The Leipzig Mahzor is one of the most lavish Hebrew illuminated
manuscripts of all time. A prayer book used during Jewish holidays,
it was produced in the Middle Ages for the Jewish community of
Worms in the German Rhineland. Though Worms was a vibrant center of
Judaism in the eleventh and twelfth centuries and drew celebrated
rabbis, little is known about the city's Jews in the later Middle
Ages. In the pages of its famous book, Katrin Kogman-Appel
discovers a portal into the life of this fourteenth-century
community.
Medieval mahzorim were used only for special services in the
synagogue and "belonged" to the whole congregation, so their visual
imagery reflected the local cultural associations and beliefs. The
Leipzig Mahzor pays homage to one of Worms's most illustrious
scholars, Eleazar ben Judah. Its imagery reveals how his Ashkenazi
Pietist worldview and involvement in mysticism shaped the
community's religious practice. Kogman-Appel draws attention to the
Mahzor's innovations, including its strategy for avoiding visual
representation of God and its depiction of customs such as the
washing of dishes before Passover, something less common in other
mahzorim. In addition to decoding its iconography, Kogman-Appel
approaches the manuscript as a ritual object that preserved a sense
of identity and cohesion within a community facing a wide range of
threats to its stability and security.
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