Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City's most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, "The Heavens in the Attic," is the first detailed history of the Hayden Planetarium, from the museum's earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum's labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day the book includes some of the most important and colorful characters in the city's history, including the notoriously corrupt and powerful "Boss" Tweed, "Father of New York City" Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.

Visiting a museum is an experience that normally sets our concentration on the artworks or on its architecture. That is correct, however there is an invisible factor called "narrative structure" that deals with the construction of different routes to walk an exhibition and to unveil the space of museum. This specific discipline is the argument of the first book in a series dedicated to theoretical research.

Dulwich Picture Gallery in the south of London is the world's first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public", it opened its famous building designed by John Soane in 1817. To mark the museum's bicentenary in 2017, Dulwich Picture Gallery commissioned a first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant, large-size book documents this piece of built poetry in a series of striking, atmospheric photographs by Sophie Roycroft. The concise essays by Job Floris and Sumayya Vally situate the project within a social, political, and cultural context, complemented by technical details and selected plans and drawings on and inside the book's cover.

The seminal and pioneering London Underground is more than a mass transportation network - it is a style icon, its history involving some of the most important architects and artists of their time. Exploring Frank Pick's vision through the development of Metroland to Holden's innovative designs, David Long expertly weaves the story of the Underground - its abundance of characters (some good, some not so good), design firsts and brand identity - with Jane Magarigal's atmospheric photography. From suburban expansion to Blitz bombings and Soviet adulation, this book celebrates what remains a magnificent engineering and aesthetic achievement while providing an affectionate if slightly elegiac portrait of a London which is now gone for good.

Taking public space as her starting point, Amy Russell offers a fresh analysis of the ever-fluid public/private divide in Republican Rome. Built on the 'spatial turn' in Roman studies and incorporating textual and archaeological evidence, this book uncovers a rich variety of urban spaces. No space in Rome was solely or fully public. Some spaces were public but also political, sacred, or foreign; many apparently public spaces were saturated by the private, leaving grey areas and room for manipulation. Women, slaves, and non-citizens were broadly excluded from politics: how did they experience and help to shape its spaces? How did the building projects of Republican dynasts relate to the communal realm? From the Forum to the victory temples of the Campus Martius, culminating in Pompey's great theatre-portico-temple-garden-house complex, The Politics of Public Space in Republican Rome explores how space was marked, experienced, and defined by multiple actors and audiences.

Contemporary Museum Architecture and Design showcases 18 diverse essays written by people who design, work in, and study museums, offering a variety of perspectives on this complex building type. Throughout, the authors emphasize new kinds of experiences that museum architecture helps create, connecting ideas about design at various levels of analysis, from thinking about how the building sits in the city to exploring the details of technology. With sections focusing on museums as architectural icons, community engagement through design, the role of gallery spaces in the experience of museums, disability experiences, and sustainable design for museums, the collected chapters cover topics both familiar and fresh to those interested in museum architecture. Featuring over 150 color illustrations, this book celebrates successful museum architecture while the critical analysis sheds light on important issues to consider in museum design. Written by an international range of museum administrators, architects, and researchers this collection is an essential resource for understanding the social impacts of museum architecture and design for professionals, students, and museum-lovers alike.

The Chrysler Building was the result of a remarkable collaboration between William Van Alen, a dreamer whose designs challenged orthodox architecture, and Fred T. Ley, a practical builder who turned dreams into reality. Together they realized Walter P. Chrysler's vision of an iconic structure that would (for 11 months) be the tallest building in the world. Alen is recognized as one of the most innovative architects of the 20th century. Ley rose from rod man on a survey team to head one of the largest construction companies in the world. Both men participated in the architectural revolution brought about by steel frame, curtain wall construction. This book chronicles how they designed and constructed the Chrysler Building and how the experience affected the rest of their lives.

Architects and healthcare clients are increasingly coming to recognize that, once built, healthcare facilities are almost immediately subject to physical alterations which both respond to and affect healthcare practices. This calls into question the traditional ways in which these facilities are designed. If functions and practices are subject to alteration, the standard approach of defining required functions and practices before acquiring facilities is obsolete. We need other starting points, working methods, and ways of collaborating. Healthcare Architecture as Infrastructure presents these new approaches. Advocating an infrastructure theory of built environment transformation in which design and investment decisions are organized hierarchically and transcend short-term use, the book draws the practice and research of a number of architects from around the world. Written by experts with experience in policy making, designing, building, and managing complex healthcare environments, it shows professionals in architecture, engineering, healthcare and facilities management how to enhance the long-term usefulness of their campuses and their building stock and how to strengthen their physical assets with the capacity to accommodate a quickly evolving healthcare sector.

