Rick Mather Architects (RMA) have been working in London since the early 70s. Best known for their award winning museum extensions, such as the Dulwich Picture Gallery and the National Maritime Museum, RMA's portfolio spans a broad spectrum of projects, including residential and student housing, master plans and urban design for both renovations and new buildings. They are world renowned for their intuitive sense of place and context, as well as their pioneering technologies in structural glass and sustainable design. The book establishes Rick Mather's unique approach to resolving complex design issues on both a large scale and in the fine details; the work of the practice is described in accessible terms through the texts and through a wealth of visual material, including photography and drawings supplied by the practice. Alongside this documentation, the visual aspect is supplemented by reproduced paintings, maps and drawings from a diverse range of sources, which have inspired and informed the work. Over the past 33 years, the practice has undertaken 500 projects. These include the Virginia Museum of Fine Art; the student halls of residence in Norfolk; the Ashmolean Museum extension, Oxford; the masterplanning of London's South Bank Centre; as well as Mather's iconic housing of the 1980s and 90s. This book will cover the full range of the projects, exploring Mather's response to the technical and social requirements of the briefs, and the way that a US born architect has re-imagined Britain's culture and made it his own.

Ruhrchemie AG, a chemical company based in Oberhausen (Germany) has, since its founding in 1928, consistently maintained a photographic archive of the company's history. In addition to numerous professional and amateur photographers, whose pictures were shown in company magazines and brochures, Ruhrchemie commissioned photographs from luminaries of the profession such as Albert Renger-Patzsch and Robert H usser. This book of photographs presents a selection from the wide range of images in the collection, including factory architecture, industrial landscapes, and employees. Renger-Patzsch's cool approach, which aimed for objectivity, was ideally suited to the representation of both industrial architecture and engineering structures. In contrast to Renger-Patzsch's images, which are mostly devoid of human beings, H usser photographed the workers in the workplace. Apart from his trademark black and white photos, more than one hundred color slides have been preserved in the company's archive. Many of these are published here for the first time. Text in English and German. Contents: A directed view. Industrial photography for the Ruhrchemie AG in Oberhausen; Asrchitectures, Processes, Products; Chemical Images. The Ruhrchemie in photographic records. Photographers: Albert Renger-Patzsch / Karl Hugo Schm lz / Ludwig Windstosser / Bernd and Hilla Becher / Rudolf Holtappel / Robert H usser / Joachim Schumacher / Hermann Dornhege / Christian Diehl.

Somewhere between 1910 and 1970, architecture changed. Now that modern architecture has become familiar (sometimes celebrated, sometimes vilified), it's hard to imagine how novel it once seemed. Expensive buildings were transformed from ornamental fancies which referred to the classical and medieval pasts into strikingly plain reflections of novel materials, functions, and technologies. Modern architecture promised the transformation of cities from overcrowded conurbations characterised by packed slums and dirty industries to spacious realms of generous housing and clean mechanised production set in parkland. At certain times and in certain cultures, it stood for the liberation of the future from the past. This Very Short Introduction explores the technical innovations that opened-up the cultural and intellectual opportunities for modern architecture to happen. Adam Sharr shows how the invention of steel and reinforced concrete radically altered possibilities for shaping buildings, transforming what architects were able to imagine, as did new systems for air conditioning and lighting. While architects weren't responsible for these innovations, they were among the first to appreciate how they could make the world look and feel different, in connection with imagery from other spheres like modern art and industrial design. Focusing on a selection of modern buildings that also symbolize bigger cultural ideas, Sharr discusses what modern architecture was like, why it was like that, and how it was imagined. Considering the work of some of the historians and critics who helped to shape modern architecture, he demonstrates how the field owes as much to its storytellers as to its buildings. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Over the past twenty years European cities have become the envy of the world: a Kraftwerk Utopia of historic centres, supermodernist concert halls, imaginative public spaces and futuristic egalitarian housing estates which, interconnected by high-speed trains traversing open borders, have a combination of order and pleasure which is exceptionally unusual elsewhere. In Trans-Europe Express, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it.

