Melbourne's bid to become the world's second UNESCO City of
Literature marks a new phase in the global move towards the
creative city. Victoria, it is said, is where arts and culture are
at the centre of economic thinking. But what does this say about
the value of culture, the benefits of cultural participation and
the distribution of benefits to a wider community? Do the most
important impacts of the arts defy measurement? How can our
cultural centres find a language to express the value that
Australians see? Kay Ferres and David Adair search among our
performing arts venues for a new kind of yardstick, one that might
define the ineffable.
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