A comprehensive and practical approach to designing for the growing senior market

As people live longer, stay healthier, and enjoy more disposable income, their use of hospitality services is increasing dramatically. Hospitality Design for the Graying Generation helps you cater to this expanding market by providing critical information on designing facilities which are sensitive to the needs of the over-65 population. With the important principles explained in this book, designing for the senior consumer can be creative, cost-effective, and benefit all consumers without sacrificing style.

This indispensable guide includes:

• A Universal Design approach that can be applied to both commercial and residential projects, going beyond compliance with ADA guidelines
• A wide range of hospitality design, including restaurants, hotel guest rooms, lobbies, and lounges
• Design principles beautifully illustrated with concise, detailed drawings
• Extensive coverage of the specific physical needs and psychology of seniors, including physical strength, hearing, sight, color preferences, and other areas
• A quick-reference checklist of "senior-friendly" design features

When the interior design needs of the over-65 market are met, all potential users gain, regardless of age or ability. This accessible book is an invaluable resource for designers, operators, and other professionals throughout the hospitality industry.

With millions of baby boomers rapidly approaching retirement age, the over-65 age group is the fastest-growing segment of the population. As they become healthier, live longer, and have more disposable income, their use of hospitality services, such as hotels and restaurants, will increase dramatically. Whether you are a designer or a hospitality professional, Hospitality Design for the Graying Generation helps you plan for this growing market by providing you with critical information for designing facilities that accommodate the needs of all generations.

Clearly written and generously illustrated, Hospitality Design for the Graying Generation shows you how to address the specific physical and psychological needs of seniors, with detailed chapters on mobility, hearing, vision, color preferences, and other important areas. Going beyond ADA guidelines, Alfred Baucom's Universal Design approach enables you to integrate senior-friendly design principles into a wide range of specific environments —from lobbies, common areas, and public restrooms to restaurants, lounges, and hotel guest rooms.

In meeting the needs of the over-65 market, Hospitality Design for the Graying Generation ensures that all potential users, regardless of age or ability, will be well accommodated.

Profusely illustrated book chronicles the evolution of the architecture of the railroad station in both Europe and America from the 1830s to the 1950s. "Carefully documented by all the apparatus of exacting scholarship, and even better by a fascinating collection of more than 230 pictures"-The New York Times.

Modeme Baukonstruktionen erfordern ein sorgfaltiges Planen, Konstruieren und Ausfuh ren. Dazu sind solide Kenntnisse der Baustatik notig. Dies gilt nicht nur fur den Konstrukteur und Statiker, sondern auch fur den Planenden im Architekturburo und den Bauleiter auf der Baustelle. Bei der Planung, Konstruktion und Ausfuhrung eines Bauwerkes ist nicht nur seine Funk tion ausschlaggebend. Um Bauschaden zu vermeiden, mussen die Baustoffe entsprechend ihren Eigenschaften eingesetzt werden; die Bauteile sind unter Beachtung ihrer statischen Bedeutung zu konstruieren und die jeweils neuesten Erkenntnisse der Bauphysik zu berucksichtigen. Das vorliegende zweiteilige Werk vermittelt die wichtigen einfachen statischen Gesetze und deren Anwendung im Rahmen einer technischen Allgemeinbildung; es dient nicht der Ausbildung spezialisierter Statiker. Manche Probleme werden daher bewusst vereinfacht und dem Zweck des Buches entsprechend besonders praxisnah dargestellt. Viele durchgerechne te Beispiele erlautern und vertiefen die Darstellung; eine sehr grosse Zahl von Ubungsaufga ben, deren Losungen am Bandende gebracht werden, soll zur sicheren Handhabung und breiten Anwendung des Stoffes befahigen. Die beiden Bande werden daher vielen in der Bautechnik Tatigen eine Hilfe bei der Losung ublicher statischer Probleme sein; sie sind zum Selbststudium geeignet. Teil 1 "Grundlagen" geht auf die wichtigsten Probleme der einfachen Statik ein. Ohne komplizierte theoretische Ableitungen werden die Formeln entWickelt und dargestellt, die zur Bestimmung der ausseren und inneren Krafte in den Bauteilen erforderlich sind. Besondere mathematische Kenntnisse werden nicht vorausgesetzt. Teil 2 "Festigkeitslehre" erklart die Beanspruchung der Bauteile und die Bemessung von Konstruktionsteilen aus Holz, Mauerwerk, Beton und Stahl sowie die Bodenpressung."

