Edited and authored by the renowned architecture expert Philip Jodidio, this book is dedicated to a new, eye-catching building by the Swiss architecture firm Durig AG located in Lausanne, also known as the Olympic Capital. As the structure s name suggests, Vortex is an 88-foot-high tower in the shape of a circular crown, rising around a 1.7-mile-long single ramp. Its spiralling movement creates an emblematic shape reminiscent of Olympic rings a fitting tribute for a building that housed the 1,700 talented young athletes who competed in January 2020 s Winter Youth Olympic Games. Over 130 photographs, sketches, plans, and models illuminate this enormous undertaking, while Jodidio s informative text offers detailed insight into the phases of design and construction. Imagery of circular references from art, architecture, and nature also highlight the inspiration behind the building s extraordinary shape. Printed in Italy using the finest European papers, this new volume is a beautiful ode to Vortex and Lausanne s forward-looking spirit.

After lengthy planning, the new public library in Oslo was completed and opened in summer 2020. Located opposite the Opera House and the Munch Museum, the imposing building fits into the ensemble in the new cultural quarter of the Norwegian capital. The project by Lund Hagem Architects and Studio Oslo emerged from an international architectural competition and is characterized by a radical interpretation of the library as a vivid place to meet and spend time with an impressive multimedia offering in an unobtrusive inviting environment. The publication documents in detail the planning and building process from the first draft to the opening. Essays by the novelist Elif Shafak and the library's long-time director Liv Saeteren explain the significance of the institution as an integrative social force. Nikolaus Hirsch pays tribute to the building from the perspective of architectural criticism. Iwan Baan and Helene Binet capture the architecture and atmosphere of the shining crystal in their photographs.

Libraries and Learning Resource Centres is a comprehensive reference text examining the changing role and design of library buildings. Critical evaluations of international case studies demonstrate the principles of library design.Available for the first time in full colour, the second edition of the work focuses particularly on the important question of access and design in public libraries. Updated case studies and technical data allow the professional architect to use the book directly in planning library projects.Providing guidance on balancing the needs of the collection and the user, Libraries and Learning Resource Centres will be of value to all professional architects involved in library planning.

Cardiff's civic centre in Cathays Park, described as the finest civic centre in the British Isles, is an impressive planned group of public buildings, begun largely with wealth created by the coal industry in the south Wales coalfield. This book covers the Cardiff site's earlier evolution as a private park in the nineteenth century by the fabulously rich Bute family, and the borough's battles to obtain land for public buildings and the park's development in the twentieth century, to become Britain's finest civic centre. All the buildings, memorials and statues in the park are fully described and illustrated in this book which includes maps, plans and photographs. The History and Architecture of Cardiff Civic Centre is the first in the series Architecture of Wales, published in partnership with the Royal Society of Architects in Wales.

Published to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK'. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 - years that witnessed the Act of Union during the reign of Queen Anne and Great Britain's rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain's maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures - a mixture of historical, contemporary, allegorical and mythological characters - to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. In the first part of the book, Dr Anya Lucas describes the history and architecture of the building and the background to Thornhill's commission. The grandeur of his composition, which covers 40,000 square feet, reflects the importance of the space that the paintings adorn: the hall of the new Royal Hospital for Seamen. The Hospital was established in 1694 at Queen Mary's instigation for men invalided out of the Navy, and was designed by Sir Christopher Wren and Nicholas Hawksmoor. The Painted Hall was originally intended as a grand dining room, but it soon became a ceremonial space open to paying visitors and reserved for special functions. The last naval pensioners left the site in 1869, when it became home to the Royal Naval College, an officers' training academy. The passage of nineteen years from the start of the commission to its completion, and the need to navigate contemporary political events, meant that Thornhill was required to rethink the design of his paintings several times. His preparatory sketches for the Painted Hall reveal how carefully he experimented with and planned the content. When he had finished his work, Thornhill wrote An Explanation of the paintings, which was published by the Hospital directors and sold to visitors. This guide is the subject of the second part of our book, by Dr Richard Johns. Johns also explores image and meaning in Thornhill's decorative scheme, which stretches across three distinct but connected spaces: the domed Vestibule, the long Lower Hall, and the Upper Hall, together presenting a vivid and compelling picture of Britain's place in the world according to those who governed it at the start of the 18th century. During the last 300 years, smoke and dirt built up on the fragile painted surfaces of the Hall, and varnish layers fractured under the effects of heat and humidity. In the final part of the book, the specialist conservators Sophie Stewart and Stephen Paine consider historic restorations of the Painted Hall from the 18th century to the Ministry of Works campaign of the late 1950s. The spring of 2019 sees the completion of a ground-breaking conservation programme that has reversed decades of decay and ensured the long-term preservation of the paintings. Now that every inch of decorated surface has been lovingly cleaned and conserved, new photography brings the colour, clarity and vibrancy of Thornhill's masterpiece to life.

