Brings together research, theory and practical applications for designing coffee shops and cafes that serve as third places and enhance community connections Provides practical design guidelines, including location, accessibility, seating, lighting, sound and more Includes 8 case studies from across four different countries - Includes over 110 black and white images

The first in-depth analysis of the stunning designs of one of the world's most captivating and prominent architects Born in Tanzania, David Adjaye (b. 1966) is rapidly emerging as a major international figure in architecture and design-and this stunning catalogue serves only to cement his role as one of the most important architects of our time. His expanding portfolio of important civic architecture, public buildings, and urban planning commissions spans Europe, the United States, Africa, Asia, and the Middle East. He transforms complex ideas and concepts into approachable and innovative structures that respond to the geographical, ecological, technological, engineering, economic, and cultural systems that shape the practice of global architecture. The publication of this compendium of work and essays coincides with the scheduled opening of Adjaye's National Museum of African American History and Culture on the National Mall in Washington, D.C. Adjaye's completed work in the United States includes the Museum of Contemporary Art in Denver, a pair of public libraries in D.C., and several private residences. He is also known for his collaborations with artists, most recently with the British painter Chris Ofili (b. 1968). Following an introduction by Zoe Ryan, Adjaye writes on his current and future work, with subsequent essays by an extraordinary cadre of architectural scholars on Adjaye's master plans and urban planning, transnational architecture, monuments and memorials, and, finally, the forthcoming museum in D.C. Portfolios of Adjaye's work thread throughout this comprehensive volume. Distributed for the Art Institute of Chicago and Haus der Kunst Exhibition Schedule: Haus der Kunst, Munich (01/30/15-06/28/15) The Art Institute of Chicago (09/19/15-01/03/16)

To Office construction is one of the largest building tasks today. Corporate Offices in India is a compilation which features 20 offices across India covering major corporate houses. Architects and designers face the challenge of creating buildings and space that are functional yet stylish. This title presents 20 of India's most interesting corporate office, with a variety of combinations with companies ranging from entertainment, banks, energy to diversified categories. Striking photos and descriptive captions convey innovative design solutions that give new definitions to workplaces.

This catalogue for an exhibition at the Fondazione Cini in Venice presents stories of places and cities to the east of Italy, and highlights the tales and experiences of Italian architects and travellers. Six internationally famous Italian architects - Renzo Piano, Massimiliano and Doriana Fuksas, Archea Associati, Piuarch, Michele De Lucchi and Mario Cucinella - will showcase projects in Russia, China, Albania, Georgia and Vietnam, with the addition of contextual materials from the Fondazione Cini archives. The narrative of convergence and dialogue between Italian culture and these places emphasises the significance of the unique Italian relationship to these countries and their cultures through the centuries.

Some of the most stunning architectural structures in India are to be found below ground: these are its stepwells, ancient water stores. Stepwells are unique to India and from around the 3rd century CE were built throughout the country, particularly in the arid western regions. Excavated several stories underground in order to reach the water table, these cavernous spaces not only provided water all year long but also fulfilled other functions; they offered pilgrims and other travelers a respite from the heat, and became places in which villagers could socialize. Stepwell construction evolved so that, by the 11th century, the wells were amazingly complex feats of architecture and engineering.The journalist Victoria Lautman first encountered stepwells three decades ago and now, a seasoned traveller to India, she has devoted several years to documenting these fascinating but largely unknown edifices before they disappear. Of the thousands of stepwells that proliferated across India, most were abandoned as a result of modernization and the depletion of water tables. Often commissioned by royal or wealthy patrons, the wells vary greatly in scale, layout, materials and shape. Those in what is now Gujarat state also served as subterranean Hindu temples that featured columned pavilions and elaborate stone carvings of deities. Islamic wells were generally less flamboyant, but incorporated arched side niches. Today, few stepwells are in use. The majority have been left to silt up, fill with rubbish and crumble into disrepair. Gradually, however, the Indian government and heritage organizations have come to recognize the need to preserve these architectural wonders. In 2014 India's best-known stepwell, the Rani ki Vav in Patan, northern Gujarat, became a UNESCO World Heritage site.In her introduction, Lautman discusses why and where the stepwells were built. She reflects on the reasons they became derelict and considers how the appreciation of stepwells is changing with the work of organizations and individuals who aim to protect and restore them. The main part of the book is arranged in a broadly chronological order, with up to six pages devoted to each of c. 80 stepwells, every one unique in design and engineering. The name, location (including GPS coordinates) and approximate date of each well accompany color photographs and a concise commentary by Lautman on the history and architecture of the well and her experience of visiting it. While many of the stepwells are rather decrepit, their magnificent engineering and great beauty cannot fail to impress.

