The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.

The author started writing as a child. By seven wanted to be an architect. By twenty-four had become a builder. By thirty-four had become an architect registered and working in the UK. At the age of fifty he decided that architecture as a discipline was a social science of some sort. On this basis he earned a masters at UCL, then a PHD at Heriot Watt for discovering and defending philosophical position based on interpretation that he now calls thermenutics. When teaching about cultural contexts at the university of Ulster architectural school (2001 a " 2010) the link between perception and emotion became central to his interest. At which point he retired to write about understanding, in a series of books, this one being the fourth. The first three were about sharing the management of understanding. This fourth is about the way we share the management of understanding by way of conversations between us that allow us to understand each other.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This fully revised and updated edition of the hugely successful London Theatres features ten additional theatres, including the Victoria Palace Theatre, the Sondheim Theatre, the Bridge Theatre and the Noel Coward Theatre. London is the undisputed theatre capital of the world. From world-famous musicals to West End shows, from cutting-edge plays to Shakespeare in its original staging, from outdoor performance to intimate fringe theatre, the range and quality are unsurpassed. Leading drama critic Michael Coveney invites you on a tour of more than 50 theatres that make the London stage what it is. With stories of the architecture, the people and the productions which have defined each one, alongside sumptuous photographs by Peter Dazeley of the auditoriums, public and backstage areas, this illustrated overview of London's theatres is a book like no other. A must for fans of the stage! Praise for the first edition: 'This coffee table whopper ... dazzles' Spectator 'London Theatres ... will surely feature on any theatre buff's present list' Sightlines New chapters included in the second edition: Victoria Palace Theatre; The Bridge Theatre; Menier Chocolate Factory; Hampstead Theatre; Sondheim Theatre (formerly Queen's Theatre); Harold Pinter Theatre, Noel Coward Theatre; Aldwych Theatre; Garrick Theatre; Vaudeville Theatre; Phoenix Theatre

During the Industrial Revolution, Britain was at the forefront of bridge innovation. Pioneering designers such as George and Robert Stephenson, Thomas Telford and Isambard Kingdom Brunel created Britain's rich bridge heritage that features many world firsts and we can learn much from their ground-breaking designs. Written by an experienced bridge architect, this book includes an introduction to bridge aesthetics; it gives an outline of British bridge development and advice on parapet treatment and bridge lighting. This book offers a comprehensive overview of how the best of British bridges marry aesthetic considerations with engineering ingenuity.

This book is about managing the infrastructure development cycle from project initiation to the end of the operation and maintenance phase. It focuses on the Public-Private Partnership (PPP) contract and, from this perspective, private and public sector procurement are variations.Designed for students from different backgrounds such as information technology, business, architecture, quantity surveying, urban planning, project management, engineering, construction, facilities management, transport, finance, economics, and law, the book provides a structured guide to these diverse students as well as researchers, public officials, project sponsors, lenders, developers, contractors, subcontractors, suppliers, investors, infrastructure fund managers, insurers, facilities managers, non-government organizations, and consultants such as designers, engineers, environmental specialists, legal advisors, and brokers.The book presents general principles that are applicable in different countries, particularly in the developing world where markets and other institutions are less developed and uses examples to clarify ideas.

This book is about managing the infrastructure development cycle from project initiation to the end of the operation and maintenance phase. It focuses on the Public-Private Partnership (PPP) contract and, from this perspective, private and public sector procurement are variations.Designed for students from different backgrounds such as information technology, business, architecture, quantity surveying, urban planning, project management, engineering, construction, facilities management, transport, finance, economics, and law, the book provides a structured guide to these diverse students as well as researchers, public officials, project sponsors, lenders, developers, contractors, subcontractors, suppliers, investors, infrastructure fund managers, insurers, facilities managers, non-government organizations, and consultants such as designers, engineers, environmental specialists, legal advisors, and brokers.The book presents general principles that are applicable in different countries, particularly in the developing world where markets and other institutions are less developed and uses examples to clarify ideas.