The first ever collection of photographs showing in detail the Baikonur Cosmodrome, the world's most important urban exploration site. The Baikonur Cosmodrome in Kazakhstan was created by the Soviets in the 1950s. It was from Baikonur in 1988 that the first Soviet spaceplane, Buran, was launched in response to the United States Space Shuttle. The Buran programme would officially end in 1993 during the presidency of Boris Yeltsin, with only one Buran launch ever taking place, in 1998. Thereafter, parts of the Baikonur Cosmodrome fell into disuse, notably the sites connected with the launch of these Soviet craft. The two shuttles that were completed remain abandoned there, laid to rest in this atmospheric place. This is the first time that photographs of these spectacular locations have been published in a book. Jonk travelled 20km through the Kazakh desert under cover of night, entered the hangars clandestinely, and spent three nights there under the radar of military security to produce a truly incredible photographic reportage of what is considered today the world's most important urban exploration site. Jonk reveals his excellent collection of photographs taken in the disused part of the Baikonur Cosmodrome. As well as providing us with these amazing pictures, he describes the incredible adventure of visiting a location that is unique in the world.

This is the first book to examine the development of the town hall during the twentieth century and the way in which these civic buildings have responded to the dramatic political, social and architectural changes which took place during the period. Following an overview of the history of the town hall as a building type, it examines the key themes, variations and lessons which emerged during the twentieth century. This is followed by 20 case studies from around the world which include plans, sections and full-colour illustrations. Each of the case studies examines the town hall's procurement, the selection of its architect and the building design, and critically analyses its success and contribution to the type's development. The case studies include: Copenhagen Town Hall, Denmark, Martin Nyrop Stockholm City Hall, Sweden, Ragnar Ostberg Hilversum Town Hall, the Netherlands, Willem M. Dudok Walthamstow Town Hall, Britain, Philip Dalton Hepworth Oslo Town Hall, Norway, Arnstein Arneberg and Magnus Poulsson Casa del Fascio, Como, Italy, Guiseppe Terragni Aarhus Town Hall, Denmark, Arne Jacobsen with Eric Moller Saynatsalo Town Hall, Finland, Alvar Aalto Kurashiki City Hall, Japan, Kenzo Tange Toronto City Hall, Canada, Viljo Revell Boston City Hall, USA, Kallmann, McKinnell and Knowles Dallas City Hall, USA, IM Pei Mississauga City Hall, Canada, Ed Jones and Michael Kirkland Borgoricco Town Hall, Italy, Aldo Rossi Reykjavik City Hall, Iceland, Studio Granda Valdelaguna Town Hall, Spain, Victor Lopez Cotelo and Carlos Puente Fernandez The Hague City Hall, the Netherlands, Richard Meier Iragna Town Hall, Switzerland, Raffaele Cavadini Murcia City Hall, Spain, Jose Rafael Moneo London City Hall, UK, Norman Foster

