One of Texas's most talented architects in the late nineteenth century, James Riely Gordon may have been the nation's most prolific designer of county courthouses. Though Gordon's Texas courthouses made his reputation, they represent only half of a career in which we see reflected many issues and events shaping American architecture. Most notable were the effort among architects to organize their craft as a profession, the controversial Office of the Supervising Architect of the United States Treasury, the 1893 World's Columbian Exposition, and the City Beautiful Movement. Situating Gordon's career, Meister focuses on the public architecture, the pursuit of which took Gordon from San Antonio to Dallas and on to Chicago and New York City as he secured commissions in nine states. Competition was fierce, and Gordon often had to defend his reputation against scandalous charges leveled by jealous architects and unscrupulous politicians. In his interdisciplinary approach, Meister examines political, cultural, and economic forces for their impact on the finished buildings as well as on Gordon's career and exposes the political and legal wrangling so often attendant to the construction of buildings that serve as the nexus for their communities.

As a part of the debate on penitentiary architecture, this book proposes a critical interpretation of the conceptual elements and design approaches involved. This proposal, more than others, "mend" the relationship, between theoretical conception and actual building practice of the prison. The interpretation is developed from the idea that the architectural project, when it materialises in a built structure, is always the material expression of an abstract idea and of a specific vision of the world which manifests itself through the architectural consistency of the building and of the built spaces. For a long time the subject of penitentiary architecture had been neglected by contemporary architectural culture, permitting the design of prisons to be the result of a combination of obsolete practices, security regulations and the wish to reduce construction costs, in detriment of the quality of the interior space and of the efficiency of the penitentiary treatment. Thus the conception of the building focused on severe incarceration, and the refusal to accept the possibility of a more open prison remained mostly unvaried through time. Today, the subject of detention has once again caught the public eye, and that the problems related to it have become untenable. The need has become evident for a more efficient penitentiary system capable of producing positive changes in the detainees. It is thus necessary to re-think the architecture of detention in terms of the quality of space and of the respect of the dignity of the individuals, through new modes of detention, and especially through a knowledgeable design that is the expression of a renewed cultural stance that strengthens the re-educational value of the prison sentence, no longer considering it exclusively as the temporal suspension of certain rights. The objectives expressed through new theoretical developments, represent an ambitious and progressive project aimed at eradicating conservative and backward ideas regarding the role of prison architecture, and propose a new disciplinary conception of the architectural project, open to the academic and professional world in the attempt to solve and make effective the relationship between architectural design, building practices and management of the penitentiary structure. The text presented here focuses on the creation of organisational-functional tools for open-regime minimum security structures and on the identification of architectural solutions in which the residential and domestic features of the structures prevail over the typological and distributive layouts typical of traditional penitentiary buildings. The analysis aims at identifying the main essential principles for an efficient design, such as: the location, size, spatial organisation, typology of housing space, and last but not less important, the rationalisation of the internal flows. The key elements identified are summarised into a series of general design criteria aimed at establishing an efficient relationship between the functional model and the typological structure, as well as between the building and the surrounding urban fabric.

In Place of a Show is a compelling account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished. Playfully combining first-person narratives, scholarly research and visual documents, Augusto Corrieri explores the material and imaginative potentials of these places, charting interconnections between humans, birds, vegetation, and the beguiling animations of inanimate things, such as walls, curtains and seats. Across four chapters we learn of the uncanny dismantling and reconstitution of a German Baroque auditorium during the Second World War; the phantasmal remains of a demolished music hall in London's East End; a Renaissance Italian theatre, fleetingly transformed into an aviary by the appearance of a swallow; and a lavish opera house emerging from the Amazon rainforest. In these pages we are invited to discover theatres as sites of anomalous encounters and surprising coincidences: places that might reveal the performative entanglement of human and nonhuman worlds.

The introduction to this 7th volume focuses on the broader theme of public space. How do you bring together habitat, mobility, social interactions, amenities/services and culture? How do you rethink urban mobility consistent with current technological, ecological and digital issues? What place does the citizen have in the public space, as a place to meet, a place where links are made and a clear driving force for the quality of life? What examples are there to follow and what solutions to offer? With participation of the Bouwmeesters, who have set out their vision for us in Belgium, and of the Citilinks architects, for an international perspective - from New York to Shanghai, this is a must read reference book on the greatest achievements in contemporary architecture of recent years. From offices and shops, housing, public spaces, to cultural & educational sites, there are over 60 recently completed structures by Belgian and foreign architects to be discovered in this latest volume. Text in English, French and Dutch.

