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Books > Arts & Architecture > Architecture > Public buildings: civic, commercial, industrial, etc > General
Far and away the best narrative of western architecture in existence...it stands out as an intellectual triumph. - Sir John Summerson In this highly acclaimed, classic reference work David Watkin traces the history of western architecture from the earliest times in Mesopotamia and Egypt to the late twentieth century. For this seventh edition, revising author Owen Hopkins provides a new introduction contextualizing Watkin's approach. The final chapter on the twenty-first century has been completely rewritten by Hopkins, who brings the story right up to date with the inclusion of such topics as re-use, digital cities and virtual architecture.
The fourth edition of this classic book provides a comprehensive treatise on the design and construction of swimming pools, both public and private. Significantly revised, it covers planning, materials, design, construction and finishing, water circulation and treatment, energy conservation, maintenance and repairs. This is a standard book for all civil engineers who need to design and construct swimming pools, and a useful reference on the design of water-retaining structures.
Current Standards for Indoor Air Temperature are inappropriate in many regions of the world. This forces designers to use highly serviced buildings to achieve air temperatures that accord with the standards to the detriment of the local and global environment. Standards for Thermal Comfort brings together contributions from around the world, reflecting new approaches to the setting of standards which can apply to all climates and cultures.
With only a handful of British coalmines remaining active and with targets set to reduce carbon emissions, the coal industry now seems to be heading towards extinction. Yet, it was coal that turned Britain into a world-leader during the Industrial Revolution and established the conditions for the modern state. In the 20th century, it generated building programmes on a massive scale concerning miners' welfare, settlements and housing. The form, space, organisation, and aesthetics of architecture became of critical importance not just to the process of the industry's modernisation but also how it was perceived and understood both within and outside its workforce. But despite the centrality of coal mining and its workers to the development of modern Britain, as well as the contemporary recognition that aspects of its innovative architecture received, its built legacy has often been overlooked and physically almost completely erased. Divided into three parts, this is the first book which provides a critical and comprehensive examination of the architecture of coal in Britain and how it responded to the needs of the industry and, perhaps more significantly, its labour force. Part I explores the relationship between the architecture of coal and the provision of welfare. While this produced a series of enlightened built projects for miners and their communities especially between the wars - educational buildings, reading rooms, holiday camps, welfare institutes, sports grounds, swimming pools, medical centres, children's playgrounds, etc. - it focusses on the paradigmatic integration of aesthetics and programme seen most emphatically in the creation of over 600 pithead baths. Part II looks at settlement and the relationships between responses to often adverse conditions within domestic environments in mining settlements and the development of broader and influential theories and practices concerning housing. Finally, Part III explores the modernisation of the industry during the post-war period arguing that that architectural design and representation became pivotal to the functional and symbolic requirements of the newly Nationalised entity and its position within, and singular contribution to, post-war society.
Zhu Pei's Jingdezhen Imperial Kiln Museum recalls a time of glory of the once "Millenium Porcelain Capital" city, Jingdezhen, and extends these memories to the present. Inspired by the perception of Jingdezhen's specific regional culture (porcelain) and the survival wisdom of the locals, the museum is a symbol of the past and future. The contemporary architecture magnificently resonates the ages: the building form is reminiscent of ancient traditional brick kilns, and its landscape - with mirror pools, bamboo groves, kiln ruins, and courtyards - recreates an impression of Jingdezhen's vibrant porcelain past. As an "Architecture of Nature," that evokes both contemporaneity and ancient vibes, the museum subverts typical perceptions of modern-day museums. Coloured photos, drawings, essays, and interviews provide detailed insights on the conception of the museum - from design concept to environmental strategies, to construction techniques and construction materials - as well as the architect's personal perspectives on the overall concept and intention of the museum. The pages also feature commentaries on the museum by well-known architects, including Steven Holl, Kenneth Frampton, Mohsen Mostafavi, Rem Koolhaas, and Arata Isozaki.
