Since 1871 the Cape Hatteras lighthouse has been a welcome sight for sailors entering the treacherous region off North Carolina's Outer Banks known as the Graveyard of the Atlantic. At 208 feet high, it is the tallest lighthouse in the country and one of the state's most famous landmarks. Through the years, it has withstood the ravages of both humans and nature, weathering numerous violent storms and two wars. But perhaps the gravest threat the structure faced in recent history was the erosion of several hundred yards of beach that once stood between it and the ocean. As powerful tides and rising sea levels increasingly endangered the lighthouse's future, North Carolinians debated fiercely over how best to save it, eventually deciding on a controversial plan to move the beacon inland to safety. First published by UNC Press in 1991, this book tells the story of the noble lighthouse from its earliest history to the present day. In this new edition, Dawson Carr details the recent relocation of the treasured landmark. For now, it seems, North Carolinians have succeeded in protecting their lighthouse, as it has protected them for over a century. |This new edition includes the amazing story of the 1999 relocation of the Cape Hatteras lighthouse, the famous North Carolina landmark that has guarded the Graveyard of the Atlantic since 1871. The tallest brick lighthouse in the U.S., it has survived two wars and numerous violent storms--and a carefully engineered relocation to a spot less threatened by beach erosion.

With its dignified courthouse set among shade trees and lawns dotted with monuments to prominent citizens and fallen veterans, the courthouse square remains the civic center in a majority of the county seats of Texas. Yet the squares themselves vary in form and layout, reflecting the different town-planning traditions that settlers brought from Europe, Mexico, and the United States. In fact, one way to trace settlement patterns and ethnic dispersion in Texas is by mapping the different types of courthouse squares.

This book offers the first complete inventory of Texas courthouse squares, drawn from extensive archival research and site visits to 139 of the 254 county seats. Robert Veselka classifies every existing plan by type and origin, including patterns and variants not previously identified. He also explores the social and symbolic functions of these plans as he discusses the historical and modern uses of the squares. He draws interesting new conclusions about why the courthouse square remains the hub of commercial and civic activity in the smaller county seats, when it has lost its prominence in others.

Here is an incisive and fully illustrated history of Harvard's architecture told by the distinguished architectural historian Bainbridge Bunting, author of Houses of Boston's Back Bay. The book examines the Federal architecture of Charles Bulfinch, H. H. Richardson's Romanesque buildings, the Imperial manner reflected in Widener Library, as well as the work of such esteemed architects as Charles McKim, Gropius, and Le Corbusier-and it shows us how they all come together to form an amazingly coherent whole. This lively story of a university campus is a veritable microcosm of American architectural experience.

There is no doubt at all that Gehry's Guggenheim Museum in Bilbao is one of the most spectacular buildings of recent years. As the central element in Bilbao's comprehensive urban renewal programme the building raised high expectations from the outset. Its site between river, railway, bridge and new town makes it a symbol of the Basque metropolis that can be seen from a considerable distance. It is both the heart of the city and a test bed for the arts, representing both public presence and artistic change. The process by which it was created demonstrates the most recent advances in computer aided design and in material manufacture. For a long time design and building were broken down into a large number of individual components, Gehry's museum unifies this process and is thus able to create fluent links between architectural detail and urban impact. But the innovations do not stop at technology, they also extend to the way in which the interior spaces are shaped. These are extremely varied in form, as the museum is not so much designed to house a permanent exhibition of the collection, but to enable artists to create installations. In contrast with the usual neutral gallery spaces, Gehry offers a whole variety of stages for artistic presentation. His artist friends have risen to the challenge of his architecture and are experimenting very successfully with this new way of showing their work to the public.

The foodservice industry gets more competitive every day. As a result, initial planning is extremely important and has become a key factor in determining the success or failure of an operation. This fully updated edition of the best-selling text on foodservice facilities planning shows students how to create a facility that blends the most efficient work environment with an ambience that will attract more customers. Students will find all-new information on how to—

• cost-effectively design an operation
• properly select and efficiently maintain equipment
• successfully plan and accurately evaluate foodservice layouts
• plan fast-food facilities and bakeshops
• cut costs through more efficient energy planning.

Equipped with this comprehensive book, students will develop expertise in all aspects of foodservice facilities planning, from prospectus to finished facility. The author provides sample layouts of award-winning floor plans from which effective designs can be modeled. Students will also find practical exercises that help prepare them for common problems that may arise while planning their own operation. They will also learn how to organize data to begin planning, how to develop feasibility studies, how to fully equip and operate their own facility, and most important, how to make their facility achieve maximum productivity and profits. Whether you are a student just learning the business, a foodservice planner, consultant, or decision maker in the industry, this practical reference book can make you an indispensable member of the foodservice facility planning team. An ideal classroom tool for students interested in careers in the foodservice industry, Foodservice Facilities Planning can also offer firm guidance to veteran foodservice planners, consultants, and decision makers.

