That the self is performed, created through action rather than
having a prior existence, has been an important methodological
intervention in our understanding of human experience. It has been
particularly significant for studies of gender, helping to
destabilise models of selfhood where women were usually defined in
opposition to a male norm. In this multidisciplinary collection,
scholars apply this approach to a wide array of historical sources,
from literature to art to letters to museum exhibitions, which
survive from the medieval to modern periods. In doing so, they
explore the extent that using a model of performativity can open up
our understanding of women s lives and sense of self in the past.
They highlight the way that this method provides a significant
critique of power relationships within society that offers greater
agency to women as historical actors and offers a challenge to
traditional readings of women s place in society. An innovative and
wide-ranging compilation, this book provides a template for those
wishing to apply performativity to women s lives in historical
context.
This book was originally published as a special issue of "Women
s History Review.""
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