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The Oxford Edition of the Works of Robert Burns: Volume IV - Robert Burns's Songs for George Thomson (Hardcover)
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The Oxford Edition of the Works of Robert Burns: Volume IV - Robert Burns's Songs for George Thomson (Hardcover)
Series: The Oxford Edition of the Works of Robert Burns
Expected to ship within 12 - 17 working days
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Between 1792 and his untimely death in 1796, Robert Burns engaged
in a detailed correspondence with Edinburgh civil servant and song
editor, George Thomson (1757-1851). Thomson had approached him with
a commission to provide song texts initially for a large collection
of Scottish National airs or tunes. This fascinating and productive
relationship has received little attention over the past two
hundred years, with most editions of Burns's songs removing them
from this original context. Thomson's role in editing Burns's
texts, and in the 'branding' of Burns, in the early decades of the
nineteenth century, has also received little detailed analysis.
This new edition of Burns's songs for Thomson is the first to fully
explore the nature of this collaboration, explaining the context
for Thomson's masterplan and articulating clearly how Burns
engaged, at all levels, with this project. It presents over 170 of
Burns's songs as they appeared across Thomson's collections of
Scottish, Welsh, and Irish airs for the first time since their
original publications. Presenting both texts and music, it is the
only time Burns's songs for Thomson's Select Collections have been
examined and presented as a body of work. Thomson's project, aimed
at the growing middle classes and at performance in the drawing
room and on the concert platform, presented Burns's songs amongst
those by other poets of the period, including Walter Scott, Joanna
Baillie, and Lord Byron. Moreover, Burns's songs were set to
national airs with musical arrangements by eminent contemporary
European composers including Joseph Haydn and Ludwig van Beethoven.
Each song in this new edition appears with detailed explanatory
notes on this creative context, tracking the poet's and editor's
conversations about songs and tunes, the changes made by Thomson to
Burns's songs, and giving essential information about both the airs
and their musical settings. There is a detailed account of
Thomson's complicated bibliography and his 1805 'Glossary of the
Scottish words' is included as an appendix, alongside a list of
songs recommended by Burns but never published by Thomson.
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