Three beautiful gothic buildings loom over the Ottawa River just below the historic Chaudiere Falls. They are the seat of Canada's federal government, visited by thousands of people each year. Canada's Parliament Buildings, filled with heraldry and history, instill pride in our country and give visitors a deep sense of being Canadian.

Constructed in controversy, and steeped in decades of political lore, the Parliament Buildings have been the stage for the evolution of Canada from a small colony to one of the great nations of the world. This fascinating book takes you behind the scenes of Parliament Hill, examines the architecture, heraldry, and history of the buildings, and gives readers an understanding of the important role of Parliament in our society. Profusely illustrated with contemporary and historic photographs, this beautiful book belongs on the shelf of everyone who has toured the Parliament Buildings. It will also appeal to those interested in Canadian history and politics.

A comprehensive and practical approach to designing for the growing senior market

As people live longer, stay healthier, and enjoy more disposable income, their use of hospitality services is increasing dramatically. Hospitality Design for the Graying Generation helps you cater to this expanding market by providing critical information on designing facilities which are sensitive to the needs of the over-65 population. With the important principles explained in this book, designing for the senior consumer can be creative, cost-effective, and benefit all consumers without sacrificing style.

This indispensable guide includes:

• A Universal Design approach that can be applied to both commercial and residential projects, going beyond compliance with ADA guidelines
• A wide range of hospitality design, including restaurants, hotel guest rooms, lobbies, and lounges
• Design principles beautifully illustrated with concise, detailed drawings
• Extensive coverage of the specific physical needs and psychology of seniors, including physical strength, hearing, sight, color preferences, and other areas
• A quick-reference checklist of "senior-friendly" design features

When the interior design needs of the over-65 market are met, all potential users gain, regardless of age or ability. This accessible book is an invaluable resource for designers, operators, and other professionals throughout the hospitality industry.

With millions of baby boomers rapidly approaching retirement age, the over-65 age group is the fastest-growing segment of the population. As they become healthier, live longer, and have more disposable income, their use of hospitality services, such as hotels and restaurants, will increase dramatically. Whether you are a designer or a hospitality professional, Hospitality Design for the Graying Generation helps you plan for this growing market by providing you with critical information for designing facilities that accommodate the needs of all generations.

Clearly written and generously illustrated, Hospitality Design for the Graying Generation shows you how to address the specific physical and psychological needs of seniors, with detailed chapters on mobility, hearing, vision, color preferences, and other important areas. Going beyond ADA guidelines, Alfred Baucom's Universal Design approach enables you to integrate senior-friendly design principles into a wide range of specific environments —from lobbies, common areas, and public restrooms to restaurants, lounges, and hotel guest rooms.

In meeting the needs of the over-65 market, Hospitality Design for the Graying Generation ensures that all potential users, regardless of age or ability, will be well accommodated.

Profusely illustrated book chronicles the evolution of the architecture of the railroad station in both Europe and America from the 1830s to the 1950s. "Carefully documented by all the apparatus of exacting scholarship, and even better by a fascinating collection of more than 230 pictures"-The New York Times.

A history of the building and restoration of one of the nation's most prominent capitols.

The new MEETT Toulouse exhibition and convention centre in the French city of Toulouse once again demonstrates how a seemingly dull, functional task results in striking and refined architecture if the Rotterdam-based Office for Metropolitan Architecture OMA and its mastermind Rem Koolhaas take care of it. The vast structure, covering ca 618 by 246 yards of ground, makes for a spectacular spatial experience in its main exhibition hall that offers 484,376 square feet of column-free floor space. OMA also took an unusual path with regard to the configuration and transport connection of the entire complex. Rather than sealing even more ground with tarmac for endless car parks, it concentrated them into a compact multi-storey parking garage at the heart of the complex that also serves as a general traffic hub for MEETT Toulouse. The book offers impressions of MEETT Toulouse's enormous dimensions and the vast spaces it provides through images taken by French photographer Marco Cappelletti. The volume is rounded out with selected plans and concise texts on the particulars of the project. Text in French.

