Designing Public Spaces in Hospitals illustrates that in addition to their aesthetic function, public spaces in hospitals play a fundamental role concerning people's satisfaction and experience of health care. The book highlights how spatial properties, such as accessibility, visibility, proximity, and intelligibility affect people's behavior and interactions in hospital public spaces. Based on the authors' research, the book includes detailed analysis of three hospitals and criteria that can support the design in circulation areas, arrival and entrance, first point of welcome, reception, and the interface between city and hospital. Illustrated with 150 black and white images.

Designing Public Spaces in Hospitals illustrates that in addition to their aesthetic function, public spaces in hospitals play a fundamental role concerning people's satisfaction and experience of health care. The book highlights how spatial properties, such as accessibility, visibility, proximity, and intelligibility affect people's behavior and interactions in hospital public spaces. Based on the authors' research, the book includes detailed analysis of three hospitals and criteria that can support the design in circulation areas, arrival and entrance, first point of welcome, reception, and the interface between city and hospital. Illustrated with 150 black and white images.

This book discusses the effect of different school building rehabilitation strategies on the classrooms' indoor environmental quality (IEQ) and presents a multi-objective methodology for school building enclosure optimization combining artificial neural networks and lifecycle costs. The special features of this book are that it (a) presents the state-of-the-art in school building rehabilitation, (b) covers the IEQ assessment of several school buildings, including non-rehabilitated and rehabilitated according to different strategies; and (c) proposes a multi-objective optimization procedure. The rehabilitation of a school building should be regarded as a procedure combining a number of (sometimes conflicting) variables and objectives, including energy, IEQ and costs (initial, operational and maintenance), in the search for an "optimum solution." The main benefit of the book is that it discusses the main topics related to school building rehabilitation, presents results of the IEQ assessment on 9 school buildings and launches a discussion on how the "in-use" performance of schools is key to understanding how designed performance is actually experienced. It maps the most commonly used multi-objective algorithms and artificial neural network architectures and proposes a methodology for combining these numerical tools with dynamic building simulations and lifecycle cost analysis to optimize school building enclosures. This methodology will be of value to scientists and engineers alike, while also addressing a variety of related disciplines, such as civil and mechanical engineering, architecture and mathematics.

Whether determining the style of its embassies or the design of overseas cemeteries for Americans killed in battle, the U.S. government in its rise to global leadership greatly valued architectural symbols as a way of conveying its power abroad. In order to explain the political significance of American monuments on foreign soil, this illustrated book explores the efforts made by the United States from 1900 to 1965 to enhance its image as a military and economic force with displays of artistic achievement.

Originally published in 1996.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

England and Wales have long been captivated by the lighthouse, with many of the towers built at the countries' extremities seen as iconic structures. Lighthouses have seized the imagination for centuries, and have cut striking figures wherever they stand. Newly revised and wholly redesigned, Lighthouses of England and Wales is a complete guide to the lighthouses of England, Wales and the Channel Islands in one spectacular volume. Alongside stunning photographs are pocket histories and statistics for each lighthouse, tower and aid to navigation - large or small - as well as details of how to visit them. Whether you are a lighthouse aficionado, coastal walker, or just someone with an eye for a beautiful view, this is a book not to be missed.

One of America's oldest public buildings of European origin, the Palace of the Governors in Santa Fe celebrates its quatrocentennial in photographs, drawings, lithographs, and maps: the story of New Spain and four centuries of change. This lively pictorial drama for all ages sets the Palace as the historical stage upon which the major events of four hundred years are played, from the arrival of the first conquistadors and the founding of New Spain's capital to the Pueblo Revolt of 1680, the Mexican War, the opening of the Santa Fe Trail that ushered in the Anglo period, the Civil War and the coming of the railroad, Hewett and the founding of the Museum of New Mexico, and the archaeology of the twentieth century. Until 1909 a governor's residence, the Palace remains a royal house for all who visit. A National Historic Landmark and international tourist destination, the Palace of the Governors is a fine example of Spanish Colonial architecture, and much detail of the building's Spanish, Mexican, and Territorial periods is in evidence today. Restoration and archaeology together have revealed the worth of this significant historic artefact that welcomes visitors into period rooms re-created with elements of the Palace's illustrious past, complete with period furnishings and museum-quality collections.

The extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do "something big." Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo-Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia's Towers in Watts is a much anticipated revisitation of the man and his towers. In 1919, Sabato Rodia purchased a triangular plot of land in a multiethnic, working-class, semi-rural district. He set to work on an unusual building project in his own yard. By night, Rodia dreamed and excogitated, and by day he built. He experimented with form, color, texture, cement mixtures, and construction techniques. He built, tore down, and re-built. As an artist completely possessed by his work, he was often derided as an incomprehensible crazy man. Providing a multifaceted, holistic understanding of Rodia, the towers, and the cultural/social/physical environment within which the towers and their maker can be understood, Sabato Rodia's Towers in Watts compiles essays from twenty authors, offering perspectives from the arts, the communities involved in the preservation and interpretation of the towers, and the academy. Most of the contributions originated at two interdisciplinary conferences held in Los Angeles and in Italy: "Art & Migration: Sabato Rodia's Towers in Watts, Los Angeles" and "The Watts Towers Common Ground Initiative: Art, Migrations, Development." The Watts Towers are wondrous objects of art and architecture as well as the expression and embodiment of the resolve of a singular artistic genius to do something great. But they also recount the heroic civic efforts (art and social action) to save them, both of which continue to this day to evoke awe and inspiration. Sabato Rodia's Towers in Watts presents a well-rounded tribute to one man's tenacious labor of love. A portion of royalties from this book will go to support the work of the Watts Towers Arts Center.

This book is thematically positioned at the intersections of Urban Design, Architecture, Civil Engineering and Computer Science, and it has the goal to provide specialists coming from respective fields a multi-angle overview of state-of-the-art work currently being carried out. It addresses both newcomers who wish to obtain more knowledge about this growing area of interest, as well as established researchers and practitioners who want to keep up to date. In terms of organization, the volume starts out with chapters looking at the domain at a wide-angle and then moves focus towards technical viewpoints and approaches.

During the summers of 2017 and 2018, Karen Knorr was given a carte blanche to photograph the building site of the disused Art-Deco Department store in Paris, La Samaritaine. The resulting photographs, infused with playful fantasy and surrealism, were taken with a large format camera and transformed with solarization. They are accompanied by lines from Brecht's poem: Questions from a Worker Who Reads (1935). These photographs record and document a labour in progress, yet the construction workers have exited and the building is built as if by magic.

This is the standard design guide on schools architecture, providing vital information on school architecture.
Mark Dudek views school building design as a particularly specialised field encompassing ever changing educational theories, the subtle spatial and psychological requirements of growing children and practical issues that are unique to these types of building.
He explores the functional requirements of individual spaces, such as classrooms, and shows how their incorporation within a single institution area are a defining characteristic of the effective educational environment.

Acoustics, impact damage, the functional differentiation of spaces such as classrooms, music rooms, craft activities and gymnasium, within a single institution are all dealt with. More esoteric factors such as the effects on behaviour of colour, light, surface texture and imagery are considered in addition to the more practical aspects of designing for comfort and health.
Chapter 4 comprises 20 case studies which address those issues important in the creation of modern school settings. They are state of the art examples from all parts of the world. These examples include: Pokstown Down Primary, Bournemouth; Haute Vallee School, Jersey; Heinz-Galinski School, Berlin; Anne Frank School, Papendract, Netherlands; Seabird Island School, British Columbia and The Little Village Academy, Chicago.
*Provides a detailed design guide on schools and sets the standard for future design
*International and well-illustrated case studies show the theory put into practice

In Bathing in the Roman World, Fikret Yegul examines the social and cultural aspects of one of the key Roman institutions. Guiding the reader through the customs, rituals, and activities associated with public bathing, Yegul traces the origins and development of baths and bathing customs and analyzes the sophisticated technology and architecture of bath complexes, which were among the most imposing of all Roman building types. He also examines the reception of bathing throughout the classical world and the transformation of bathing culture across three continents in Byzantine and Christian societies. The volume concludes with an epilogue on bathing and cleanliness in post-classical Europe, revealing the changes and continuities in culture that have made public bathing a viable phenomenon even in the modern era. Richly illustrated and written in an accessible manner, this book is geared to undergraduates for use in courses on Roman architecture, archaeology, civilization, and social and cultural history.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to Peterhouse and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis' monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to St John's College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis' monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to Trinity College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis's monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to King's College and Eton College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.

