Theater of Shopping tells the story of retail visionary Stanley Whitman and the creation of Bal Harbour Shops, the most successful luxury fashion shopping centre in the world*, and one of the last family-owned malls in America. Written by critically acclaimed author Alastair Gordon, Theater of Shopping is a cultural history of both a place and a personal legacy. The open-air mall opened in 1965 as a pedestrian-friendly environment that turned shopping into a kind of theatrical event, while featuring the work of young design talents like Valentino, Versace, Mugler, de La Renta, and other foreign designers who were unknown in America before first showcasing their collections at Bal Harbour Shops. The text weaves together fashion, luxury commerce, architecture, landscape design, urban development, and family history, to create a highly readable narrative illustrated with more than 300 images including never-before-published drawings, plans and photographs by renowned photographers including Richard Avedon and Ezra Stoller.

Text in English and German. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This is expressed most visibly without a shadow of a doubt in Frank O Gehry's Guggenheim Museum in Bilbao. But there are not just the international stars who have contributed to this success. Spanish architects in particular have designed unique museums that have changed the look of whole towns. One example is the Museo de Arte Contemporaneo de Castilla y Leon in Leon in Castille, built by the Madrid architects Mansilla + Tunon. Rafael Moneo, who recently completed the annexe for the Museo del Prado in Madrid is still the undisputed leading figure in Spanish architecture, but in the meantime architects like Mansilla + Tunon, who trained under Moneo, are attracting attention internationally as well as in Spain, and so are young talents who have just left architecture school and are successfully designing museums. Spanish architects use a wide variety of formal languages. And yet there are some characteristics that apply to them all: they have never been interested in the games Postmodernism plays; many of them value reinterpreting regional building traditions in a modern way; they are also sensitive to special features of the existing topography. Kenneth Frampton said in this context that Spanish architecture essentially runs counter to the globalisation tendencies that are increasingly reducing architectural form to a comfortable aesthetic product. The present book, which is also suitable as a museum guide, shows that this tendency is particularly conspicuous in the new museums. It confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo de Arte Romano in Merida to Herzog and de Meuron's new Calixa Forum art gallery in Madrid.

Text in German & English. When the stadium for a "Workers Olympiad" -- one of the most beautiful complexes in Europe, as the daily press put it -- was opened in 1931 on the occasion of the 10th anniversary of the Republic of Austria on the Prater site in Vienna, Otto Ernst Schweizer, the architect, was suddenly catapulted into the ranks of internationally acclaimed architects. The stadium, which can seat 60,000, was built as an amphitheatre on the model of its ancient predecessors, in particular the Colosseum in Rome, which Schweizer had studied intensively; the Viennese stadium seen as a reinterpretation of the enormous Roman structure on the basis of the constancy of things that were valid, which was one of the basic premises of his architecture. Otto Ernst Schweizer, born in 1890, and thus of the same generation as Le Corbusier, Hans Scharoun, Erich Mendelsohn and Ludwig Mies van der Rohe, had attracted attention even as a young architect with some outstanding competition entries, and was acclaimed for his planetarium on the periphery of the old town in Nuremberg and for the stands and the two cafes of the stadium complex there. He had left municipal service as an Oberbaurat to dedicate himself to planning and realizing the Milchhof in Nuremberg and also the stadium in Vienna. For thirty years he worked as one of the great teachers and researchers in the architecture faculty of the Technische Hochschule in Karlsruhe. He built -- after a long break forced upon him by National Socialist culture policy -- the II. Kollegiengebaude for Freiburg University. This was his last building, and once again Schweizer's approach to form and function was concentrated in it, almost as the quintessence of a rich creative life. And what remains of the stadium, this most beautiful complex in Europe, as has been said? The landscape around it has been wrecked and allowed to fray into randomness and Schweizer's reflecting lake in front of the arena has been filled in. The arena itself has been enlarged by almost double its appropriate cubature and its height increased, so generally it has changed to such an extent that the original is unrecognisable; hence this book.

