In a world in which media images of crime and deviance
proliferate, where every facet of offending is reflected in a vast
hall of mirrors, Framing Crime: Cultural Criminology and the Image
makes sense of the increasingly blurred line between the real and
the virtual.
Images of crime and crime control have become almost as 'real'
as crime and criminal justice itself. The meaning of both crime and
crime control now resides, not solely in the essential and
essentially false factuality of crime rates or arrest records, but
also in the contested processes of symbolic display, cultural
interpretation, and representational negotiation.
It is essential, then, that criminologists are closely attuned
to the various ways in which crime is imagined, constructed and
framed within modern society.
Framing Crime responds to this demand with a collection of
papers aimed at helping the reader to understand the ways in which
the contemporary story of crime is constructed and promulgated
through the image. It also provides the relevant analytical and
research tools to unearth the hidden social and ideological
concerns that frequently underpin images of crime, violence and
transgression.
Framing Crime will be of interest to students and academics in
the fields of criminology, crime and the media, and sociology.
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