This text provides an accessible introduction for architecture students to all aspects of architectural technology: structural physics, structural elements and forms, heating, lighting, environmental control, and computer modelling. It will also help students to integrate their design thinking with appropriate structural and environmental solutions. The book explains the relationships between physical phenomena, materials, building elements and structural types using simple classification systems and real world examples.

Essential information for the design of elementary and secondary schools

"Building Type Basics for Elementary and Secondary Schools, Second Edition" is your one-stop reference for the essential information you need to confidently begin the design process and successfully complete the design for elementary and secondary schools, large or small, on time and within budget. Bradford Perkins shares his firsthand knowledge in order to guide architects, planners, engineers, and their clients through all aspects of the design of school facilities. This new edition is up-to-date with the latest developments in school design with a fresh look at technology's influence in the classroom, along with current research that shows how school buildings can impact teaching and learning. Highly illustrated and filled with new school case studies with project photographs, diagrams, floor plans, sections, and details, this book combines in-depth coverage of the structural, mechanical, acoustic, traffic, and safety issues unique to schools, with the nuts-and-bolts design guidelines that will start any project off on the right track and keep it there through completion. This new edition offers: Numerous photographs, diagrams, plans, and sectionsAn expanded and detailed guide for programming school facilitiesA new chapter on circulation and basic planning optionsNew material on current trends in school planning and designA new chapter on sustainable design ideasAn updated chapter on technology in schoolsAn expanded discussion of international school design opportunities and issuesThis conveniently organized quick reference is an invaluable guide for busy, dedicated professionals who want to get moving quickly as they embark on a new project. Like every Building Type Basics book, it provides authoritative, up-to-date information instantly and saves professionals countless hours of research.

The completion of David Chipperfield's distinctive new building for Kunsthaus Zurich in December 2020 has nearly doubled the museum's overall space. In combination with the preceding refurbishments of the earlier buildings, this has made it fit to meet the demands of an art museum in the 21st century. A sequel to The Architectural History of the Kunsthaus Zurich 1910-2020, this book comprehensively introduces the new Kunsthaus Zurich, demonstrating how the task of building an art museum in the 21st century can be fulfilled. Concise texts, statements by protagonists and by future users and visitors as well as numerous illustrations trace the project's evolution and the construction process and look at the completed building from various perspectives. The book also highlights what features contemporary museum infrastructure has to offer and the architectural and urban design qualities it requires, and what financial and organisational challenges the entire undertaking implied. A conversation between experts exploring the expanded museum's impact on its immediate neighbourhood and Zurich's urban fabric as a whole rounds out the volume.

Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le Corbusier the visual artist, this structure in steel and glass represents pivotal aspects of his architectural philosophy and also points to the future. Architects Silvio Schmed and Arthur Ruegg have carefully restored the Pavillon Le Corbusier to its original state, including the reconstruction of missing pieces of furniture and luminaires. This book documents their research and the restored building, featuring previously unpublished historic photographs and documents alongside newly commissioned images by Georg Aerni.

As the nation's oldest serving detectives, we know more about London than almost anyone. After all, we've been walking its streets and impulsively arresting its citizens for decades. Who better to take you through its less savoury side? We'll be chatting about odd buildings, odder characters, lost venues, forgotten disasters, confusing routes, dubious gossip, illicit pleasures and hidden pubs. We'll be making all sorts of odd connections and showing you why it's almost impossible to separate fact from fiction in London. With the help of some of our more disreputable friends, each an argumentative and unreliable expert in his or her own dodgy field, we'll explain why some streets have genders, why only two Londoners got to meet Dracula, how a department store and a prison played tricks on your mind, when a theatre got stranded in the past, how a building vanished in plain sight, what excited Charlotte Bronte about the city and where the devils hide in London. We hope to capture something of the city's restless spirit by shamelessly and wilfully wandering off course. It goes without saying that we'll bluff and bamboozle you along the way but that's all part of the fun. History is what you remember. London is what you forget (and we've forgotten a lot). So please do join us on this magical mystery tour of our city. Who knows where we'll end up?

