First published in 1937. This study argues that the plays of
Shakespeare must be studied by comparison with each other and not
as separate entities; that they must be related to one another, to
the poems and to the Sonnets; that each individual play acquires a
deeper significance from its setting in the corpus. Muir and
O'Loughlin's critical analysis takes place against the personality
of Shakespeare, asserting that that despite all their diversities a
single mind and a single hand dominate them and that they are the
outcome of one man's critical and emotional reactions to life.
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