The completion of David Chipperfield's distinctive new building for Kunsthaus Zurich in December 2020 has nearly doubled the museum's overall space. In combination with the preceding refurbishments of the earlier buildings, this has made it fit to meet the demands of an art museum in the 21st century. A sequel to The Architectural History of the Kunsthaus Zurich 1910-2020, this book comprehensively introduces the new Kunsthaus Zurich, demonstrating how the task of building an art museum in the 21st century can be fulfilled. Concise texts, statements by protagonists and by future users and visitors as well as numerous illustrations trace the project's evolution and the construction process and look at the completed building from various perspectives. The book also highlights what features contemporary museum infrastructure has to offer and the architectural and urban design qualities it requires, and what financial and organisational challenges the entire undertaking implied. A conversation between experts exploring the expanded museum's impact on its immediate neighbourhood and Zurich's urban fabric as a whole rounds out the volume. Text in French.

What happens when a functional building is decommissioned? This book investigates liminal spaces: areas we occupy between here and there; structures that exist only as a place to be passed through, rather than as a destination in themselves. Its onus is buildings that have fallen to the wayside, and no longer channel continuous flows of human traffic. Combining architectural insight with a study of the transitory human condition, Airports on Hold analyses a number of obsolete airport infrastructures. As well as exploring how design impacts on an airport's success, this book investigates the relationship between small and medium airports and territories through a series of case studies. The research included herein has been compiled from the author's experiences at numerous universities. Especial thanks go out to the Harvard Graduate School of Design, the University IUAV of Venice, the University of Genoa, and the Universidad Autonoma de Barcelona, for supporting the creation of this book.

Allegheny City, known today as Pittsburgh's North Side, was the third-largest city in Pennsylvania when it was controversially annexed by the City of Pittsburgh in 1907. Founded in 1787 as a reserve land tract for Revolutionary War veterans in compensation for their service, it quickly evolved into a thriving urban center with its own character, industry, and accomplished residents. Among those to inhabit the area, which came to be known affectionately as "The Ward," were Andrew Carnegie, Mary Cassatt, Gertrude Stein, Stephen Foster, and Martha Graham. Once a station along the underground railroad, home to the first wire suspension bridge, and host to the first World Series, the North Side is now the site of Heinz Field, PNC Park, the Andy Warhol Museum, the National Aviary, and world headquarters for corporations such as Alcoa and the H. J. Heinz Company.

Dan Rooney, longtime North Side resident, joins local historian Carol Peterson in creating this highly engaging history of the cultural, industrial, and architectural achievements of Allegheny City from its humble beginnings until the present day. The authors cover the history of the city from its origins as a simple colonial outpost and agricultural center to its rapid emergence alongside Pittsburgh as one of the most important industrial cities in the world and an engine of the American economy. They explore the life of its people in this journey as they experienced war and peace, economic boom and bust, great poverty and wealth--the challenges and opportunities that fused them into a strong and durable community, ready for whatever the future holds. Supplemented by historic and contemporary photos, the authors take the reader on a fascinating and often surprising street-level tour of this colorful, vibrant, and proud place.

"The marvelous story of one of New York City's most unique buildings
"Critics hated it. The public feared it would fall over. Passersby were knocked down by the winds. But even before it was completed, the Flatiron Building had become an unforgettable part of New York City.

Alice Sparberg Alexiou chronicles not just the story of the building, but the heady times in which it was built. It was the dawn of the twentieth century, a time when Madison Square Park shifted from a promenade for rich women to one for gay prostitutes; when photography became an art; motion pictures came into existence; the booming economy suffered increasing depressions; jazz came to the forefront of popular music--and all within steps of one of the city's best-known and best-loved buildings.

The design, construction, operation, and retrofit of buildings is evolving in response to ever-increasing knowledge about the impact of indoor environments on people and the impact of buildings on the environment. Research has shown that the quality of indoor environments can affect the health, safety, and productivity of the people who occupy them. Buildings are also resource intensive, accounting for 40 percent of primary energy use in the United States, 12 percent of water consumption, and 60 percent of all non-industrial waste. The processes for producing electricity at power plants and delivering it for use in buildings account for 40 percent of U.S. greenhouse gas emissions.
The U.S. federal government manages approximately 429,000 buildings of many types with a total square footage of 3.34 billion worldwide, of which about 80 percent is owned space. More than 30 individual departments and agencies are responsible for managing these buildings. The characteristics of each agency's portfolio of facilities are determined by its mission and its programs.
In 2010, GSA's Office of Federal High-Performance Green Buildings asked the National Academies to appoint an ad hoc committee of experts to conduct a public workshop and prepare a report that identified strategies and approaches for achieving a range of objectives associated with high-performance green federal buildings. Achieving High-Performance Federal Facilities identifies examples of important initiatives taking place and available resources. The report explores how these examples could be used to help make sustainability the preferred choice at all levels of decision making.
Achieving High-Performance Federal Facilities can serve as a valuable guide federal agencies with differing missions, types of facilities, and operating procedures.