This two-volume work which was first published in 1825-8 presents London's most important buildings at a time of rapid urban transformation. Aiming to project a vision of London as a dynamic city of integrated courtly and commercial power, the 70 entries span a historical range from the medieval (Westminster Hall) to the early nineteenth century (Soane's Museum) and a diversity of building types from palaces and churches to banks, theatres, prisons and bridges. Edited by John Britton, a leading topographical authority of the period, and Auguste Charles Pugin, an Anglo-French architectural draughtsman, the volumes contain 146 engravings of the selected buildings, correctly scaled from different perspectives and including interior scenes as well as external plans. This was a landmark publication in its time and remains a vivid portrait of the London's built environment immediately before the advent of the railway. This new edition includes an extended introduction by Stephen Daniels, Professor Emeritus of Cultural Geography, University of Nottingham.

A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American's sacrifice - but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family's subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace. Focused primarily on a life lost amid our nation's most controversial conflict and on the Westphalls' desperate battle to keep their chapel open between 1971 and 1982, the book's brisk and moving narrative traces the memorial's evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel's shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier's tragic story and the monument to hope and peace that it inspired.

This book is a compilation of the winning entries from the 28th Asia Pacific Interior Design Awards 2020, featuring 61 projects across 12 space types, judged by top designers such as Ho Chung Hin and Jurgen Bey. The entries showcased the latest design trends in the Asia Pacific region, and interpreted and led the spirit of Asia Pacific design, in line with 28 years of consistent quality. The impact of the 2020 epidemic has also had a profound impact on the field of design, and the direction of this year's selection captures this change keenly, looking for outstanding designs that address and interpret people's changing physical and spiritual needs in the light of the new changes. For example, new scenarios that reconfigure the way people live together in the blurring of boundaries between public and private spaces. Pushing new professional boundaries has always been the creative mission of the Asia Pacific Interior Design Awards, and this time, its professionalism is reflected in its commitment and care for people's lives and well-being.

Originally from Chicago, Ryan W. Kennihan has been working in Dublin since 2007 and has taught at various universities. His architecture is reserved, peaceful and elegant. Each building is a little gem, where every detail reflects the architecture. For instance the Vita Family Center in Roscommon assumes the volume and appearance of the surrounding traditional buildings, while varying the details in an astute and subtle way. Text in English and German.

From Dallas–Fort Worth to El Paso, Goodnight to Marfa to Langtry, and scores of places in between, the second of two towering volumes assembled by Gerald Moorhead and a team of dedicated authors offers readers a definitive guide to the architecture of the Lone Star State. Canvassing Spanish and Mexican buildings in the south and southwest and the influence of Anglo- and African American styles in the east and north, the latest book in the Buildings of the United States series serves both as an accessible architectural and cultural history and a practical guide. More than 1,000 building entries survey the most important and representative examples of forts, courthouses, houses, churches, commercial buildings, and works by internationally renowned artists and architects, from the Kimbell Art Museum's Louis Kahn Building to Donald Judd's art installations at La Mansana de Chinati/The Block. Brief essays highlight such topics as the history and construction of federal forts, the growth and spread of Harvey House restaurants, and the birth of Conrad Hilton's hotel empire. Enlivened by 350 illustrations and 45 maps, Buildings of Texas: East, North Central, Panhandle and South Plains, and West affords local and out-of-state visitors, as well as more distant readers, a compelling journey filled with countless discoveries.

Libraries and Learning Resource Centres is a comprehensive reference text examining the changing role and design of library buildings. Critical evaluations of international case studies demonstrate the principles of library design.Available for the first time in full colour, the second edition of the work focuses particularly on the important question of access and design in public libraries. Updated case studies and technical data allow the professional architect to use the book directly in planning library projects.Providing guidance on balancing the needs of the collection and the user, Libraries and Learning Resource Centres will be of value to all professional architects involved in library planning.

