Current challenges in retail design, such as the increasing digitization and the merging of online and offline platforms, have led to altogether new forms of retail and of their spatial expression. This is what this new yearbook takes a look at. It provides a current overview of innovations in multi-channel commerce, from pioneering in-store technology to new products, materials and lighting solutions at the point of sale. More than 50 current examples of best practice, from temporary popup stores and avant-garde brand worlds to hybrid retail centers, present an inspiring international cross section.

A clear, concise review guide for the FDNY F-60 Fire Guard Certificate of Fitness Exam. Recently updated, this guide contains two full-length practice exams and specific tips about the testing format and site.

The Federal Emergency Management Agency (FEMA) has developed this publication, Site and Urban Design for Security: Guidance against Potential Terrorist Attacks, to provide information and design concepts for the protection of buildings and occupants, from site perimeters to the faces of buildings. The intended audience includes the design community of architects, landscape architects, engineers and other consultants working for private institutions, building owners and managers and state and local government officials concerned with site planning and design. This publication, FEMA 430, is one of a series that addresses security issues in high-population private-sector buildings. It is a companion to the Reference Manual to Mitigate Potential Terrorist Attacks Against Buildings (FEMA 426), which provides an understanding of the assessment of threats, hazards, vulnerability, and risk, and the design methods needed to improve protection of new and existing buildings and the people occupying them. Chapter 2 of FEMA 426 provides guidance on site layout and design and discusses architectural and engineering design considerations for risk mitigation, starting at the property line, including the orientation and placement of buildings on the site. This publication represents an expansion of Chapter 2 and focuses in more detail on information useful to the site security design team. In addition, this publication expands on Instruction Unit IX, "Site and Layout Design Guidance," in the Building Design for Homeland Security Training Course (FEMA E155) and also summarizes some of the concepts in Risk Assessment: A How-To Guide to Mitigate Potential Terrorist Attacks Against Buildings (FEMA 452). Some of the technical information on design against blast contained in the Primer for Design of Commercial Buildings to Mitigate Terrorist Attacks (FEMA 427) is also summarized. These publications are part of the FEMA Risk Management Series (RMS).

In the last quarter century, a new form of iconic architecture has appeared throughout the world's major cities. Typically designed by globe-trotting "starchitects" or by a few large transnational architectural firms, these projects are almost always funded by the private sector in the service of private interests. Whereas in the past monumental architecture often had a strong public component, the urban ziggurats of today are emblems and conduits of capitalist globalization. In The Icon Project, Leslie Sklair focuses on ways in which capitalist globalization is produced and represented all over the world, especially in globalizing cities. Sklair traces how the iconic buildings of our era-elaborate shopping malls, spectacular museums, and vast urban megaprojects-constitute the triumphal "Icon Project" of contemporary global capitalism, promoting increasing inequality and hyperconsumerism. Two of the most significant strains of iconic architecture-unique icons recognized as works of art, designed by the likes of Gehry, Foster, Koolhaas, and Hadid, as well as successful, derivative icons that copy elements of the starchitects' work-speak to the centrality of hyperconsumerism within contemporary capitalism. Along with explaining how the architecture industry organizes the social production and marketing of iconic structures, he also shows how corporations increasingly dominate the built environment and promote the trend towards globalizing, consumerist cities. The Icon Project, Sklair argues, is a weapon in the struggle to solidify capitalist hegemony as well as reinforce transnational capitalist control of where we live, what we consume, and how we think.

The combination of portrait statue, monumental support, and public lettering was considered emblematic of Roman public space even in antiquity. This book examines ancient Roman statues and their bases, tombs, dedicatory altars, and panels commemorating gifts of civic beneficence made by the Augustales, civic groups composed primarily of wealthy ex-slaves. Margaret L. Laird examines how these monuments functioned as protagonists in their built and social environments by focusing on archaeologically attested commissions made by the Augustales in Roman Italian towns. Integrating methodologies from art history, architectural history, social history, and epigraphy with archaeological and sociological theories of community, she considers how dedications and their accompanying inscriptions created webs of association and transformed places of display into sites of local history. Understanding how these objects functioned in ancient cities, the book argues, illuminates how ordinary Romans combined public lettering, honorific portraits, emperor worship, and civic philanthropy to express their communal identities.

Designed by Atlanta architect A. Thomas Bradbury and opened in 1968, the mansion has been home to eight first families and houses a distinguished collection of American art and antiques. Often called "the people's house," the mansion is always on display, always serving the public. Memories of the Mansion tells the story of theGeorgia Governor's Mansion-what preceded it and how it came to be as well as the stories of the people who have lived and worked here since its opening in 1968. The authors worked closely with the former first families (Maddox, Carter, Busbee, Harris, Miller, Barnes, Perdue, and Deal) to capture behind-the-scenes anecdotes of what life was like in the state's most public house. This richly illustrated book not only documents this extraordinary place and the people who have lived and worked here, but it will also help ensure the preservation of this historic resource so that it may continue to serve the state and its people.