In this volume, some of the leading figures in the field have been brought together to write on the roots of the historic preservation movement in the United States, ranging from New York to Santa Fe, Charleston to Chicago. Giving Preservation a History explores the long history of historic preservation: how preservation movements have taken a leading role in shaping American urban space and development; how historic preservation battles have reflected broader social forces; and what the changing nature of historic preservation means for efforts to preserve national, urban, and local heritage. The second edition adds several new essays addressing key developing areas in the field by major new voices. The new essays represent the broadening range of scholarship on historic preservation generated since the publication of the first edition, taking better account of the role of cultural diversity and difference within the field while exploring the connections between preservation and allied concerns such as environmental sustainability, LGBTQ and nonwhite identity, and economic development.

Liliane Wong's latest volume on adaptive reuse in architecture presents 50 spectacular conversion and reuse projects worldwide, including buildings such as the TWA Hotel at NewYork's John F. Kennedy Airport, the CaixaForum in Madrid, and the New Museum in Berlin. The projects are presented using a new classification system that addresses practitioners as well as academics. The author's introductory essay provides a comprehensive overview and historical context for the enormous evolution and expansion of adaptive reuse over the past 50 years.

Writing Spaces examines and compares discourses of architecture, urbanism and the built environment between 1960 and 2000, a period in which economies and cultures in the world have become ever more interdependent; in which technologies have revolutionized production and communications and when the social and spatial organisation of built environments and cities has been massively transformed. As a response to these developments, social theory has been recast, arguing that space is the medium of social change and hence political struggle.

This book focuses on architect Demetri Porphyrios and developer Roger Madelin projects that highlight dialogues between historic buildings and new districts to create city centers in a master plan for Kings Cross London with the Yale School of Architecture.

Moshe Safdie explains that probably more than half of his lifetime design work is unbuilt, and he considers his unbuilt work to be some of his most significant work. In this richly illustrated book, replete with detailed diagrams, sketches, models and studies, Moshe Safdie explains that for those who design in order to build, not succeeding in building is never a failure (there are many reasons why a project might not be built) because these designs are part of the evolution of an architect's work. This volume is a fascinating journey through Safdie's thoughts and career, and also a historical reference of the social and political forces at play at the time. Not only a treatise on Safdie's unrealised concepts, this book is also a wonderful affirmation that there is valuable heritage in the unbuilt. Includes a number of significant projects from around the globe, including the following: Habitat Original Proposal, Montreal, Quebec, Canada 1964; Habitat New York II, New York, New York, United States 1967; San Francisco State, College Student Union, San Francisco, California, United States 1967; Pompidou Centre, Paris, France 1971; Western Wall Precinct, Jerusalem, Israel 1972; Supreme Court of Israel, Jerusalem, Israel 1985; Columbus Center, New York, New York, United States 1985; Ballet Opera House, Toronto, Ontario, Canada 1987; Museum of Contemporary Art, Stuttgart, Germany 1990; Superconducting Super Collider Laboratory, Waxahachie, Texas, United States 1993; Incheon Airport, Incheon, Korea 2011; Jumeirah Gateway Mosque, Dubai, UAE 2007; National Art Museum of China, Beijing, China 2012.

According to urban academic myth, the first restaurants emerged in the wake of the French Revolution. From the very beginning in the elegant salons of the latter days of the Ancien Regime, the design of restaurants has been closely related to ideas of how food should be presented and how it may be consumed in public. The appearance and atmosphere created by restaurant owners reflects culturally embedded ideals of comfort, sociability and the good life. As a product of the modern metropolis, the restaurant encapsulates and illustrates the profound change in how its patrons viewed themselves as individuals, how they used their cities and how they met friends or business partners over a meal. The architectural design of environments for the consumption of food necessarily involves an exploration and a manipulation of the human experience of space. It reflects ideas about public and private behaviour for which the restaurant offers a stage. Famous architects were commissioned to provide designs for restaurants in order to lure in an ever more demanding urban clientele. The interior designs of restaurants were often employed to present this particular aspect in consciously evoking an imagery of sophisticated modernity. This book presents the restaurant, its cultural and typological history as it evolved over time. In this unique combination it provides valuable knowledge for designers and students of design, and for everyone interested in the cultural history of the modern metropolis.

