Proposing a new interpretation of literature and mass culture in
nineteenth-century Europe, this work focuses on works by Marx,
Balzac, Dickens, Adorno, and Benjamin to explore in them a complex
"mimetic" disposition toward commodification in the realm of
culture. The aim of the book is twofold: to explicate in the work
of Balzac and Dickens subtle and profoundly ambivalent attitudes
toward the rapidly expanding mass culture of the 1830's in France
and England, and to identify through this reading of the novelists
a common mimetic element that has eluded a certain dialectical
approach to art's overcoming of mass culture - an approach best
exemplified in Horkheimer and Adorno's influential essay on the
"culture industry."
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