Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
|
Buy Now
Mixed Feelings - Tropes of Love in German Jewish Culture (Paperback)
Loot Price: R756
Discovery Miles 7 560
|
|
Mixed Feelings - Tropes of Love in German Jewish Culture (Paperback)
Series: Signale: Modern German Letters, Cultures, and Thought
Expected to ship within 12 - 17 working days
|
Since the late eighteenth century, writers and thinkers have used
the idea of love-often unrequited or impossible love-to comment on
the changing cultural, social, and political position of Jews in
the German-speaking countries. In Mixed Feelings, Katja Garloff
asks what it means for literature (and philosophy) to use love
between individuals as a metaphor for group relations. This
question is of renewed interest today, when theorists of
multiculturalism turn toward love in their search for new models of
particularity and universality. Mixed Feelings is structured around
two transformative moments in German Jewish culture and history
that produced particularly rich clusters of interfaith love
stories. Around 1800, literature promoted the rise of the Romantic
love ideal and the shift from prearranged to love-based marriages.
In the German-speaking countries, this change in the theory and
practice of love coincided with the beginnings of Jewish
emancipation, and both its supporters and opponents linked their
arguments to tropes of love. Garloff explores the generative powers
of such tropes in Moses Mendelssohn, G. E. Lessing, Friedrich
Schlegel, Dorothea Veit, and Achim von Arnim. Around 1900, the rise
of racial antisemitism had called into question the promises of
emancipation and led to a crisis of German Jewish identity. At the
same time, Jewish- Christian intermarriage prompted public debates
that were tied up with racial discourses and concerns about
procreation, heredity, and the mutability and immutability of the
Jewish body. Garloff shows how modern German Jewish writers such as
Arthur Schnitzler, Else Lasker-Schuler, and Franz Rosenzweig wrest
the idea of love away from biologist thought and reinstate it as a
model of sociopolitical relations. She concludes by tracing the
relevance of this model in post-Holocaust works by Gershom Scholem,
Hannah Arendt, and Barbara Honigmann.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.