A notable feature in cultural life is the growing demand to preserve and promote public access to historical buildings and sites, and artistic treasures of the past. Governments are increasingly involved in financing and regulating private attempts to meet this growing demand as well as extending their own provision of these treasures in state and locally owned museums and galleries. These developments raise important issues about the scope, content, and relevance of heritage policies in today's world. Written by two leading figures in the field of cultural economics, this authoritative book focuses on the impact of economic analysis on the formulation and implementation of heritage policy.

Between the 1920s and the 1960s, American mainstream cinematic architecture underwent a seismic shift. From the massive movie palace to the intimate streamlined theater, movie theaters became neutralized spaces for calibrated, immersive watching. Leading this charge was New York architect Benjamin Schlanger, a fiery polemicist whose designs and essays reshaped how movies were watched. In its close examination of Schlanger's work and of changing patterns of spectatorship, this book reveals that the essence of film viewing lies not only in the text, but in the spaces where movies are shown. The Optical Vacuum demonstrates that our changing models of cinephilia are always determined by physical structure: from the decorations of the palace to the black box of the contemporary auditorium, variations in movie theater design are icons for how viewing has similarly transformed.

From Dallas–Fort Worth to El Paso, Goodnight to Marfa to Langtry, and scores of places in between, the second of two towering volumes assembled by Gerald Moorhead and a team of dedicated authors offers readers a definitive guide to the architecture of the Lone Star State. Canvassing Spanish and Mexican buildings in the south and southwest and the influence of Anglo- and African American styles in the east and north, the latest book in the Buildings of the United States series serves both as an accessible architectural and cultural history and a practical guide. More than 1,000 building entries survey the most important and representative examples of forts, courthouses, houses, churches, commercial buildings, and works by internationally renowned artists and architects, from the Kimbell Art Museum's Louis Kahn Building to Donald Judd's art installations at La Mansana de Chinati/The Block. Brief essays highlight such topics as the history and construction of federal forts, the growth and spread of Harvey House restaurants, and the birth of Conrad Hilton's hotel empire. Enlivened by 350 illustrations and 45 maps, Buildings of Texas: East, North Central, Panhandle and South Plains, and West affords local and out-of-state visitors, as well as more distant readers, a compelling journey filled with countless discoveries.

Although airports are now best known for interminable waits at check-in counters, liquid restrictions for carry-on luggage, and humiliating shoe-removal rituals at security, they were once the backdrops for jet-setters who strutted, martinis in hand, through curvilinear terminals designed by Eero Saarinen. In the critically acclaimed Naked Airport, Alastair Gordon traces the cultural history of this defining institution from its origins in muddy fields to its frontline position in the struggle against international terrorism.From global politics to action movies to the daily commute, Gordon shows how the airport has changed our sense of time, distance, and style, and ultimately the way cities are built and business is done. He introduces the people who shaped and were shaped by this place of sudden transition: pilots like Charles Lindbergh, architects like Le Corbusier, and political figures like Fiorello LaGuardia and Adolf Hitler. "Naked Airport" is a profoundly original history of a long-neglected yet central component of modern life.

ETH Zurich's new building LEE is an extraordinary project from both an urban planning and an architectural design perspective. Located on a slope above the heart of town, it sits very prominently close to the historic main buildings of ETH Zurich and the University of Zurich that form the "Crown of the Town". In terms of construction, Zurich-based architect Fawad Kazi has been breaking new ground. Accordingly, this new monograph is structured in three sections focusing on these three aspects: integration into urban context; design and construction and materialisation of the precast concrete structure; and a comprehensive documentation of the entire building with images and plans. Topical essays look at specific aspects of the project. Contributions by the architect, the engineers, and by their client round out the book, which offers a comprehensive insight into the creation of a building appearing at once plain and highly complex.

In 1999 the Xunta de Galicia called an International Architecture Competition to build the City of Culture of Galicia on Mount Gaias in Santiago de Compostela. Twelve proposals by renowned national and international architects' studios were initially submitted to this competition for ideas. The architects who submitted their ideas for defining the architectural complex and its uses were Ricardo Bofill, Peter Eisenman, Manuel Gallego Jorreto, Annette Gigon and Mike Guyer, Steve Holl, Rem Koolhaas, Daniel Libeskind, Juan Navarro Baldeweg, Jean Nouvel, Dominique Perrault, Cesar Portela, and Santiago Calatrava (who later withdrew his project). Out of all these ideas, the final project to be selected for development was the design by Eisenman Architects, as - to quote the Jury - it was, "unique both in concept and plasticity, and exceptionally in tune with the site's location." Located in Santiago de Compostela, a historic city that is an emblem of the European cultural tradition and was declared a World Heritage Site by UNESCO in 1985, the City of Culture of Galicia stands on top of Mount Gaias, a formidable architectural landmark for the new century. Conceived as a large-scale cultural hub devoted to hosting the best of cultural expressions of Galicia, Spain, Europe, Latin America and the World, this new "city" will contribute with its inclusive and pluralistic approach to meeting the challenges of the information and knowledge society. Its unique buildings, connected up by streets and plazas equipped with state-of-the-art technology, create a space of excellence for reflection, debate and actions oriented towards the preservation of heritage and memory, towards study, research, experimentation, production and dissemination in the field of literature and thinking, music, drama, dance, film, the visual arts, audiovisual creation and communication. This book invites readers to stroll around a new city where past, present, and future cultures coexist: "A new cultural Babylon will open its doors to readers."