In Bathing in the Roman World, Fikret Yegul examines the social and cultural aspects of one of the key Roman institutions. Guiding the reader through the customs, rituals, and activities associated with public bathing, Yegul traces the origins and development of baths and bathing customs and analyzes the sophisticated technology and architecture of bath complexes, which were among the most imposing of all Roman building types. He also examines the reception of bathing throughout the classical world and the transformation of bathing culture across three continents in Byzantine and Christian societies. The volume concludes with an epilogue on bathing and cleanliness in post-classical Europe, revealing the changes and continuities in culture that have made public bathing a viable phenomenon even in the modern era. Richly illustrated and written in an accessible manner, this book is geared to undergraduates for use in courses on Roman architecture, archaeology, civilization, and social and cultural history.

Moshe Safdie explains that probably more than half of his lifetime design work is unbuilt, and he considers his unbuilt work to be some of his most significant work. In this richly illustrated book, replete with detailed diagrams, sketches, models and studies, Moshe Safdie explains that for those who design in order to build, not succeeding in building is never a failure (there are many reasons why a project might not be built) because these designs are part of the evolution of an architect's work. This volume is a fascinating journey through Safdie's thoughts and career, and also a historical reference of the social and political forces at play at the time. Not only a treatise on Safdie's unrealised concepts, this book is also a wonderful affirmation that there is valuable heritage in the unbuilt. Includes a number of significant projects from around the globe, including the following: Habitat Original Proposal, Montreal, Quebec, Canada 1964; Habitat New York II, New York, New York, United States 1967; San Francisco State, College Student Union, San Francisco, California, United States 1967; Pompidou Centre, Paris, France 1971; Western Wall Precinct, Jerusalem, Israel 1972; Supreme Court of Israel, Jerusalem, Israel 1985; Columbus Center, New York, New York, United States 1985; Ballet Opera House, Toronto, Ontario, Canada 1987; Museum of Contemporary Art, Stuttgart, Germany 1990; Superconducting Super Collider Laboratory, Waxahachie, Texas, United States 1993; Incheon Airport, Incheon, Korea 2011; Jumeirah Gateway Mosque, Dubai, UAE 2007; National Art Museum of China, Beijing, China 2012.

This book is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture.

Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialisation and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernisation but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives.

State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria.

This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science and social anthropology.

How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II-before fossil-fuel powered air-conditioning became widely available-Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lucio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today's zero-carbon design.

The Natural History Museum is home to many rare and exceptional natural wonders - but the magnificent Museum building is itself one of London's most iconic attractions. Envisioned by Alfred Waterhouse as a cathedral of nature, the building he created is one of Britain's most striking examples of Romanesque architecture and is considered a work of art in its own right. This picture-led exploration of the building celebrates Waterhouse's unique architectural accomplishment and showcases many of the artistic gems it houses; not least it's incredibly detailed engravings, sculptures and painted ceiling.

In 2011, Zurich-based architect Fawad Kazi, together with the KSSG-OKS planning consortium, won the competition for the rebuilding and extension of St Gallen's cantonal hospital (KSSG) and the new regional children's hospital for eastern Switzerland (OKS). By 2028, this huge undertaking will have transformed the whole area they are built in. This building monograph, laid out in five elegant volumes, documents in much detail the ambitious project, which is a significant trailblazer in the area of hospital design and urban development. This second volume is devoted to KSSG's Haus 10, situated at the northern end of the site. Connected to the hospital's main building by means of an ingenious passage, it serves to treat walk-in patients. Its flexible structure allows adaptions to suit also future needs of KSSG. The interior design is based on materials and features intended also for the other new buildings still to come. Text in English and German.