This is the standard design guide on schools architecture, providing vital information on school architecture.
Mark Dudek views school building design as a particularly specialised field encompassing ever changing educational theories, the subtle spatial and psychological requirements of growing children and practical issues that are unique to these types of building.
He explores the functional requirements of individual spaces, such as classrooms, and shows how their incorporation within a single institution area are a defining characteristic of the effective educational environment.

Acoustics, impact damage, the functional differentiation of spaces such as classrooms, music rooms, craft activities and gymnasium, within a single institution are all dealt with. More esoteric factors such as the effects on behaviour of colour, light, surface texture and imagery are considered in addition to the more practical aspects of designing for comfort and health.
Chapter 4 comprises 20 case studies which address those issues important in the creation of modern school settings. They are state of the art examples from all parts of the world. These examples include: Pokstown Down Primary, Bournemouth; Haute Vallee School, Jersey; Heinz-Galinski School, Berlin; Anne Frank School, Papendract, Netherlands; Seabird Island School, British Columbia and The Little Village Academy, Chicago.
*Provides a detailed design guide on schools and sets the standard for future design
*International and well-illustrated case studies show the theory put into practice

The extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do "something big." Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo-Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia's Towers in Watts is a much anticipated revisitation of the man and his towers. In 1919, Sabato Rodia purchased a triangular plot of land in a multiethnic, working-class, semi-rural district. He set to work on an unusual building project in his own yard. By night, Rodia dreamed and excogitated, and by day he built. He experimented with form, color, texture, cement mixtures, and construction techniques. He built, tore down, and re-built. As an artist completely possessed by his work, he was often derided as an incomprehensible crazy man. Providing a multifaceted, holistic understanding of Rodia, the towers, and the cultural/social/physical environment within which the towers and their maker can be understood, Sabato Rodia's Towers in Watts compiles essays from twenty authors, offering perspectives from the arts, the communities involved in the preservation and interpretation of the towers, and the academy. Most of the contributions originated at two interdisciplinary conferences held in Los Angeles and in Italy: "Art & Migration: Sabato Rodia's Towers in Watts, Los Angeles" and "The Watts Towers Common Ground Initiative: Art, Migrations, Development." The Watts Towers are wondrous objects of art and architecture as well as the expression and embodiment of the resolve of a singular artistic genius to do something great. But they also recount the heroic civic efforts (art and social action) to save them, both of which continue to this day to evoke awe and inspiration. Sabato Rodia's Towers in Watts presents a well-rounded tribute to one man's tenacious labor of love. A portion of royalties from this book will go to support the work of the Watts Towers Arts Center.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites. Through brand-new photography, plans and drawings by Gaudi himself, historical photos, as well as an appendix detailing all his works-from buildings to furniture, decor to unfinished projects-this book presents Gaudi's universe like never before. Like a personal tour through Barcelona, we discover how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.

More than any other building type in the twentieth century, the hospital was connected to transformations in the health of populations and expectations of lifespan. From the scale of public health to the level of the individual, the architecture of the modern hospital has reshaped knowledge about health and disease and perceptions of bodily integrity and security. However, the rich and genuinely global architectural history of these hospitals is poorly understood and largely forgotten. This book explores the rapid evolution of hospital design in the twentieth century, analysing the ways in which architects and other specialists reimagined the modern hospital. It examines how the vast expansion of medical institutions over the course of the century was enabled by new approaches to architectural design and it highlights the emerging political conviction that physical health would become the cornerstone of human welfare.