This book advocates an approach to lighting design that focuses on how people experience illumination. Lighting Design in Shared Public Spaces contextualises light, dark and lighting design within the settings, sensations, ideas and imaginaries that form our understandings of ourselves and the world around us. The chapters in this collection bring a new perspective to lighting design, arguing for an approach that addresses how lighting is experienced, understood and valued by people. Across a range of new case studies from Australia, Germany, Denmark, and the United Kingdom, the authors account for lighting design's crucial role in shaping our dynamic and messy experiential worlds. With many turning to innovative ethnographic methodologies, they powerfully demonstrate how feelings of comfort, safety, security, vulnerability, care and well-being can configure in and through how people experience and manipulate light and dark. By focusing on how lighting is improvised, arranged, avoided and composed in relation to the people and things it acts upon, the book advances understandings of lighting design by showing how improved experiences of the built environment can result from more sensitive and context-specific illumination. The book is intended for social scientists who are interested in the lit or sensory world, as well as designers, architects, urban planners and others concerned with how the experience of light, dark and lighting might be both better understood and implemented in our shared public spaces.
Brings together research, theory and practical applications for designing coffee shops and cafes that serve as third places and enhance community connections Provides practical design guidelines, including location, accessibility, seating, lighting, sound and more Includes 8 case studies from across four different countries - Includes over 110 black and white images
Simon Bradley traces the history of the station, introducing us to the men behind the architecture and looks at its new international status. This fine new edition includes a fascinating chapter on the new hotel and some timely revisions bringing it fully up to date. 'A marvellous piece of social, aesthetic and technological history... it is impossible to praise Bradley's book too highly' A. N. Wilson, Daily Telegraph 'Brilliantly and with deft hand, Simon Bradley makes sense of it all ... fabulous' Sunday Telegraph 'A masterpiece of historical context ... immensely readable' Sunday Times 'This fine book examines the history of both the church that gave the station its name and the railway terminus ... unexpectedly compelling' Daily Mail
Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gatheringof friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of China. For a country that has of late been focused on the future, I have been fascinated by the search for a true contemporary regional language in traditional Chinese architecture and painting. The intricate and careful composition in relation to landscape and light has been a continual revelation, as evidenced by the Summer Palace on the outskirts of Beijing and vanishing water towns such as Zhujiajiao, known as the "Venice of Shanghai."
China's rise as an economic superpower has been inescapable. Statistical hyperbole has been accompanied by a plethora of highly publicized architectural forms that brand the regeneration of its increasingly globalized urban centres. Despite the sizeable body of literature that has accompanied China's modernization, the essence and trajectory of its contemporary cityscape remains difficult to grasp. This volume addresses a less explored aspect of China's urban rejuvenation - the prominence of the shopping mall as a keystone of its public spaces. Here, the presence of the built form most representative of Western capitalism's excess is one that makes explicit the tensions between China's Communist state and its ascent within the 'free' market. This book examines how these interrelationships are manifested in the culturally hybrid built form of the shopping mall and its role in contesting the 'public' space of the modern Chinese city. By viewing these interrelationships as collisions of global and local narratives, a more nuanced understanding of the shopping mall typology is explored. Much architectural criticism has failed to address the levels of meaning implicit within the shopping mall, yet it is a building type whose public popularity has guaranteed its endurance. Consequently, if architecture is to remain a relevant social art, a more holistic understanding of this phenomenon will be indispensable to the process of adapting to globalizing forces. This examination of Chinese shopping malls offers a timely and relevant case study of what is happening in all our cities today.
Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series oftwenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of Italy. I have always been eager to capture the faded beauty of cities and buildings. This obsession would inevitably draw me to Venice and Sicily. Wandering amidst the shadows of the Venetian light I have tried to portray the beauty of this luminous city. No part of Italy has as many layers of history or been inhabited by so many different peoples as Sicily. From the Greeks who colonized Siracusa and Selinunte, to the Romans in Agrigento, to the Normans in Palermo.
This book is about managing the infrastructure development cycle from project initiation to the end of the operation and maintenance phase. It focuses on the Public-Private Partnership (PPP) contract and, from this perspective, private and public sector procurement are variations.Designed for students from different backgrounds such as information technology, business, architecture, quantity surveying, urban planning, project management, engineering, construction, facilities management, transport, finance, economics, and law, the book provides a structured guide to these diverse students as well as researchers, public officials, project sponsors, lenders, developers, contractors, subcontractors, suppliers, investors, infrastructure fund managers, insurers, facilities managers, non-government organizations, and consultants such as designers, engineers, environmental specialists, legal advisors, and brokers.The book presents general principles that are applicable in different countries, particularly in the developing world where markets and other institutions are less developed and uses examples to clarify ideas.
