First published in 1937.
This study argues that the plays of Shakespeare must be studied by
comparison with each other and not as separate entities; that they
must be related to one another, to the poems and to the Sonnets;
that each individual play acquires a deeper significance from its
setting in the corpus. Muir and O'Loughlin's critical analysis
takes place against the personality of Shakespeare, asserting that
that despite all their diversities a single mind and a single hand
dominate them and that they are the outcome of one man's critical
and emotional reactions to life.
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