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Berger & Parkkinen Nordische Botschaften, Berlin - Opus 40 (German, English, Hardcover)
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Berger & Parkkinen Nordische Botschaften, Berlin - Opus 40 (German, English, Hardcover)
Series: OPUS
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Test in German and English. The Embassies of the Nordic Countries
in Berlin are political architecture of a particular kind,
political architecture that does not assert a claim to power, but
that is a self-portrait in the best sense of the word. The vision,
which is already a reality on the level of architecture and design,
aims to combine individual interests within a greater whole: the
ancient democratic ideal that has perhaps never been expressed in a
more beautiful and convincing gesture than in this combination of
five countries, six buildings and six teams of architects, chosen
in a European competition for the central design concept and in
five national competitions for the individual buildings. It is
certainly no coincidence that such convincing symbolism of joint
responsibility and action is not a success due to one of the
European mammoth institutions but to the comparatively small Nordic
countries Denmark, Sweden, Norway, Finland and Iceland. Perhaps it
is not even a coincidence that the concept of the individual
sections that form an individual whole and while doing so preserve
their individual quality as well as the unity comes from a young
Viennese architectural practice whose principal protagonists, the
Austrian Alfred Berger and the Finn Tiina Parkkinen, think and work
across boundaries. A crucial factor was the location in Berlin,
because it was only here that the new buildings for all five
embassies could be commissioned at once. Berger+ Parkkinen's
architecture risks striking breaches of boundaries, not just
between the countries involved but also between urban development
and architecture, and technology and art. Urban space is an
integral part of the embassy complex, to the same extent as nature.
Materials and furniture indicate different cultures. And yet the
composition, for all its openness and transparency, works to exact
spatial sequences and precise external lines for the building,
within the 226 metres long and 15 metres high band of meandering
copper. The idea that the work of Alvar Aalto is being unexpectedly
continued here comes involuntarily to mind.
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