This book is about managing the infrastructure development cycle from project initiation to the end of the operation and maintenance phase. It focuses on the Public-Private Partnership (PPP) contract and, from this perspective, private and public sector procurement are variations.Designed for students from different backgrounds such as information technology, business, architecture, quantity surveying, urban planning, project management, engineering, construction, facilities management, transport, finance, economics, and law, the book provides a structured guide to these diverse students as well as researchers, public officials, project sponsors, lenders, developers, contractors, subcontractors, suppliers, investors, infrastructure fund managers, insurers, facilities managers, non-government organizations, and consultants such as designers, engineers, environmental specialists, legal advisors, and brokers.The book presents general principles that are applicable in different countries, particularly in the developing world where markets and other institutions are less developed and uses examples to clarify ideas.
The foodservice industry gets more competitive every day. As a result, initial planning is extremely important and has become a key factor in determining the success or failure of an operation. This fully updated edition of the best-selling text on foodservice facilities planning shows students how to create a facility that blends the most efficient work environment with an ambience that will attract more customers. Students will find all-new information on how to—
When we think about Victorian factories, 'Dark Satanic Mills' might spring to mind - images of blackened buildings and exhausted, exploited workers struggling in unhealthy and ungodly conditions. But for some employees this image was far from the truth, and this is the subject of 'The Factory in a Garden' which traces the history of a factory gardens movement from its late-eighteenth century beginnings in Britain to its twenty-first century equivalent in Google's vegetable gardens at their headquarters in California. The book is the first study of its kind examining the development of parks, gardens, and outdoor leisure facilities for factories in Britain and America as a model for the reshaping of the corporate environment in the twenty-first century. This is also the first book to give a comprehensive account of the contribution of gardens, gardening and recreation to the history of responsible capitalism and ethical working practices. -- .
As cycling continues to enjoy a worldwide revival, experiments in new cycling facilities are underway everywhere. "Cycle Infrastructure" includes international examples, interviews with the makers of prominent cycling routes and a glimpse at future innovations. The possibilities that cycling offers for the spatial qualities and comfort of cities are enormous, but have not been fully realized. This publication is an engaging and motivating handbook for anyone interested in the development, design and promotion of high-quality cycling routes. Its goal is to activate the full potential of cycling for the urban landscape and to consider cycling infrastructure as an integral design challenge, rather than purely an issue of traffic engineering. It includes text by Stefan Bendiks and Aglaee Degros, the founders of Artgineering, an organization for research and design on the boundary between urban planning and infrastructure.
Urban Renewal and School Reform in Baltimore examines the role of the contemporary public school as an instrument of urban design. The central case study in this book, Henderson-Hopkins, is a PK-8 campus serving as the civic centerpiece of the East Baltimore Development Initiative. This study reflects on the persistent notions of urban renewal and their effectiveness for addressing the needs of disadvantaged neighborhoods and vulnerable communities. Situating the master plan and school project in the history and contemporary landscape of urban development and education debates, this book provides a detailed account of how Henderson-Hopkins sought to address several reformist objectives, such as improvement of the urban context, pedagogic outcomes, and holistic well-being of students. Bridging facets of urban design, development, and education policy, this book contributes to an expanded agenda for understanding the spatial implications of school-led redevelopment and school reform.
No other building type captures the imagination like the skyscraper. Here, Eric Hoeweler presents convincing evidence that the future of tall buildings is as secure today as it was over one hundred years ago. Described and accompanied by striking full-colour photography are over fifty new constructions that punctuate the skylines of the major cities around the world. Incisive essays delve into cutting-edge skyscraper design and building, as well as offering a brief history of the skyscraper, the evolution of the `green' or sustainable skyscraper, their symbolism and design, and the meteoric rise of the skyscraper in Asia. A special section is devoted to the designs for Ground Zero, including never-before-published drawings and plans. Far from being a dying form, the skyscraper continues to exert a huge influence on the international landscape, and a continued reinvention of the form awaits us in the next decade.