Text in English & German. A whole issue of the architectural magazine Bauwelt, being published in Berlin, was dedicated to the completed building. The Institutes of Pharmacology and Food Chemistry of the Goethe-Universitat in Frankfurt am Main by Ferdinand Kramer, who had also built most of the other new buildings on the campus, soon advanced to a highly appreciated master work of modern post-war architecture but later it was nearly forgotten. Many years of intensive use and neglected maintenance rendered the rehabilitation of the buildings indispensable. After a comprehensive renovation by the architects SSP Schurmann-Spannel of Bochum, the concrete structure with its striking brise-soleil elements on the south side and the lecture-hall cube detached from the main building, is not only again a convincing built monument, but also an exemplary example of a successful conversion. Where for many years students of pharmacology and food chemistry studied and experimented, 160 scientists of the Biodiversity and Climate Research Centre (BiK-F) are researching the interaction of climate and biosphere. The book provides a detailed description of the building, which dates from 1957 and which was completely reconditioned by the office of SchurmannSpannel in the years 2009 to 2013. The pictorial section contains plans of the original and present condition as well as photographs especially made for this publication by Joerg Hempel. It is preceded by Fabian Wurm's essay, which not only discusses the building in detail, but also addresses the pressing question of converting buildings from the time after World War II.

The new MEETT Toulouse exhibition and convention centre in the French city of Toulouse once again demonstrates how a seemingly dull, functional task results in striking and refined architecture if the Rotterdam-based Office for Metropolitan Architecture OMA and its mastermind Rem Koolhaas take care of it. The vast structure, covering ca 618 by 246 yards of ground, makes for a spectacular spatial experience in its main exhibition hall that offers 484,376 square feet of column-free floor space. OMA also took an unusual path with regard to the configuration and transport connection of the entire complex. Rather than sealing even more ground with tarmac for endless car parks, it concentrated them into a compact multi-storey parking garage at the heart of the complex that also serves as a general traffic hub for MEETT Toulouse. The book offers impressions of MEETT Toulouse's enormous dimensions and the vast spaces it provides through images taken by French photographer Marco Cappelletti. The volume is rounded out with selected plans and concise texts on the particulars of the project. Text in French.

A visually rich survey of two hundred years of Alabama fine arts and artists. Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama's culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous. Published to coincide with the state's bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama's most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a wide range of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art. This retrospective volume features biographical sketches and representative examples of each artist's most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee's Bend Quilters, Lonnie, Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists. Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state's artistic heritage by Gail Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama's extraordinarily rich visual and artistic heritage.

"Almost every citizen is laudably ambitious to build a house unlike that of his neighbor," wrote an observer in early Denver, "and is more desirous that it shall have some novel feature than that it shall be surpassingly beautiful." This history of early Denver has over two hundred illustrations of buildings designed by nouveaux riches miners and frontier businessmen who had more money and fanciful imagination than taste. There is also a picture map of the business district in 1892 that shows where many of these extraordinary structures stood. Victoriana was in bloom, and architectural purity was scorned. Greek revivals had mansard roofs, Gothic castles had Italian tops, turrets and minarets sprouted in unlikely places, and everything was trimmed or fenced with castiron lace. Gingerbread store fronts, crenelated church towers, plushy lavish hotels, pompous homes, and glittering gambling houses and brothels gave the "Queen City of the Plains" an outlandish, distinct style that came to be known as Cherry Creek Gothic, from the creek that bisects the area. Denver residents were as gaudy and unpredictable as the buildings they erected. The unsinkable Mrs. J. J. (Molly) Brown built the fantastic House of Lions, an architect's nightmare guarded by two Sphinx-headed lions, in order to break into Denver society. Madam Jennie Rogers and Madam Mattie Silks, rivals for the title of queen of the demimonde, each had her turn reigning over the famous House of Mirrors. H. A. W. Tabor, the bonanza king whose scandalous love affair with Baby Doe cost him a political career, gave Denver a business block and an opera house that attracted such performers as Oscar Wilde and Sarah Bernhardt. This companion volume to the author's earlier work on Colorado hotels, No More Than Five in a Bed, is written with humor and understanding for the famous and the infamous who saw their dreams of wealth and splendor fulfilled in their city. It will appeal not only to students of architecture but to every one interested in the flamboyant personalities of the times. Sandra Dallas, a reporter for Business Week for twenty-five years, is the author of Colorado Ghost Towns and Mining Camps, No More Than Five in a Bed (also published by the University of Oklahoma Press), Gaslights and Gingerbread, many other books and articles on Colorado and the West, and several best-selling novels.

