The Symposium is one of Plato's most accessible dialogues, an
engrossing historical document as well as an entertaining literary
masterpiece. By uncovering the structural design of the dialogue,
Plato's Dialectic at Play aims at revealing a Plato for whom the
dialogical form was not merely ornamentation or philosophical
methodology but the essence of philosophical exploration: his
dialectic is not only argument, it is also play.
Careful analysis of each layer of the text leads cumulatively to
a picture of the dialogue's underlying structure, related to both
argument and myth, and shows that a dynamic link exists between
Diotima's higher mysteries and the organization of the dialogue as
a whole. On this basis the authors argue that the Symposium, with
its positive theory of art contained in the ascent to the
Beautiful, may be viewed as a companion piece to the Republic, with
its negative critique of the role of art in the context of the
Good. Following Nietzsche's suggestion and applying criteria
developed by Mikhail Bakhtin, they further argue for seeing the
Symposium as the first novel.
The book concludes with a comprehensive reevaluation of the
significance of the Symposium and its place in Plato's thought
generally, touching on major issues in Platonic scholarship: the
nature of art, the body-soul connection, the problem of identity,
the relationship between mythos and logos, Platonic love, and the
question of authorial writing and the vanishing signature of the
absent Plato himself.
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