Although airports are now best known for interminable waits at check-in counters, liquid restrictions for carry-on luggage, and humiliating shoe-removal rituals at security, they were once the backdrops for jet-setters who strutted, martinis in hand, through curvilinear terminals designed by Eero Saarinen. In the critically acclaimed Naked Airport, Alastair Gordon traces the cultural history of this defining institution from its origins in muddy fields to its frontline position in the struggle against international terrorism.From global politics to action movies to the daily commute, Gordon shows how the airport has changed our sense of time, distance, and style, and ultimately the way cities are built and business is done. He introduces the people who shaped and were shaped by this place of sudden transition: pilots like Charles Lindbergh, architects like Le Corbusier, and political figures like Fiorello LaGuardia and Adolf Hitler. "Naked Airport" is a profoundly original history of a long-neglected yet central component of modern life.

Elaborately conceived, grandly constructed insane asylumsOCoranging in appearance from classical temples to Gothic castlesOCowere once a common sight looming on the outskirts of American towns and cities. Many of these buildings were razed long ago, and those that remain stand as grim reminders of an often cruel system. For much of the nineteenth century, however, these asylums epitomized the widely held belief among doctors and social reformers that insanity was a curable disease and that environmentOCoarchitecture in particularOCowas the most effective means of treatment.

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In "The Architecture of Madness, " Carla Yanni tells a compelling story of therapeutic design, from AmericaOCOs earliest purposeOCobuilt institutions for the insane to the asylum construction frenzy in the second half of the century. At the center of YanniOCOs inquiry is Dr. Thomas Kirkbride, a Pennsylvania-born Quaker, who in the 1840s devised a novel way to house the mentally diseased that emphasized segregation by severity of illness, ease of treatment and surveillance, and ventilation. After the Civil War, American architects designed Kirkbride-plan hospitals across the country.

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Before the end of the century, interest in the Kirkbride plan had begun to decline. Many of the asylums had deteriorated into human warehouses, strengthening arguments against the monolithic structures advocated by Kirkbride. At the same time, the medical profession began embracing a more neurological approach to mental disease that considered architecture as largely irrelevant to its treatment.

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Generously illustrated, "The Architecture of Madness" is a fresh and original look at the American medical establishmentOCOs century-long preoccupation with therapeutic architecture as a way to cure social ills.

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Carla Yanni is associate professor of art history at Rutgers University and the author of "NatureOCOs Museums: Victorian Science and the Architecture of Display.""

Jonis Hartmann unternimmt in vorliegender Untersuchung den Versuch, Entwurfswerkzeuge jenseits von Stift und Papier begrifflich einzufuhren. Sie setzen a priori an und begleiten den Entwurf geistig. Im Gegensatz zum "genialischen Moment" des Entwerfens sind sie ubertragbar, regelhaft und verbalisierbar. Der Autor erlautert ihre Existenz und Konstituierung phanomenologisch anhand gebauter Beispiele und weist auf ihren aktiven Einsatz in Bereichen wie bspw. dem klimabewussten Bauen hin. Wiederkehr und Mehrdeutigkeit als Entwurfswerkzeuge wirken steuerbar auf das Entwerfen ein und steigern die insgesamte Entwurfskompetenz. Sie sind erlernbar, anwendbar und essentiell bei der UEbersetzung einer zunachst dunklen, kreativen, noch unarchitektonischen Idee in komplexe, lesbare, oeffentliche Architektur. Sie basieren auf systematisierten Erfahrungswerten beim Entwerfen und ermoeglichen den Aufbau architektonischer Grammatik.