Vast sums of money spent to design, construct, and maintain museum additions demand great accountability of museum leaders and design professionals towards visitors and employees. Museum visitors today come not only to view works of art, but also to experience museum architecture itself, resulting in most major cities competing to build new museum additions or new museum buildings to become world class tourist destinations. Shedding New Light on Art Museum Additions presents post-occupancy evaluations of four high-profile museums and their additions in the United States and helps museum stakeholders understand their successes, shortcomings, and how their designs affect both visitors and employees who use them every day. The book helps decision-makers assess the short-term and long-term impacts of future proposals for new museum additions and illuminates the critical importance of investing in employee work environments, and giving serious consideration to lighting, wayfinding, accessibility, and the effects of museum fatigue that arise from the lack of public amenities. Museum leaders, curators, architects, designers, consultants, patrons of the arts and museum visitors will find this book to be a useful resource when planning and evaluating new building additions.

Designing Public Spaces in Hospitals illustrates that in addition to their aesthetic function, public spaces in hospitals play a fundamental role concerning people's satisfaction and experience of health care. The book highlights how spatial properties, such as accessibility, visibility, proximity, and intelligibility affect people's behavior and interactions in hospital public spaces. Based on the authors' research, the book includes detailed analysis of three hospitals and criteria that can support the design in circulation areas, arrival and entrance, first point of welcome, reception, and the interface between city and hospital. Illustrated with 150 black and white images.

This book discusses the effect of different school building rehabilitation strategies on the classrooms' indoor environmental quality (IEQ) and presents a multi-objective methodology for school building enclosure optimization combining artificial neural networks and lifecycle costs. The special features of this book are that it (a) presents the state-of-the-art in school building rehabilitation, (b) covers the IEQ assessment of several school buildings, including non-rehabilitated and rehabilitated according to different strategies; and (c) proposes a multi-objective optimization procedure. The rehabilitation of a school building should be regarded as a procedure combining a number of (sometimes conflicting) variables and objectives, including energy, IEQ and costs (initial, operational and maintenance), in the search for an "optimum solution." The main benefit of the book is that it discusses the main topics related to school building rehabilitation, presents results of the IEQ assessment on 9 school buildings and launches a discussion on how the "in-use" performance of schools is key to understanding how designed performance is actually experienced. It maps the most commonly used multi-objective algorithms and artificial neural network architectures and proposes a methodology for combining these numerical tools with dynamic building simulations and lifecycle cost analysis to optimize school building enclosures. This methodology will be of value to scientists and engineers alike, while also addressing a variety of related disciplines, such as civil and mechanical engineering, architecture and mathematics.

During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. 'Basic Forms' represents the culmination of their career. Although the subject matter is unglamorous-mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks-the Bechers' passion for their work imbues these photographs with beauty and solemnity. The Bechers restricted the conditions of each photograph-taking them early in the morning, on overcast days, so as to eliminate shadow and distribute light evenly. Each image is centered and frontally framed, its parallel lines set on an even plane. There are no human figures, nor are there birds in the sky. The result is a treasury of precisely functional architectural forms, a sublime example of conceptual artistic practices, and a series of "perfect sculptures of a bygone industrial age."

Whether determining the style of its embassies or the design of overseas cemeteries for Americans killed in battle, the U.S. government in its rise to global leadership greatly valued architectural symbols as a way of conveying its power abroad. In order to explain the political significance of American monuments on foreign soil, this illustrated book explores the efforts made by the United States from 1900 to 1965 to enhance its image as a military and economic force with displays of artistic achievement.

Originally published in 1996.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

England and Wales have long been captivated by the lighthouse, with many of the towers built at the countries' extremities seen as iconic structures. Lighthouses have seized the imagination for centuries, and have cut striking figures wherever they stand. Newly revised and wholly redesigned, Lighthouses of England and Wales is a complete guide to the lighthouses of England, Wales and the Channel Islands in one spectacular volume. Alongside stunning photographs are pocket histories and statistics for each lighthouse, tower and aid to navigation - large or small - as well as details of how to visit them. Whether you are a lighthouse aficionado, coastal walker, or just someone with an eye for a beautiful view, this is a book not to be missed.

One of America's oldest public buildings of European origin, the Palace of the Governors in Santa Fe celebrates its quatrocentennial in photographs, drawings, lithographs, and maps: the story of New Spain and four centuries of change. This lively pictorial drama for all ages sets the Palace as the historical stage upon which the major events of four hundred years are played, from the arrival of the first conquistadors and the founding of New Spain's capital to the Pueblo Revolt of 1680, the Mexican War, the opening of the Santa Fe Trail that ushered in the Anglo period, the Civil War and the coming of the railroad, Hewett and the founding of the Museum of New Mexico, and the archaeology of the twentieth century. Until 1909 a governor's residence, the Palace remains a royal house for all who visit. A National Historic Landmark and international tourist destination, the Palace of the Governors is a fine example of Spanish Colonial architecture, and much detail of the building's Spanish, Mexican, and Territorial periods is in evidence today. Restoration and archaeology together have revealed the worth of this significant historic artefact that welcomes visitors into period rooms re-created with elements of the Palace's illustrious past, complete with period furnishings and museum-quality collections.