The Kirklin Clinic, in Birmingham, Alabama, is the first freestanding medical building designed by one of America's most significant modern architects, I.M. Pei. The text, written by architectural critic and historian Aaron Betsky, is based on interviews with the architect and the surgeon whose vision it was to create this world-class clinic. The story of the evolution of the clinic is illustrated by many striking photographs by well-known Los Angeles architectural photographer Tom Bonner. Co-published with the University of Alabama at Birmingham.

Since its completion in 1932, the Nebraska State Capitol has been widely recognized as an architectural masterpiece, one that justifiably inspires pride in the citizens of the state and admiration in people everywhere. Rising four hundred feet from a massive two-story base, domed with gold-glazed tile and topped with a bronze statue of a pioneer sower of grain, it can be seen for miles on the plains. This most striking of statehouses, designed by Bertram Grosvenor Goodhue in 1920 and under construction for a decade, successfully embodies the union of art, architecture, and humanism.
"A Harmony of the Arts: The Nebraska State Capitol" surveys in words and pictures the architectural achievement and the artists responsible for it. Frederick C. Luebke introduces the book with a history of the capitals and capitols of Nebraska. H. Keith Sawyers writes about Goodhue7;s architectural vision, which was carried out by other artists after his death. David Murphy examines the contribution of Hartley Burr Alexander, the philosopher and anthropologist who developed the symbological details of Goodhue7;s vision and invested the building7;s many inscriptions with poetic elegance. Dale L. Gibbs considers Lee Lawrie7;s sculpture, remarkably congruent with the general design. Joan Woodside and Betsy Gabb discuss the decorative art of the mosaicist, Hildreth Meiere. Norman Geske and Jon Nelson examine the capitol murals, painted by eight artists over four decades. And Robert C. Ripley allows the reader to see the building in its setting, as landscaped by Ernst Herminghaus. Lavishly illustrated and handsomely produced, "A Harmony of the Arts" presents the first survey in many years of Nebraska7;smagnificent capitol and offers new ways of looking at it.

Energieeffizienz und Einsatz regenerativer Energien sind Kernfragen bei Neubau, Instandsetzung und Erneuerung von Gebauden. Das Buch bietet einen Baukasten aus energetischen und nutzungsbezogenen Modulen, die bei der lebenszyklusorientierten Optimierung beachtet werden sollten. Aufbauend auf den Synergiepotenzialen werden Leistungsbundel angegeben. Die daraus abgeleiteten Leistungsangebote beinhalten alle wichtigen Aspekte zur praktischen Umsetzung in der Bauwirtschaft. Mit Berechnungsmodell, Beispielen zur Kostenanalyse und uber 100 Abbildungen."

This photographic portrait of the University of New Mexico shares the lure and magic of the campus and its unique architecture. Formally established in 1889, UNM has evolved into a major American university, overcoming geographical isolation and the relative poverty and rural circumstances of much of the state's small population. Since its founding on the sand hills above downtown Albuquerque in 1889, the University of New Mexico has graduated countless thousands of students who have been the mainstays of New Mexico's economic, political, and cultural life. The heart and soul of Albuquerque, and beloved by its alumni across the country and around the world, UNM is much more than an alma mater. It has querencia, a place in our hearts, like a homeland.

