The tragic mulatta was a stock figure in nineteenth-century
American literature, an attractive mixed-race woman who became a
casualty of the color line. The tragic muse was an equally familiar
figure in Victorian British culture, an exotic and alluring Jewish
actress whose profession placed her alongside the "fallen
woman."
In "Transatlantic Spectacles of Race, " Kimberly Manganelli
argues that the tragic mulatta and tragic muse, who have heretofore
been read separately, must be understood as two sides of the same
phenomenon. In both cases, the eroticized and racialized female
body is put on public display, as a highly enticing commodity in
the nineteenth-century marketplace. Tracing these figures through
American, British, and French literature and culture, Manganelli
constructs a host of surprising literary genealogies, from "Zelica"
to "Daniel Deronda," from "Uncle Tom's Cabin" to "Lady Audley's
Secret." Bringing together an impressive array of cultural texts
that includes novels, melodramas, travel narratives, diaries, and
illustrations, "Transatlantic Spectacles of Race" reveals the value
of transcending literary, national, and racial boundaries.
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