Text in English & German. A whole issue of the architectural magazine Bauwelt, being published in Berlin, was dedicated to the completed building. The Institutes of Pharmacology and Food Chemistry of the Goethe-Universitat in Frankfurt am Main by Ferdinand Kramer, who had also built most of the other new buildings on the campus, soon advanced to a highly appreciated master work of modern post-war architecture but later it was nearly forgotten. Many years of intensive use and neglected maintenance rendered the rehabilitation of the buildings indispensable. After a comprehensive renovation by the architects SSP Schurmann-Spannel of Bochum, the concrete structure with its striking brise-soleil elements on the south side and the lecture-hall cube detached from the main building, is not only again a convincing built monument, but also an exemplary example of a successful conversion. Where for many years students of pharmacology and food chemistry studied and experimented, 160 scientists of the Biodiversity and Climate Research Centre (BiK-F) are researching the interaction of climate and biosphere. The book provides a detailed description of the building, which dates from 1957 and which was completely reconditioned by the office of SchurmannSpannel in the years 2009 to 2013. The pictorial section contains plans of the original and present condition as well as photographs especially made for this publication by Joerg Hempel. It is preceded by Fabian Wurm's essay, which not only discusses the building in detail, but also addresses the pressing question of converting buildings from the time after World War II.

A visually rich survey of two hundred years of Alabama fine arts and artists. Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama's culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous. Published to coincide with the state's bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama's most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a wide range of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art. This retrospective volume features biographical sketches and representative examples of each artist's most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee's Bend Quilters, Lonnie, Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists. Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state's artistic heritage by Gail Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama's extraordinarily rich visual and artistic heritage.

Longwood in Natchez, Mississippi, is a celebration of American eccentricity. Dr. Haller Nutt, who made a fortune in cotton during the pre-Civil War boom, wanted a home that would be different, one with "character." His dream was romantic--to evoke past cultures by using the best from any era.

A Philadelphia architect, Samuel Sloan, published a work in 1851 called "The Model Architect" which featured an "Oriental Villa" in octagonal form with a Byzantine-Moorish dome on top. Using this design, Sloan set about to create a magnificent mansion for Nutt. In April 1861, Nutt's dreams were smashed by the Civil War. Construction on the mansion came to a halt as the northern workers abruptly dropped their tools and returned to their homes. Many of the tools are still in the unfinished interior exactly as they were left. Local laborers completed the basement portion of Longwood. It was here the Nutt family lived while the Civil War swirled across the South. Dr. Nutt died in 1864.

Seemingly lost from reality, today Longwood is the picturesque shell of one of America's most bizarre houses--a wonderful example of architectural folly and 19th century mentality.

Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa s majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous images. "Peter Zumthor Therme Vals," the only book-length study of this singular building, features the architect s own original sketches and plans for its design as well as Helene Binet s striking photographs of the structure. Architectural scholar Sigrid Hauser contributes an essay on such topics as Artemis/Diana, Baptism, Mikvah, and Spring drawing out the connections between the elemental nature of the spa and mythology, bathing, and purity. Annotations by Peter Zumthor on his design concept and the building process elucidate the structure s symbiotic relationship to its natural surroundings, revealing, for example, why he insisted on using locally quarried stone. Therme Vals s scenic design elements, and Zumthor s contributions to this book, reflect the architect s commitment to the essential and his disdain for needless architectural flourishes. This lavishly illustrated volume about the spa that catapulted a remote Swiss village onto the international architecture scene will entrance all enthusiasts of contemporary design."

The first modern history of St James's Palace, shedding light on a remarkable building at the heart of the history of the British monarchy that remains by far the least known of the royal residences In this first modern history of St James's Palace, the authors shed new light on a remarkable building that, despite serving as the official residence of the British monarchy from 1698 to 1837, is by far the least known of the royal residences. The book explores the role of the palace as home to the heir to the throne before 1714, its impact on the development of London and the West end during the late Stuart period, and how, following the fire at the palace of Whitehall, St James's became the principal seat of the British monarchy in 1698. The arrangement and display of the paintings and furnishings making up the Royal Collection at St James's is chronicled as the book follows the fortunes of the palace through the Victorian and Edwardian periods up to the present day. Specially commissioned maps, phased plans, and digital reconstructions of the palace at key moments in its development accompany a rich array of historical drawings, watercolors, photographs, and plans. The book includes a foreword by His Royal Highness The Prince of Wales. Published in association with Royal Collection Trust