'A thrilling celebration of lighthouses' i newspaper An enthralling history of Britain's rock lighthouses, and the people who built and inhabited them Lighthouses are enduring monuments to our relationship with the sea. They encapsulate a romantic vision of solitary homes amongst the waves, but their original purpose was much more noble, conceived as navigational gifts for the safety of all. Still today, we depend upon their guiding lights for the safe passage of ships. Nowhere is this truer than in the rock lighthouses of Great Britain and Ireland: twenty towers built between 1811 and 1904, so-called because they were constructed on desolate, slippery rock formations in the middle of the sea, rising, mirage-like, straight out of the waves, with lights shining at the their summits. Seashaken Houses is a lyrical exploration of these magnificent, isolated sentinels, the ingenuity of those who conceived them, the people who risked their lives building and rebuilding them, those that inhabited their circular rooms, and the ways in which we value emblems of our history in a changing world.

On February 29, 1960, a catastrophic earthquake devastated the Moroccan coastal city of Agadir, erasing it almost entirely and killing a third of its population. The world was shocked and very quickly large amounts of international aid arrived. Following an emotional speech by King Mohammed V, the reconstruction of Agadir was also an undertaking of national and international solidarity. A new and unprecedented process of urban construction was developed that allowed many architects — national and international — to simultaneously design the new city. The result of this joint effort was astounding. In a very short time, the new Agadir rose from the ashes. The best Moroccan and international architects experimented with novel housing typologies, which mediated between ultramodern and vernacular ways of dwelling, complemented by innovative public structures, such as schools, dispensaries and cinemas. All of these combined into an original urban reality: a modern Afropolis. This book for the first time thoroughly explores the forgotten tale of Agadir’s reconstruction. It features previously unpublished archival documents and striking period photographs, as well as new plans and contemporary images by London-based photographer and academic David Grandorge, alongside scholarly essays by architects and architecture historians Tom Avermaete, Laure Augereau, Irina Davidovici, Janina Gosseye, Cathelijne Nuijsink, Hans Teerds, and Maxime Zaugg. A three-part interview with Lachsen Roussafi, who witnessed the 1960 earthquake as a student, rounds out this tantalising narration of the international architectural adventure of rebuilding Agadir as the modern Afropolis.

The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, silver, textiles, stained glass, and jewellery, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence is important because it provides more insight into the man and more information about his work than any other source. It is vigorous, direct, often witty, and provides an invaluable source for architectural and religio-historical research. By the end of this volume (the first of five) Pugin is established in his career.

This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Cantonese opera performances in Australia's goldfields in the 1850s; and the Stardust showroom in 1950s Las Vegas. Shaping some of the most enduring genres of world theatre and cultural production, each venue marks a significant cultural transformation, charted here through detailed discussion of theatrical praxis and socio-political history. Using virtual models as performance laboratories for research, Visualising Lost Theatres recreates the immersive feel of venues and reveals performance logistics for actors and audiences. Proposing a new methodology for using visualisations as a tool in theatre history, and providing 3D visualisations for the reader to consult alongside the text, this is a landmark contribution to the digital humanities.

From the kinetoscope, used by one viewer at a time, to the lavish movie palaces of Hollywood's golden era, the experience of watching films has varied enormously across film. Exhibition, The Film Reader traces the emergence of a culture of moviegoing, exploring the range of venues in which films have been shown and following the fluctuating status of film and the continuning struggle over audiences.
Contributors explore the meanings conveyed to spectators through exhibition sites and practices, and raise key issues of distribution, access and consumption.
Essays by: Dudley Andrew, Anthony Downs, Gary Edgerton, Anne Friedberg, Kathryn Helgesen Fuller, Douglas Gomery, Thomas Guback, Ben M. Hall, Ina Rae Hark, Charlotte Herzog, Russell Meritt, William Paul, Suzanne I. Schiller, Gregory Waller, Barbara Wilinsky.

