Beholding considers the spatially situated encounter between
artwork and spectator. It argues that artworks created for specific
places or conditions structure a reciprocal encounter, which is
completed by the presence of a beholder. These are works which
demand the 'beholder's share', but not, as Ernst Gombrich famously
claimed, to sustain an illusion. Rather, Beholding reconfigures
Gombrich's notion of the beholder's share as a set of 'licensed'
imaginative and cognitive projections. Each chapter frames a
particular work of art from the remit of a complementary
theoretical text. The book establishes a transhistorical notion of
the spatially situated encounter, and considers the role of the
architectural host in bringing the beholder’s orientation into
play. The book engages a diverse range of practices: from
Renaissance painting and group portraiture to intermedia practices
of installation and performance art. Written within the broad remit
of reception aesthetics, the book proposes a phenomenological
theory of beholding, argued through an in-depth examination of
artworks and their spatial contexts, selected for their explanatory
potential. These various encounters allocate different constitutive
roles to the beholder, bringing not only spatial and temporal
orientation into play, but also a repertoire of anticipated ideas
and beliefs.
General
| Imprint: |
Bloomsbury Visual Arts
|
| Country of origin: |
United Kingdom |
| Release date: |
December 2023 |
| Authors: |
Ken Wilder
|
| Dimensions: |
234 x 156mm (L x W) |
| Pages: |
336 |
| ISBN-13: |
978-1-350-43071-6 |
| Categories: |
Books
Promotions
|
| LSN: |
1-350-43071-4 |
| Barcode: |
9781350430716 |
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