In celebration of the 150th anniversary of St Pancras station, this absorbing new book brings together 150 facts, revealing many little-known details about the long history of this iconic building and its local surroundings. From its conception and build, and the opening of the largest single-span arch in the world as the London terminus of the Midland Railway, to the damage it suffered during wartime, this fascinating fact book reveals many facts about St Pancras station's tumultuous history, including threatened demolition and glorious restoration. Did you know there was once a farm in the heart of the St Pancras parish area? Or that it was once home to one of the biggest markets in London? And why did Midland Railway built a special viaduct to travel over St Pancras station? This is the perfect gift for anyone with affection for this beautiful and important piece of London's architectural and railway heritage and its surrounding area.

Das Buch bietet eine architektonische Entdeckungstour durch Berlin und gibt einen eindrucksvollen Einblick in die jungste Architektur der deutschen Hauptstadt. Es dokumentiert den Stadtumbau seit der Eroeffnung des Neuen Museums 2009 am Beispiel von rund 30 ausgewahlten architektonischen und landschaftsarchitektonischen Projekten. Das Augenmerk liegt auf grossen architektonischen und stadtplanerischen Meilensteinen wie dem grossen Neubau des Axel Springer-Gebaudes von OMA oder der Museumsinsel. Doch auch versteckte Schatze wie das Wohnregal von FAR Frohn & Rojas sind berucksichtigt. Interviews mit Protagonistinnen und Protagonisten der Berliner Architekturszene ermoeglichen einen Blick hinter die Kulissen.

Neue Erkenntnisse zur Wichtigkeit ausreichender Tageslichtversorgung im Innenraum haben planungsrelevante AEnderungen normativer Vorgaben nach sich gezogen. Renate Hammer und Mathias Wambsganss veranschaulichen die neuen Anforderungen und erlautern die Moeglichkeiten zur planerischen Umsetzung. Die Autoren klaren, wann Tageslichtversorgung und Besonnung als ausreichend gelten, welche Qualitaten die Sichtverbindung nach aussen erfullen muss und wie Blendung durch Tageslicht zu begrenzen ist. Angaben zur melanopischen Wirkungsweise von Tageslicht bieten einen Einstieg in den planerischen Umgang mit nicht-visuellen Kriterien. Ein weiteres Kapitel zeigt die Schnittstellen mit anderen Aspekten der Bauplanung. Die Autoren: Dr. Renate Hammer studierte Architektur, Solararchitektur und Philosophie in Wien und Krems sowie Urban Engineering in Tokio. 2015 grundete sie das Institute of Building Research & Innovation. Sie unterrichtet einschlagig an der Kunstuniversitat Linz und der FH Campus Wien. Prof. Mathias Wambsganss studierte Architektur an der Universitat Karlsruhe (TH). 2014 grundete er das Buro "3lpi lichtplaner" in Munchen. Er ist langjahriges Mitglied im Vorstand der LiTG e.V. und wurde 2007 als Professor an die TH Rosenheim berufen.