Monograph questioning What if research, science and architecture were merged? LAVA is an architecture studio founded by Tobias Wallisser, Chris Bosse, and Alexander Rieck with offices in Germany, Vietnam, and Australia. The German Pavilion for Expo 20 is an example of the eloquence with which LAVA responds to issues of the day. The three core themes of the book - Cities of the Future, Biodiversity, as well as Energy and Sustainability - are complemented by the subjects "Connecting Minds," meaning social and political architecture, "Digital Processes and Technologies," and "New Work" and explored together throughout the six chapters of this book. In addition to projects and their derivation, architectural and sociological thinkers elaborate on their ideas on these topics - creatively, speculatively, and thoughtfully. Themes: City - Energy - Biodiversity - Connecting - Work - Digital Processes Selected projects as case studies With contributions by Amy Frearson, Georg Vrachliotis, Giovanna Carnevali, Maria Aiolova, Gilles Retsin, Andre Wilkens, Marjan Colletti, and Raoul Bunschoten

The extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do "something big." Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo-Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia's Towers in Watts is a much anticipated revisitation of the man and his towers. In 1919, Sabato Rodia purchased a triangular plot of land in a multiethnic, working-class, semi-rural district. He set to work on an unusual building project in his own yard. By night, Rodia dreamed and excogitated, and by day he built. He experimented with form, color, texture, cement mixtures, and construction techniques. He built, tore down, and re-built. As an artist completely possessed by his work, he was often derided as an incomprehensible crazy man. Providing a multifaceted, holistic understanding of Rodia, the towers, and the cultural/social/physical environment within which the towers and their maker can be understood, Sabato Rodia's Towers in Watts compiles essays from twenty authors, offering perspectives from the arts, the communities involved in the preservation and interpretation of the towers, and the academy. Most of the contributions originated at two interdisciplinary conferences held in Los Angeles and in Italy: "Art & Migration: Sabato Rodia's Towers in Watts, Los Angeles" and "The Watts Towers Common Ground Initiative: Art, Migrations, Development." The Watts Towers are wondrous objects of art and architecture as well as the expression and embodiment of the resolve of a singular artistic genius to do something great. But they also recount the heroic civic efforts (art and social action) to save them, both of which continue to this day to evoke awe and inspiration. Sabato Rodia's Towers in Watts presents a well-rounded tribute to one man's tenacious labor of love. A portion of royalties from this book will go to support the work of the Watts Towers Arts Center.

This book is thematically positioned at the intersections of Urban Design, Architecture, Civil Engineering and Computer Science, and it has the goal to provide specialists coming from respective fields a multi-angle overview of state-of-the-art work currently being carried out. It addresses both newcomers who wish to obtain more knowledge about this growing area of interest, as well as established researchers and practitioners who want to keep up to date. In terms of organization, the volume starts out with chapters looking at the domain at a wide-angle and then moves focus towards technical viewpoints and approaches.

During the summers of 2017 and 2018, Karen Knorr was given a carte blanche to photograph the building site of the disused Art-Deco Department store in Paris, La Samaritaine. The resulting photographs, infused with playful fantasy and surrealism, were taken with a large format camera and transformed with solarization. They are accompanied by lines from Brecht's poem: Questions from a Worker Who Reads (1935). These photographs record and document a labour in progress, yet the construction workers have exited and the building is built as if by magic.

The beautifully illustrated pocket edition is an editorial tribute to the history of the Comunale Theatre in Bologna, a city institution of international fame. With previously unpublished and richly detailed images and complementary texts by Professor Piero Mioli, this publication celebrates the theatre's great and unique story. Also included is a rich photographic array from the theatre's historical archives featuring posters, stage photos, sketches, drawings and figurine plates, which have been hidden from public view, until now. Text in English and Italian.

Ornament is back--not as detail adorning a facade, but in the body of entire structures, producing buildings in the shape of letters, a heap of pebbles or a national emblem. In "Building as Ornament," Michiel van Raaij investigates how this new tendency in architecture emerged in the late 1990s and how it has developed at the start of the twenty-first century, through interviews with ten leading architects, among them Adriaan Geuze, Michiel Riedijk, Winy Maas, Steven Holl and Bjarke Ingels. This generation of architects sees the design of the 'upscaled' ornament as an inextricable element of their practice. What are their motivations? How do they orient their ideas in the tradition of their profession? Michiel van Raaij argues that "the new ornament" is bound by certain rules: successful ornament represents a virtue and clarifies the function, status, construction, organization and context of the building.