"Almost every citizen is laudably ambitious to build a house unlike that of his neighbor," wrote an observer in early Denver, "and is more desirous that it shall have some novel feature than that it shall be surpassingly beautiful." This history of early Denver has over two hundred illustrations of buildings designed by nouveaux riches miners and frontier businessmen who had more money and fanciful imagination than taste. There is also a picture map of the business district in 1892 that shows where many of these extraordinary structures stood. Victoriana was in bloom, and architectural purity was scorned. Greek revivals had mansard roofs, Gothic castles had Italian tops, turrets and minarets sprouted in unlikely places, and everything was trimmed or fenced with castiron lace. Gingerbread store fronts, crenelated church towers, plushy lavish hotels, pompous homes, and glittering gambling houses and brothels gave the "Queen City of the Plains" an outlandish, distinct style that came to be known as Cherry Creek Gothic, from the creek that bisects the area. Denver residents were as gaudy and unpredictable as the buildings they erected. The unsinkable Mrs. J. J. (Molly) Brown built the fantastic House of Lions, an architect's nightmare guarded by two Sphinx-headed lions, in order to break into Denver society. Madam Jennie Rogers and Madam Mattie Silks, rivals for the title of queen of the demimonde, each had her turn reigning over the famous House of Mirrors. H. A. W. Tabor, the bonanza king whose scandalous love affair with Baby Doe cost him a political career, gave Denver a business block and an opera house that attracted such performers as Oscar Wilde and Sarah Bernhardt. This companion volume to the author's earlier work on Colorado hotels, No More Than Five in a Bed, is written with humor and understanding for the famous and the infamous who saw their dreams of wealth and splendor fulfilled in their city. It will appeal not only to students of architecture but to every one interested in the flamboyant personalities of the times. Sandra Dallas, a reporter for Business Week for twenty-five years, is the author of Colorado Ghost Towns and Mining Camps, No More Than Five in a Bed (also published by the University of Oklahoma Press), Gaslights and Gingerbread, many other books and articles on Colorado and the West, and several best-selling novels.

When the USS Maine mysteriously exploded in Havana’s harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and "liberate" Cuba from the Spanish empire. "Remember the Maine! To Hell with Spain!" So went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom—in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai‘i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish, and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated "proof" for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US empire today, particularly for Caribbean, Latinx, Pilipinx, and Pacific Island communities.

The past decade of both economic crises in Europe and North America as well as an extraordinary museum boom in many Asian countries has led to new questions and concepts for future museum buildings. New Museums: Intentions, Expectations, Challenges investi gates this paradigm change by presenting 20 recent and future museum projects on all continents. Among the projects discussed are the Smithsonian's National Museum of African American History and Culture in Washington D.C. by Adjaye Associates, the Guggenh eim Helsinki by Moreau Kusonoki Architects , China's Comic and Animation Museum in Hangzhou by MVRDV, the Munchmuseet in Oslo by estudio Herreros, the Zeitz Museum of Contemporary Art Africa in Cape Town by Heatherwick Studio, the Long Museum West Bund in Shanghai by Atelier Deshaus and the extension of the Art Gallery of New South Wales in Sydney by SANAA. Critical texts by leading museum and architecture writers Suzanne MacLeod, Chris Dercon, Karen van den Berg, Wolfgang Ullrich, Kali Tzortzi and Anke Groener shed light on the relation of new museum trends and state of the art architecture

The new agricultural school in Salez, in the St. Gallen Rhine valley region, has a slender, airy and light appearance. It is an extremely intelligently conceived low-tech construction made of timber. The design is by Andy Senn, who has led his architectural office in St. Gallen since 1998 and has produced an extraordinary, homogeneous oeuvre in the last 20 years. Text in English and German.

What happens when a functional building is decommissioned? This book investigates liminal spaces: areas we occupy between here and there; structures that exist only as a place to be passed through, rather than as a destination in themselves. Its onus is buildings that have fallen to the wayside, and no longer channel continuous flows of human traffic. Combining architectural insight with a study of the transitory human condition, Airports on Hold analyses a number of obsolete airport infrastructures. As well as exploring how design impacts on an airport's success, this book investigates the relationship between small and medium airports and territories through a series of case studies. The research included herein has been compiled from the author's experiences at numerous universities. Especial thanks go out to the Harvard Graduate School of Design, the University IUAV of Venice, the University of Genoa, and the Universidad Autonoma de Barcelona, for supporting the creation of this book.

When the USS Maine mysteriously exploded in Havana's harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and "liberate" Cuba from the Spanish empire. "Remember the Maine! To Hell with Spain!" so went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom-in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai'i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated "proof" for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring truly interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US Empire today, particularly for Caribbean, Latinx, Philipinx, and Pacific Island communities.