An exploration of the abandoned tributaries of London's vast and vital transportation network through breathtaking images and unexpected stories Hidden London is a lavishly illustrated history of disused and repurposed London Underground spaces. It provides the first narrative of a previously secret and barely understood aspect of London's history. Behind locked doors and lost entrances lies a secret world of abandoned stations, redundant passageways, empty elevator shafts, and cavernous ventilation ducts. The Tube is an ever-expanding network that has left in its wake hidden places and spaces. Hidden London opens up the lost worlds of London's Underground and offers a fascinating analysis of why Underground spaces-including the deep-level shelter at Clapham South, the closed Aldwych station, the lost tunnels of Euston-have fallen into disuse and how they have been repurposed. With access to previously unseen archives, architectural drawings, and images, the authors create an authoritative account of London's hidden Underground story. This surprising and at times myth-breaking narrative interweaves spectacular, newly commissioned photography of disused stations and Underground structures today. Published in association with the London Transport Museum Exhibition Schedule: London Transport Museum (October 2019-October 2020)

The past decade of both economic crises in Europe and North America as well as an extraordinary museum boom in many Asian countries has led to new questions and concepts for future museum buildings. New Museums: Intentions, Expectations, Challenges investi gates this paradigm change by presenting 20 recent and future museum projects on all continents. Among the projects discussed are the Smithsonian's National Museum of African American History and Culture in Washington D.C. by Adjaye Associates, the Guggenh eim Helsinki by Moreau Kusonoki Architects , China's Comic and Animation Museum in Hangzhou by MVRDV, the Munchmuseet in Oslo by estudio Herreros, the Zeitz Museum of Contemporary Art Africa in Cape Town by Heatherwick Studio, the Long Museum West Bund in Shanghai by Atelier Deshaus and the extension of the Art Gallery of New South Wales in Sydney by SANAA. Critical texts by leading museum and architecture writers Suzanne MacLeod, Chris Dercon, Karen van den Berg, Wolfgang Ullrich, Kali Tzortzi and Anke Groener shed light on the relation of new museum trends and state of the art architecture

When the USS Maine mysteriously exploded in Havana's harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and "liberate" Cuba from the Spanish empire. "Remember the Maine! To Hell with Spain!" so went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom-in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai'i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated "proof" for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring truly interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US Empire today, particularly for Caribbean, Latinx, Philipinx, and Pacific Island communities.

Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German) Wo sich wahrend des NS-Regimes die Zentralen der Gestapo, der SS und des Reichssicherheitshauptamtes befanden, ist mitten in Berlin ein Lern- und Erinnerungsort mit jahrlich mehr als einer Million Besucher*innen entstanden. In diesem Band berichtet Historiker Andreas Nachama, von 1994 bis 2019 Direktor der Stiftung Topographie des Terrors, von seinen ersten persoenlichen Begegnungen mit dem Ort und zeichnet den Weg von der Entstehung und Etablierung der Topographie des Terrors nach, an der er seit den 1980er-Jahren entscheidend mitwirkte. Die Architektin und Ausstellungsgestalterin Ursula Wilms und der Landschaftsarchitekt Heinz W. Hallmann legen die Leitgedanken ihres Entwurfs fur die Neugestaltung der Topographie des Terrors dar - ein Gesamtkonzept aus Architektur, Landschaftsarchitektur und Ausstellungsgestaltung. Erstmals werden in dem Band die Fotografien Friederike von Rauchs veroeffentlicht, in denen die Kunstlerin die Atmosphare des Ortes kurz vor dessen Fertigstellung im Jahr 2010 festgehalten hat.

The Royal Academy of Music is one of the most prestigious conservatoires in the world, training generations of eminent musicians for all parts of the profession. Its alumni include Henry Wood, John Barbirolli, Myra Hess, Felicity Lott, Simon Rattle, Harrison Birtwistle, Elton John, Annie Lennox, Max Richter and Jacob Collier. Royal Academy graduates populate all the great orchestras, opera houses and musical theatre venues of the world, including the London Symphony, Berlin Philharmonic, the Metropolitan Opera and Broadway in New York and the West End. They are players, singers, composers, conductors, curators, animateurs and teachers. Approaching its bicentenary, the Royal Academy is Britain's oldest conservatoire. An international organisation from its foundation, it has just completed a transformative programme of new building at the heart of its Marylebone Road site. Bright ancillary spaces, refurbished studios and two exceptional additions designed by Ian Ritchie Architects, the Susie Sainsbury Theatre and the Angela Burgess Recital Hall, have already won major national and international awards for their breath-taking designs and outstanding acoustics, ideal for talented young singers, instrumentalists and composers. Recent decades have seen the Royal Academy extend its interests to jazz, musical theatre and vital outreach, educational and celebrated collaborative projects to foster future generations of musicians and music lovers. This book reveals how virtuoso architecture and technology have brilliantly fused the Academy's famous Edwardian building with the modern institution's creative values and aspirations as it moves towards its third century.

