about "America."
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