All the world's knowledge is stored and collected here. The place serves as an assembly point and information centre and is all things in one: laboratory, workshop, building site, university, theatre, opera house and museum. The shape of the building should be like a sphere with a silver-grey surface gleaming in the sunlight. It stands in a shallow pool of water. Broad walkways lead to the entrance. Extensive gardens in gentle geometric patterns invite visitors to rest, play, chat and look.

Between the 1920s and the 1960s, American mainstream cinematic architecture underwent a seismic shift. From the massive movie palace to the intimate streamlined theater, movie theaters became neutralized spaces for calibrated, immersive watching. Leading this charge was New York architect Benjamin Schlanger, a fiery polemicist whose designs and essays reshaped how movies were watched. In its close examination of Schlanger's work and of changing patterns of spectatorship, this book reveals that the essence of film viewing lies not only in the text, but in the spaces where movies are shown. The Optical Vacuum demonstrates that our changing models of cinephilia are always determined by physical structure: from the decorations of the palace to the black box of the contemporary auditorium, variations in movie theater design are icons for how viewing has similarly transformed.

Rightly or wrongly, its designer is credited with the idea of having associated the construction with a symbolic and imaginative calendar: 365 meters in length, the number of days in a year, four courtyards, like the seasons, fifty-two doors, and seven stories...Urban myth or the truth? What is certain is that esoteric symbolism and a taste for numbers were often the prerogative of master builders and architects and undoubtedly fascinate the Italians Alfonso Femia and Gianluca Peluffo of 5+1AA. Their renowned ability to bring together the know-how of artisans, artists, contractors, and suppliers of materials has produced a remarkable aesthetic result, in which color and material articulate the internal spaces, animated by stores, restaurants, and offices.

Grand seaside hotels dominate Britain's seaside resorts with bold, largescale buildings, often magnificent examples of the most fashionable architectural style of the time. First emerging in the eighteenth century, their golden age came in the second half of the nineteenth, when a showpiece luxury hotel was a must-have for any successful seaside resort. These imposing Grands, Royals and Imperials, filled with every modern convenience of the period and containing opulent restaurants and ballrooms, are fascinating buildings that reflect the fortunes of those who built and visited them throughout the years. Karen Averby takes us through the rise, the fall and the modern-day resurgence of the grand seaside hotel across the whole of the UK, from their exclusive and luxurious nineteenth-century beginnings, through their renaissance in the interwar years, decline in the 1970s as foreign package holidays became popular and their recent, more accessible refurbished form today. This book is part of the Britain's Heritage series, which provides definitive introductions to the riches of Britain's past, and is the perfect way to get acquainted with seaside hotels in all their variety.

Anthony Poon's passion for music inspires a vibrant architecture that engages its users and the environment. Affordability and sustainability are hallmarks of Poon's designs, which fuse quality and innovation. His success explodes the myth that architect-designed houses are more expensive and challenging than generic solutions and raises the bar for developers and architects alike. This monograph explores three fields in which Poon Design have excelled: housing, schools, and restaurants. It explains how they enrich the experience of living, learning, and eating, and promote social interaction. Readers can track the creative process from concept sketch to model, plan to completion.

Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le Corbusier the visual artist, this structure in steel and glass represents pivotal aspects of his architectural philosophy and also points to the future. Architects Silvio Schmed and Arthur Ruegg have carefully restored the Pavillon Le Corbusier to its original state, including the reconstruction of missing pieces of furniture and luminaires. This book documents their research and the restored building, featuring previously unpublished historic photographs and documents alongside newly commissioned images by Georg Aerni.

Eye-Popping Show-Stopping Libraries starts out by recounting the beginning of the relationship between the American Institute of Architects (AIA) and the American Library Association (ALA) to establish the Library Building awards and traces the development of the program over the following five decades. In the next seven chapters the authors have grouped selected award-winning libraries by big themes, to explore the evolution of service innovations and design trends; most of the selected case studies include exterior and interior photographs, as well as floor plans. The final chapter offers some thoughts on what a half-century of award-winning architecture can tell us about the future of library service and library design. In the afterword the authors review the initial round of seventeen award-winning libraries from 1963, to assess how the designs have held up over time, and to describe the current disposition of the building. Three appendixes offer a chronological list of award recipients, an alphabetical list of awardees by library, and an alphabetical list by architect. The fourth and final appendix is a chronological list of jury members. This full-color, beautifully illustrated with 141 images book presents these exemplary libraries as an exploration of the evolution of library service and design. It examines the award-winning libraries by big themes to explore how service trends and design trends have evolved. Documentation of featured library buildings (including photographs and plans) is an important element.