Originally published in 2014, The Shaping of London chronologically examines the likely impact of wars, dynastic struggles, demographic change and economic growth on the physical fabric of London. The book traces the evolution of architectural style in London within the context of politics and economics, it looks at architecture over broad periods from Romanesque to Jacobean, and from Palladian to Victorian. Looking at the changes of London from 1066 to 1870, Balchin argues that London was created through a mixture of kings, merchants, governors and industrialists, which has lent itself to the creation of notable buildings, and public places in London and in turn their spatial dispersal has helped to determine the shape and areal extent of the metropolis.
The growing movement towards evidence-based healthcare design has largely emphasised a change of culture and attitudes. It has advocated for new ways of working, but until now, it has not focused on equipping healthcare clients and their designers with the practical means to exploit the potential benefits from evidence-based architectural design. Development of indicators and tools that aid designers and users of the built environments in thinking about quality enhances the design process to achieve better outcomes. Importantly, design tools can support managers and designers through end-user involvement and an increased understanding of what patients and staff expect from their healthcare facilities. They can facilitate the creation of patient-centred environments which improve user satisfaction. Design Tools for Evidence-Based Healthcare Design: Discusses the tools that are being used to achieve, design quality and excellence within the context of NHS procurement systems such as PFI, Procure21 and others. Collates information that increases our understanding of these tools, in order to be able to make the best use of them Clarifies where, during the various stages of a building's life (from inception, design, construction, occupation and re-use), these tools should be used in order to derive the benefits possible from evidence-based design Provides in one place an authoritative reference publication that will act as a memory, a user guide and manual for these design tools Illustrated with case studies from throughout the UK and written by a well-known expert in the field, this book will provide essential reading for anyone involved in healthcare design.
Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the facade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.
Robert L. Thompson, FAIA, is the founder and lead design principal of the Portland-based firm TVA Architects, a firm that has built a foundation of collaboration, innovation, and conservation through beautiful design. He is responsible for the design of many of the most prominent buildings throughout Oregon and the Pacific Northwest. TVA Architects creatively transforms their clients' needs and aspirations into elegantly understated works of meaningful architecture, meticulously detailed and impeccably crafted. The projects documented in this book coincide with the fortieth anniversary of this celebrated architect and his body of work as a designer and innovator. He founded TVA Architects in 1984 and built an internationally recognised practice, starting in the Pacific Northwest. In 1993, at the age of thirty-nine, Thompson was the youngest architect in America to be inducted into the American Institute of Architects' College of Fellows for his contribution to the profession. Thompson and TVA Architects have been honored with scores of local, national, and international awards for excellence in design. His projects have ranged from major corporate campuses, high-rise office towers and condominium towers, sports and recreational facilities, retail and cultural projects as well as multi- and single-family residences. This lavishly illustrated monograph, filled with full-colour photography and detailed plans, forms a compilation of select work that celebrates Thompson's influence across architecture over several decades.
The white worlds Kim Utzon has created in Denmark and southern Sweden over the last few decades are stage sets for the ordered appearance of rational and reasonable human beings at work, at home, or at play. Clear in their composition, sequence, and scale, sensuous in their responseto light, and conducive to rest and reason more than anything else, theare a refinement of the Scandinavian Modern tradition in which he works. Combining sparse and light-filled rooms surrounded or defined by open grids with expressive roofs or objects, Utzon's work is able to make sense out of complex programs and create relaxed and continuous spaces.
For the past 20 years, Victoria Meyers, a Founding Partner of hanrahanMeyers architects, has crafted an architectural and urban design practice that includes sound as an intimate aspect of the designed environment. Meyers analyses the shape of sound; architecture and sound; form; materiality; windows; the urban soundscape, its politics, aesthetics and social character; reflection; virtuality; sound art; and silence. This sequel to Designing with Light offers new theoretical insights into sound and the spatial experience accompanied by several key case studies. These include Meyers' work with Stephen Vitiello, whose piece A Bell For Every Minute animated the New York High Line project, and her collaborations with composer and sound artist Michael Schumacher. Digital Water i-Pavilion, located opposite Ground Zero in Manhattan, has proved particularly innovative: Schumacher's score, developed especially for the building, has been etched into a glass facade which can be 'played' by the public via an app; onlookers direct their mobile phones at the glass to read and hear the music. Sound is not simply music however, and Meyers reflects upon this in her quest for an understanding of architecture as an auditory environment, through examples of buildings and materials which inspire and possess characteristic sonic properties. |
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