Philipp Luttke widmet sich dem wissenschaftlichen Ansatz, der diffuse Beschreibungen von Konsumenten zu Shopping Centern, selektive Kundenbefragungen, wechselnde Marktteilnehmer und Konzepte sowie die Auswirkungen einer sich verandernden Gesellschaft in Relation zueinander setzt. Der Autor zeigt, dass es dazu einer dezidierten Analyse der gegenwartigen und zu erwartenden Konsumentenstrukturen und -bedurfnisse und der auf den Konsumenten einwirkenden Mechanismen bedarf. Das Ziel, weiche Faktoren messbar zu machen, wird mithilfe von kausalen Abhangigkeiten eingegrenzt. Die Zielsetzung dieses Bewertungsinstrumentes ist die Entwicklung einer transparenten, pragmatischen und gleichzeitig moeglichst umfassenden Entscheidungshilfe.

The South Caroliniana Library, located on the historic Horseshoe of the University of South Carolina campus in Columbia, is one of the premier research archives and special collections repositories in South Carolina and the American Southeast. The library's holdings--manuscripts, published materials, university archives, and visual materials--are essential to understanding the Palmetto State and Southern culture as it has evolved over the past 300 years. When opened as the South Carolina College library in 1840 it was the first freestanding academic library building in the United States. Designed by Robert Mills, architect of the Washington Monument, it is built in the Greek Revival style and features a replica of the reading room that once housed Thomas Jefferson's personal library in the second Library of Congress. When the college built a larger main library (now known as the McKissick Museum) in 1940, the Mills building became the home of ""Caroliniana""--published and unpublished materials relating to the history, literature, and culture of South Carolina. Through a dedicated mining of the resources this library has held, art historian John M. Bryan crafted this comprehensive narrative history of the building's design, construction, and renovations, which he enhanced with personal entries from the diaries and letters of the students, professors, librarians, and politicians who crossed its threshold. A treasure trove of Caroliniana itself, this colorful volume, featuring 95 photographs and illustrations, celebrates a beautiful and historic structure, as well as the rich and vibrant history of the Palmetto State and the dedicated citizenry who have worked so hard to preserve it. A foreword is provided by W. Eric Emerson, director, South Carolina Department of History and Archives.

The new MEETT Toulouse exhibition and convention centre in the French city of Toulouse once again demonstrates how a seemingly dull, functional task results in striking and refined architecture if the Rotterdam-based Office for Metropolitan Architecture OMA and its mastermind Rem Koolhaas take care of it. The vast structure, covering ca 618 by 246 yards of ground, makes for a spectacular spatial experience in its main exhibition hall that offers 484,376 square feet of column-free floor space. OMA also took an unusual path with regard to the configuration and transport connection of the entire complex. Rather than sealing even more ground with tarmac for endless car parks, it concentrated them into a compact multi-storey parking garage at the heart of the complex that also serves as a general traffic hub for MEETT Toulouse. The book offers impressions of MEETT Toulouse's enormous dimensions and the vast spaces it provides through images taken by French photographer Marco Cappelletti. The volume is rounded out with selected plans and concise texts on the particulars of the project.