From ancient stadium construction to a design object of the twenty-first century, sports arenas have long been turned into places hosting a global media spectacle. For a few hours or days, colossuses made of steel and concrete transform into colourful festival locations. Since the first ancient stadium in Greek Olympia, the typology of stadium construction has undergone a profound transformation: due to changes in requirements and demand, an urban entertainment centre has emerged from the simple running track in the countryside. Through selected examples of projects, this volume from the Construction and Design Manual series illustrates the development of stadiums in relation to building typologies. It provides a basic manual of stadium design using basic planning parameters. Examined are, amongst others, Olympic stadiums, football stadiums, velodromes and ice arenas. Drawings, detailed plans and large- format photos facilitate an understanding of the carefully selected examples and are used to analyse stadium construction in terms of its history, planning and architecture.

This book details how Building Information Modelling is being successfully deployed in the planning, design, construction and future operation of the Istanbul New Airport, a mega-scale construction project incorporating a varying mix of infrastructures including terminals, runways, passenger gates, car parks, railways and roads. The book demonstrates how Airport Building Information Modelling (ABIM) is being used to: * facilitate collaboration, cooperation and integrated project delivery * manage subcontractors and eliminate cost over-runs * reduce waste on site and enhance overall quality * connect people in a virtual environment to encourage collaborative working * provide clients with an effective interface for lifecycle management including: design development, construction documentation, construction phases and BIM and Big Data Integration for future facilities management The book presents a best practice BIM project, demonstrating concurrent engineering, lean processes, collaborative design and construction, and effective construction management. Moreover, the book provides a visionary exemplar for the further use of BIM technologies in civil engineering projects including highways, railways and others on the way towards the Smart City vision. It is essential reading for all Built Environment and Engineering stakeholders.

First published in 1974, Architecture of Middle Tennessee quickly became a record of some of the region's most important and most endangered buildings. Based primarily upon photographs, measured drawings, and historical and architectural information assembled by the Historic American Buildings Survey of the National Park Service in 1970 and 1971, the book was conceived of as a record of buildings preservationists assumed would soon be lost. Remarkably, though, nearly half a century later, most of the buildings featured in the book are still standing. Vanderbilt staffers discovered a treasure trove of photos and diagrams from the HABS survey that did not make the original edition in the Press archives. This new, expanded edition contains all the original text and images from the first volume, plus many of the forgotten archived materials collected by HABS in the 1970s. In her new introduction to this reissue, Aja Bain discusses why these buildings were saved and wonders about what lessons preservationists can learn now about how to preserve a wider swath of our shared history.

Many people who live in and visit the Lake District are charmed by the traditional buildings that enhance the landscape. This book introduces the traditional houses, barns, watermills, and chapels of the Lake District and the surrounding hills and valleys that make up the county of Cumbria. With the aid of hundreds of photographs, drawings, and diagrams, the author explains how the building types have developed over the centuries and how the indigenous building materials of stone, clay, brick, and slate have been used to create works of vernacular architecture that seem to grow out of the surrounding landscape.

With its gently curving glass outlines contrasted against solid geometric blocks, Mario Bellini's Exhibition Centre at Cernobbio, inspires other designers and architects as well as the people who work and visit there. Set against the spectacular mountains around Lake Como, it is a play on difference: between classicism and organic shapes and between architecture and nature.

This book highlights human behaviour and architectural considerations for prescriptive code requirements for emergency exits in heritage cultural centers. Closed circuit television camera (CCTV) footage from a Canadian heritage cultural centre was analyzed from three separate unannounced evacuations, where recommendations based on the first two evacuations were implemented for the third. This study aims to (1) develop a baseline for the behaviour and actions of people during the pre-movement and movement stages of emergency egress and evacuation situations and (2) collect behavioural and movement data to aid the fire safety community with the decision process for egress and evacuation strategies and (3) interrogate and highlight architectural barriers in heritage structures with respect to emergency evacuation. The discussion of findings includes occupant behaviour, architectural implications and evacuation modelling and considers the often-conflicting intersection between architectural conservation and fire safety.

The pub has been at the heart of English life for generations. But how has this unique institution developed over the centuries? Paul Jennings traces the history of the English pub, looking at how it evolved from the coaching inn and the humble alehouse, through back-street beerhouses and 'fine, flaring' gin palaces to the drinking establishments of the twenty-first centuries. Covering all aspects of pub life, this fascinating history examines pubs in town and country. It identifies key trends and discusses architecture and interior design. It looks at customers and their varied activities in pubs and at the men and women who ran them. The story of the pub is set throughout the wider context of social change. The Local is a must-read for the pub-goer and anyone interested in the history of the English people.