Set within the fascinating cultural and political world of Vienna from the fin-de-siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Since 1900, Vienna has produced many great architects and their work includes some of the finest masterpieces of the twentieth century, such as Otto Wagner's Stadtbahn stations, his Postsparkasse and his Majolica House, Adolf Loos's American Bar and Goldman & Salastch, the Secession building by Joseph Maria Olbrich and Josef Hoffmann's Palais Stoclet. Beautifully illustrated with paintings, drawings and photographs, the book stresses the importance of the highly polarized cultural politics that engulfed Vienna and produced much of what is modern in every field of culture and science. It shows how leading cultural figures such as Freud, Mahler, Schoenberg, Klimt and Twain encouraged a 'rebellious' architecture, which continued in later eras with the Wiener Gruppe, amongst others. The book also relates architectural history to the political economy that has shaped Vienna and highlights the relatively unknown tradition of Viennese social housing, initiated by social democratic Red Vienna in the 1920s. Today, 60% of Vienna's population lives in the most successful social housing in the world, which has proved to be an important factor in stimulating the successful economy of the country as a whole.

Modern skyscrapers function as small cities, with infrastructure not unlike that hidden beneath the streets. Exploring the interconnected systems that make life liveable in the sky, Ascher examines skyscrapers from around the world to learn how these structures operate.

This Is A New Release Of The Original 1922 Edition.

Building-related art commissioned by the state brings politics, society, architecture, and urban design together in a unique way. In the German Democratic Republic (GDR), it was initially given the function of propagating political contents and idealized images of society. Artists increasingly emancipated themselves from government guidelines and developed their own forms of expression in interplay with their surroundings. Until today, many people identify numerous artworks with their home country. The publication documents the symposium "Building-related Art in the German Democratic Republic" on the occasion of the anniversary "seventy years of building-related art in Germany" in 2020. Renowned experts examine building-related art in the GDR from the perspective of aesthetics and contents and discuss this internationally unique stock of artworks in detail.

This publication is the second in a series on architectural design of theaters and concert halls.

Ever since his self-proclamation as part of the "New York Five," Richard Meier has risen through one top commission after another to the dizzy heights of architectural stardom. From Madison Square Garden to Shenzhen, China, his sleek, luminously white modernism has created some of the most high-profile and distinctive buildings of the 20th and 21st centuries. Meier's portfolio is as varied as it is illustrious. He has worked with Roman treasures (Ara Pacis Museum), seaside resorts (Jesolo Lido Village), civic centers (San Jose City Hall), and private clients in the Hamptons. On each project, Meier's hallmarks are careful grid plans and expansive use of white surfacing and glass. The buildings are as much beacons of brilliance from the exterior as they are temples to clarity and purpose inside. This introductory book traces Meier's complete career to explore the making of a cult architect. With abundant images, we take in all his most famous projects, such as the Getty Center in Los Angeles, as well as his most recent works such as the OCT Shenzhen Clubhouse in Shenzhen, China; and the Burda Collection Museum in Baden-Baden, Germany. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

This study of how the architecture of a building influences the people who work in its is of interest to architects, behavioralists and management personnel as well as fans of architecture in general.

Libraries as a building type have been subjected to substantial changes in particular in the past ten years. Milestones such as Rem Koolhaas' Seattle Central Library from 2004 reinvented the typology completely and reflected a development from elitist temple of learning to a public living room. Hybrids between library and department store or theater were conceived. Today, the ubiquity of electronic devices and media needs to be taken into account by the designer: every new library has areas without any books now. This work of reference explains systematically all technological and planning requirements of library design. Special features such as RFID, signage, acoustics or specific structural load issues are explained in texts by experts from the fields of architecture and library science. Finally, approximately 40 best-practice case studies of contemporary library design are documented extensively. They are organized in four categories - national libraries, large public libraries, small public libraries, university libraries - and comprise high-profile examples such as Jo Coenen's Openbare Bibliotheek Amsterdam, Alvaro Siza's Public Library Viana do Castelo in Portugal or Mecanoo's Library of Birmingham from 2013.