The Landscape Project is a collection of essays by the landscape architecture faculty at the Weitzman School of Design at the University of Pennsylvania, long considered a leading institution in the field of landscape architecture. This collection covers topics such as food, biodiversity, water, plants, energy, public space, politics, mapping, practice, and representation and serves as essential reading for students and professionals wishing to engage with the full scope of today's landscape. These essays radically expand the purview of landscape architecture.

The design, construction, operation, and retrofit of buildings is evolving in response to ever-increasing knowledge about the impact of indoor environments on people and the impact of buildings on the environment. Research has shown that the quality of indoor environments can affect the health, safety, and productivity of the people who occupy them. Buildings are also resource intensive, accounting for 40 percent of primary energy use in the United States, 12 percent of water consumption, and 60 percent of all non-industrial waste. The processes for producing electricity at power plants and delivering it for use in buildings account for 40 percent of U.S. greenhouse gas emissions.
The U.S. federal government manages approximately 429,000 buildings of many types with a total square footage of 3.34 billion worldwide, of which about 80 percent is owned space. More than 30 individual departments and agencies are responsible for managing these buildings. The characteristics of each agency's portfolio of facilities are determined by its mission and its programs.
In 2010, GSA's Office of Federal High-Performance Green Buildings asked the National Academies to appoint an ad hoc committee of experts to conduct a public workshop and prepare a report that identified strategies and approaches for achieving a range of objectives associated with high-performance green federal buildings. Achieving High-Performance Federal Facilities identifies examples of important initiatives taking place and available resources. The report explores how these examples could be used to help make sustainability the preferred choice at all levels of decision making.
Achieving High-Performance Federal Facilities can serve as a valuable guide federal agencies with differing missions, types of facilities, and operating procedures.

Once the center of village and city life, diminishing congregation numbers have left church buildings increasingly empty or forced to close. So, how can they be revitalized? Since 2016, under the patronage of the Evangelical Church in Middle Germany and the International Building Exhibition IBA Thueringen, citizens have unified through solidarity-forming projects to reactivate their churches as sites of community. This second volume of the series StadtLand:Kirche presents these ambitious projects, detailing a narrative of progress through failures and successes. Case studies such as the Her(r)bergskirche in Rennsteig and the Bienen-Garten-Kirche in Roldisleben, demonstrate that realistic secular uses can complement the original offerings of the church. A new type of church is emerging as a hybrid place at the center of the village.

When the brilliant classical architect Charles Barry won the competition to build a new, Gothic, Houses of Parliament in London he thought it was the chance of a lifetime. It swiftly turned into the most nightmarish building programme of the century. From the beginning, its design, construction and decoration were a battlefield. The practical and political forces ranged against him were immense. The new Palace of Westminster had to be built on acres of unstable quicksand, while the Lords and Commons carried on their work as usual. Its river frontage, a quarter of a mile long, needed to be constructed in the treacherous currents of the Thames. Its towers were so gigantic they required feats of civil engineering and building technology never used before. And the interior demanded spectacular new Gothic features not seen since the middle ages. Rallying the genius of his collaborator Pugin; flanking the mad schemes of a host of crackpot inventors, ignorant busybodies and hostile politicians; attacking strikes, sewage and cholera; charging forward three times over budget and massively behind schedule, it took twenty-five years for Barry to achieve victory with his 'Great Work' in the face of overwhelming odds, and at great personal cost. Mr Barry's War takes up where its prize-winning prequel The Day Parliament Burned Down left off, telling the story of how the greatest building programme in Britain for centuries produced the world's most famous secular cathedral to democracy.