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Birthing Bodies in Early Modern France - Stories of Gender and Reproduction (Hardcover, New Ed)
Loot Price: R4,628
Discovery Miles 46 280
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Birthing Bodies in Early Modern France - Stories of Gender and Reproduction (Hardcover, New Ed)
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The pregnant, birthing, and nurturing body is a recurring topos in
early modern French literature. Such bodies, often metaphors for
issues and anxieties obtaining to the gendered control of social
and political institutions, acquired much of their descriptive
power from contemporaneous medical and scientific discourse. In
this study, Kirk Read brings together literary and medical texts
that represent a range of views, from lyric poets, satirists and
polemicists, to midwives and surgeons, all of whom explore the
popular sixteenth- and early seventeenth-century narratives of
birth in France. Although the rhetoric of birthing was widely used,
strategies and negotiations depended upon sex and gender; this
study considers the male, female, and hermaphroditic experience,
offering both an analysis of women's experiences to be sure, but
also opening onto the perspectives of non-female birthers and their
place in the social and political climate of early modern France.
The writers explored include Rabelais, Madeleine and Catherine Des
Roches, Louise Boursier, Pierre de Ronsard, Pierre Boaistuau and
Jacques Duval. Read also explores the implications of the
metaphorical use of reproduction, such as the presentation of
literary work as offspring and the poet/mentor relationship as that
of a suckling child. Foregrounded in the study are the questions of
what it means for women to embrace biological and literary
reproduction and how male appropriation of the birthing body
influences the mission of creating new literary traditions.
Furthermore, by exploring the cases of indeterminate birthing
entities and the social anxiety that informs them, Read complicates
the binarisms at work in the vexed terrain of sexuality, sex, and
gender in this period. Ultimately, Read considers how the narrative
of birth produces historical conceptions of identity, authority,
and gender.
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