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Piracy in the Motion Picture Industry (Paperback)
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Piracy in the Motion Picture Industry (Paperback)
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Film piracy began almost immediately after the birth of the film
industry. Initially it was a within-the-industry phenomenon as
studios stole from each other. As the industry grew and more money
was involved, outsiders became more interested in piracy. Stolen
material made its way offshore since detection was less likely.
Hollywood's major film studios vigorously pursued pirates and had
the situation fairly well under control by the middle 1970s - not
eliminated but reduced to a low level - until videocassettes
arrived. This work begins with a discussion of some of the earliest
cases of piracy in vaudeville, and then considers how the problem
continued to grow caused by the lack of legal resource available to
performers, and the ways film exhibitors cheated the film
distributors and companies and the measures that the distributors
and companies took to prevent piracy over the years. Also examined
are the practices of American theater owners who tried to cheat
Hollywood, especially through the practice known as bicycling -
extra, unpaid for screenings of a legitimately held film - and
altering paperwork to reduce the money owed to distributors on
films screened on percentage contracts. Also examined, to a lesser
degree, are Hollywood's own efforts to cheat, including the
disregard of copyrights held by others.
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