Texas, home to more than 1.7 million living veterans (the second largest number of any state), is also home to six nationally run and four state-run veterans cemeteries. Each year, more than 12,000 veterans are laid to rest in these hallowed grounds. The Veterans Cemeteries of Texas recounts the stories of these ten official final resting places for Texas veterans, creating-for the first time-a complete guide to these solemn bivouacs of the dead. Author Michael Lee Lanning, a US Army veteran, has not only reconstructed the history of these cemeteries as a tribute to the fallen but has also compiled a useful resource for the living. Lanning details the exact locations, eligibility requirements, and contact information throughout the state for those veterans and their families who might choose to make use of these important public services. Richly illustrated, the book also provides moving descriptions of military burial traditions, such as "Taps" and the 21-gun salute, as well as information about the various types of military headstones (including sixty authorized religious symbols). In the author's words, "A walk through these burial grounds is a journey across the history of Texas and of the United States." Lanning's use of more than 100 captivating photographs, along with his compelling text, allows readers to take that walk through veterans cemeteries in Texas. For lovers of Texas history and military history, The Veterans Cemeteries of Texas is a gripping tribute to past, present, and future Texas veterans and the solemn places where they rest in their last formation and final parade.

These photographs of grain elevators in America, Germany, Belgium, and France are a major addition to the Bechers' ongoing documentation of the vanishing buildings that once defined the industrial landscape of Europe and America. Bernd and Hilla Becher's almost fifty-year collaboration constitutes the most important project in objective and conceptual photography today. With this volume, grain elevators join the list of building types documented by the Bechers in their book-length studies: water towers, blast furnaces, gas tanks, oil tanks, mineheads, frame houses, and cooling towers. Grain elevators are towering structures in the flat, vast landscape of the world's granaries. Providing a fast and efficient method of loading and unloading grain to keep pace with the industrial production methods of the nineteenth century, they made possible a tremendous increase in the trafficking and processing of grain. Scooping, pouring, and spitting, they both illustrated and inspired Le Corbusier's idea of buildings as functioning machines. Monumental, essential, and visually arresting, grain elevators belong as much to the American imagination and landscape as to the European. The photographs of grain elevators in this volume were taken in Germany, Belgium, France, and America. But the specificity of time and place is erased in these photographs; the monolithic structures evoke the agricultural prosperity of a vanished era and the vacancy that replaces it today.

Air-Conditioning in Modern American Architecture, 1890–1970, documents how architects made environmental technologies into resources that helped shape their spatial and formal aesthetic. In doing so, it sheds important new light on the ways in which mechanical engineering has been assimilated into the culture of architecture as one facet of its broader modernist project. Tracing the development and architectural integration of air-conditioning from its origins in the late nineteenth century to the advent of the environmental movement in the early 1970s, Joseph M. Siry shows how the incorporation of mechanical systems into modernism’s discourse of functionality profoundly shaped the work of some of the movement’s leading architects, such as Dankmar Adler, Louis Sullivan, Frank Lloyd Wright, Ludwig Mies van der Rohe, Gordon Bunshaft, and Louis Kahn. For them, the modernist ideal of functionality was incompletely realized if it did not wholly assimilate heating, cooling, ventilating, and artificial lighting. Bridging the history of technology and the history of architecture, Siry discusses air-conditioning’s technical and social history and provides case studies of buildings by the master architects who brought this technology into the conceptual and formal project of modernism. A monumental work by a renowned expert in American modernist architecture, this book asks us to see canonical modernist buildings through a mechanical engineering–oriented lens. It will be especially valuable to scholars and students of architecture, modernism, the history of technology, and American history.

Today, universities serve as the economic engines and cultural centers of many U.S. cities, but how did this come to be? In Building the Ivory Tower, LaDale Winling traces the history of universities' relationship to the American city, illuminating how they embraced their role as urban developers throughout the twentieth century and what this legacy means for contemporary higher education and urban policy. In the twentieth century, the federal government funded growth and redevelopment at American universities—through PWA construction subsidies during the Great Depression, urban renewal funds at mid-century, and loans for student housing in the 1960s. This federal aid was complemented by financial support for enrollment and research, including the GI Bill at the end of World War II and the National Defense Education Act, created to educate scientists and engineers after the launch of the Soviet satellite Sputnik. Federal support allowed universities to implement new visions for campus space and urban life. However, this growth often put these institutions in tension with surrounding communities, intensifying social and economic inequality, and advancing knowledge at the expense of neighbors. Winling uses a series of case studies from the Progressive Era to the present day and covers institutions across the country, from state schools to the Ivy League. He explores how university builders and administrators worked in concert with a variety of interests—including the business community, philanthropists, and all levels of government—to achieve their development goals. Even as concerned citizens and grassroots organizers attempted to influence this process, university builders tapped into the full range of policy and economic tools to push forward their vision. Block by block, road by road, building by building, they constructed carefully managed urban institutions whose economic and political power endures to this day.