Buffalo was once a proud, strong, important city. Burned by the British during the War of 1812, it rebuilt and eventually became the Erie Canal's western terminus. From its earliest days through the Industrial Age, Buffalo welcomed the 20th Century with open arms, reaching a zenith of sorts when it hosted the Pan-American Exposition in 1901. It was a time when every aspect of a building mattered. Offices and factories were designed to reflect in outward appearance the strength of the company itself. Buffalo was known for much more than merely Chicken Wings. This book is Buffalo in photographs and history. It is a glimpse into the past through the architecture of factories, banks and more. You may have passed many of these buildings on the way to work. Perhaps you grew up in proximity to one and never thought to notice it. Maybe you wondered what the company that occupied the building actually did. Companies that once were proud to be part of Buffalo's landscape, Queen-O pop, Curtiss-Wright, Wonder Bread, form the basis for the book. Although there are many beautiful public, religious and residential structures, only commercial buildings were chose for this work. Many are abandoned today, a handful not. Some will never be occupied again, bringing us back to that time when buildings mattered, and companies cared about their appearance as much as their bottom line. These weren't disposable buildings like the ones being built today. Sadly, Buffalo will never be the same, but we can remember these companies and buildings and hope for a better future. Each photo is accompanied by a history of the business. It is a different look at Buffalo, and a remembrance of its once powerful past.

This publication provides an introduction to acoustics and electronic communication systems for theatres and concert halls.

This publication is an introduction to the architectural design of theatres and concert halls. It is the first in a multi-volume series under editorial development.

Caf s, cabarets, and restaurants have been one of the most common gathering spots for everyone in the social strata - from businesspeople to counter-cultural creatives - for centuries. Today's avant-garde designers and architects are reinventing the genre of restaurant design to take into account environmental sustainability, recycled materials, relation of the restaurant to the historical use of its building, spatial connection to the restaurant's surroundings, and such elements as lighting, furniture, heating, and implementation of the eatery's defined identity. Projects featured in One of a Kind Restaurant Design are examples of cohesive designed dining environments around the world, and are paired with detailed floor and seating plans handy for industry professionals. Restaurants profiled include PHOS in Mykonos, Greece; Bamboo in Jakarta, Indonesia; Fabbrica Bergen in Bergen, The Netherlands; Yellow Tree House in Auckland, New Zealand; and the Jamie Oliver Food Truck in the U.S.

2014 Reprint of 1926 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. "The Autobiography of an Idea" is an account of Sullivan's career and his architectural theories. Sullivan was a spokesman for the reform of architecture, an opponent of historical eclecticism, and did much to remake the image of the architect as a creative personality. His own designs are characterized by richness of ornament. His importance lies in his writings as well as in his architectural achievements. These writings, which are subjective and metaphorical, suggest directions for architecture, rather than explicit doctrines or programs. Sullivan himself warned of the danger of mechanical theories of art.

2014 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Louis Henry Sullivan was one of the foremost American architects, and has been called the "father of skyscrapers" and "father of modernism." He is considered by many as the creator of the modern skyscraper, was an influential architect and critic of the Chicago School, was a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Henry Hobson Richardson and Wright, Sullivan is one of "the recognized trinity of American architecture." This collection of his writings includes other essays in additional to the book length "Kindergarten Chats." The are: Characteristics and Tendencies of American Architecture What is the Just Subordination, in Architectural Design, of Details to Mass? Ornament in Architecture Emotional Architecture as Compared to Intellectual The Tall Office Building Artistically Considered The Young Man in Architecture Education What is Architecture: A Study in the American People of Today

Critically acclaimed author Robert Klara leads readers through an unmatched tale of political ambition and technical skill: the Truman administration's controversial rebuilding of the White House.

In 1948, President Harry Truman, enjoying a bath on the White House's second floor, almost plunged through the ceiling of the Blue Room into a tea party for the Daughters of the American Revolution. A handpicked team of the country's top architects conducted a secret inspection of the troubled mansion and, after discovering it was in imminent danger of collapse, insisted that the First Family be evicted immediately. What followed would be the most historically significant and politically complex home-improvement job in American history. While the Trumans camped across the street at Blair House, Congress debated whether to bulldoze the White House completely, and the Soviets exploded their first atomic bomb, starting the Cold War.

Indefatigable researcher Robert Klara reveals what has, until now, been little understood about this episode: America's most famous historic home was basically demolished, giving birth to today's White House. Leaving only the mansion's facade untouched, workmen gutted everything within, replacing it with a steel frame and a complex labyrinth deep below ground that soon came to include a top-secret nuclear fallout shelter,
The story of Truman's rebuilding of the White House is a snapshot of postwar America and its first Cold War leader, undertaking a job that changed the centerpiece of the country's national heritage. The job was by no means perfect, but it was remarkable--and, until now, all but forgotten.