When the brilliant classical architect Charles Barry won the competition to build a new, Gothic, Houses of Parliament in London he thought it was the chance of a lifetime. It swiftly turned into the most nightmarish building programme of the century. From the beginning, its design, construction and decoration were a battlefield. The practical and political forces ranged against him were immense. The new Palace of Westminster had to be built on acres of unstable quicksand, while the Lords and Commons carried on their work as usual. Its river frontage, a quarter of a mile long, needed to be constructed in the treacherous currents of the Thames. Its towers were so gigantic they required feats of civil engineering and building technology never used before. And the interior demanded spectacular new Gothic features not seen since the middle ages. Rallying the genius of his collaborator Pugin; flanking the mad schemes of a host of crackpot inventors, ignorant busybodies, and hostile politicians; attacking strikes, sewag,e and cholera; charging forward three times over budget and massively behind schedule, it took twenty-five years for Barry to achieve victory with his 'Great Work' in the face of overwhelming odds, and at great personal cost. Mr Barry's War takes up where its prize-winning prequel The Day Parliament Burned Down left off, telling the story of how the greatest building programme in Britain for centuries produced the world's most famous secular cathedral to democracy.

Text in English and German. Otto Steidle acquired international recognition for his extraordinary early residential buildings in Munich and for exemplary solutions for school and office buildings. His office and residential complex for Wacker-Chemie in Munich is a lively accent on a particularly conspicuous site in architecturally conservative Munich. Individually balanced buildings are arranged along the block perimeter in Prinzregentenstrasse, the most important east-west axis in the inner city, diagonally opposite the Haus der Kunst, and in Bruderstrasse, which leads to Lehel, a traditional residential area. Steidle has not packed the different functions in layers one above the other, as is usual in commercial projects of this kind, but has separated them clearly from each other. The office building on the noisy carriageway of Prinzregentenstrasse takes the curve to the narrow side street in an elegant sweep, with the glass skin suspended in front of the corner giving the building an almost Mendelsohn-like verve. The series of residential buildings in Bruderstrasse is given a different quality by Berlin painter Erich Wiesner's strong colours and the projecting and recessed facades. And as here too the normal Munich scale is considerably exceeded -- the three residential towers placed diagonally to the courtyard rise eight storeys high -- there is a surprising amount of room for publicly accessible gardens inside the block, designed by landscape architects Latz + Partner, and also scope for revealing the torrential Stadtmuhlbach in a spectacular fashion, which used to be covered, but now shoots directly past one of the windows of the sunken cafeteria and then under the entrance hall of the office building, before playing at waterfalls as it gushes into the Englischer Garten at the other side of the road. Thus Prinzregentenstrasse, as a mile of museum and government buildings, and the Lehel residential area have acquired an architectural attraction of elemental impact in the shape of the Wacker building.

Rising dramatically above all other skyscrapers at the tip of Manhattan, the World Trade Center symbolized New York. From any direction the Towers were lodestars, Manhattan's local mountains. Nearly a decade after the dark events of 9/11, New Yorkers continue to come to terms with the tragedy, and to reminisce about the views of the Towers they once had from their homes and offices. Visitors, too, are remembering how the WTC looked as they approached Manhattan by car, plane, or from the water. As we mourn for the terrible loss of life, we also want to remember.
The 72 images of the World Trade Center presented in this book depict a New York we once knew, one we are now working to rebuild. For more than two decades, practically since the Twin Towers were erected, Sonja Bullaty and Angelo Lomeo have been photographing these awesome buildings. The pictures featured here portray the WTC from all directions, starting with views from the east at dawn, and ending with evening views from the west. There are captivating panoramas from Brooklyn, Lower Manhattan, New Jersey, and uptown, taken in all seasons, as well as a section showing the grand Plaza at the center of the buildings. Together, they create an unforgettable portrait of the Twin Towers.
Introducing this extraordinary collection of photographs, Paul Goldberger's text evokes the Towers and the city they came to symbolize. He recalls how they evolved in the public mind, targets of criticism to beloved American icons. He explains their architectural significance and explores their visceral meaning to New Yorkers. In contrast to books depicting the disaster and the days following it, this photographic memoir will be welcomed by all of us-- New Yorkers and visitors alike -- who yearn to remember the way the city was.
A portion of the book's proceeds are donated to the Twin Towers Scholarship Program care of Scholarship America.