Chetham's School and Library is an exceptional example of fifteenth-century collegiate architecture--the best preserved building of its date and type in England. Located in the heart of Manchester, Chetham's originally lodged the college of fifteenth-century priests who officiated at the church that is now Manchester Cathedral. After the Reformation it was acquired by the Earls of Derby who later let it to John Dee. Miraculously surviving war and dilapidation, the building was converted in the seventeenth century for use as Humphrey Chetham's charity school and free public library. This fully illustrated book is the first comprehensive account of the Chetham's building and its turbulent history. The book fills a gap in English architectural history, offers new insights into a little-studied building type, and provides fascinating details of the seventeenth-century conversion drawn from original documents describing how the building was adapted.

This stunning, fully illustrated history of the Georgia Capitol not only pays tribute to a grand old edifice but also vividly recounts the history that was made - and that continues to be made - within and without its walls. The Georgia Capitol is a place where, for more than a century, legislators have debated, governors have proclaimed, and courts have ruled. It is also a place where countless ordinary citizens have gathered in lively tour groups, angry protest mobs, and at times solemn funeral processions. As Timothy J. Crimmins and Anne H. Farrisee move through the major periods in the Capitol's history, they tell three interwoven stories. One is a tale of the building itself, its predecessors, its design and construction, its occasionally ill-considered renovations, and the magnificent, decade-long restoration begun in 1996. Also revealed is how the gradual accumulation of statues, flags, portraits, and civic rituals and pageants has added new layers of meaning to an already symbolic structure. The third story the authors tell is of the legislative and judicial battles that sought to limit or extend democratic freedoms. Some of these events were high drama: fisticuffs during a prohibition debate, Eugene Talmadge's strong-arm eviction of the state treasurer from the statehouse, the Three Governors Controversy, and an African American protest in the segregated cafeteria. From the laying of the cornerstone in 1885 to the present, successive generations of Georgians have created a distinctive history in and around the Capitol as they have exercised, or sought to gain, their rights. Today the Georgia Capitol remains a working center of state government, and its history continues to unfold.

Planungsprozesse im Bauwesen sind arbeitsteilig: verschiedene Fachplaner an verteilten Standorten, die unterschiedlichen Organisationen angehoren. Die Praxis bietet Beispiele fur unzahlige Mangel, die auf unzureichende Kooperation zuruckzufuhren sind. In diesem Buch: aktuelle Forschungsergebnisse, Hinweise zur Umsetzung, Trends. Zur besseren computergestutzten Uberwachung und Steuerung der Planungsprozesse, und Vermeidung kostenintensiver Fehler. "

There are almost as many ways to design a good courthouse as one that is less than satisfactory. Celebrating the Courthouse illuminates, for the diverse professionals and laypeople who plan and create courthouses, the issues that must be addressed to achieve an effective and satisfying building. This book unites the skills and experience of architects, judges, administrators, and lawyer-users to guide the design of a complex building type. No attempt is made to prescribe a particular program for any model courthouse project. We live in too diverse a design world for that: courthouse programs are specific and distinct from one another. Rather, the distinguished contributors lay out a variety of solutions that can help solve the problems confronted in particular settings. Considering historical precedent, context, functional requirements, and public and client needs, they focus on the best practices in design and also upon some design failures, addressing the pitfalls presented by courthouse programs, which are among the most complex that architects face. Finally, they look at the technological revolution and the future of courthouse design.