This book is devoted to the seafront, the space between the seaward ends of seaside piers and the first line of buildings. The seafront is a place that is familiar yet unfamiliar, predictable but exciting, natural but artificial. It is a place to live, work and play, a site for commemoration and remembrance. It is ever-changing, depending on the time of day, the state of the tides and the month of the year. And how we perceive it will be shaped by our age, our gender and our childhood memories. The Seafront describes a highly complex space that has been created, recreated and adapted over the past 300 years. It tells the story of seaside holidays and how the arrival of increasing numbers of tourists transformed natural coastline into the man-made environments of modern resorts. Themes examined range from the engineering of sea defences, to the provision of tourism infrastructure and from facilities for sea bathing to the fun factories and fun fairs of the 20th century. The many and diverse aspects of its history, geography, character, function and meaning will be explored and while this study will inevitably focus on the tangible, both natural and man-made, it will also seek to capture something of the spiritual and cultural character of the seafront, is activities, people and memories.

Text in English & German. Since the 1950s Stefan Polonyi has realised a large number of buildings of all kinds from his Cologne office, working with famous architects all over the world. In his view, load-bearing structure, form and function have to form an indissoluble entity, and thus create an aesthetic appearance: beauty feeds on structural consistency. Very few civil engineers have made claims of this kind. Architects who have worked with Polonyi see this ambitious claim as something that has enriched their own design process. First of all Polonyi, working with Josef Lehmbrock and Fritz Schaller, developed bold folded structures and shells for church buildings, and this at a time before statical calculations were not done by computer, but a lot of things still had to be tried out in model form. Polonyi co-operated closely with Oswald Mathias Ungers on the Galleria for the Frankfurter Messe, among other projects. He made the flying roof for Axel Schultes' Kunstmuseum Bonn possible, supported by a row of irregularly placed columns, and also the undulating metal ceiling in the auditorium of Rem Koolhaas' Nederlands Dans Theater and the umbrella-like roofing for the approach tracks in Cologne's main station. Polonyi's bridges, built from the 1990s in the Ruhr District, have become landmarks in the meantime with their red curved tubes as a structural and aesthetic element. Today he creates his bridges as buildings over the river, so-called Living Bridges. Polonyi's wide range of professional experience had a considerable bearing on his teaching at Berlin and Dortmund Technical Universities. Working with architects Harald Deilmann and Josef Paul Kleihues, Polonyi established the "Dortmund Model for the Building Sciences". It provides joint training for architects and civil engineers in a single faculty. The present book is appearing to accompany the exhibition of the same name in the "Dortmunder U". The essays address specific aspects of Polonyi's work. So Karl-Eugen Kurrer and Ulrich Pfammatter look at the development of structural analysis and the resultant distinction drawn between the professional territories of the civil engineer and the architect. Patrik Schumacher, partner in Zaha Hadid's practice, represents a current position in terms of co-operation between the two disciplines. Katrin Lichtenstein's account of the Dortmund Model and Atilla OEtes' view of the current study situation consider the effect on training and teaching. Sonja Hnilica analyses the folding systems and shells in the church projects, and Polonyi presents his bridges, including the designs for the Living Bridges.

Dementia-friendly architecture encompasses a host of possibilities that are particularly relevant in hospital design. Implemented in an aesthetically pleasing and non-stigmatising manner, such architecture can benefit anyone during a hospital stay: it produces an environment that is easy to read, generates a sense of security, and promotes well-being and recovery. This manual begins by summarising the current state of research on architecture for individuals with dementia in acute care hospitals. Based on their years of experience in the field, authors Kathrin Buter and Gesine Marquardt then present approaches to creating tailored solutions. They outline general design principles while considering practical examples, and cover key topics such as safety, atmosphere, and orientation systems in detail. Every hospital building requires a concept that dovetails the spatial, social, personal, cultural, organisational, and financial frameworks. This guide is therefore a concise and straightforward introduction for all stakeholders in modern hospitals: from managers and developers to architects and designers. It provides inspiration for creative and interdisciplinary planning processes in an increasingly crucial area of the health sector.

The built heritage of postwar modernism has been under threat from climate change and the high expectations of society for years. The tremendous volume of building stock was erected with high hopes for the future within just a short period of time—and frequently using construction techniques that were as yet unproven. Despite the many research efforts focusing on spatial concepts and societal utopias between the 1950s and 1970s, the practice-oriented field of construction research lacks binding recording and evaluation strategies for buildings, materials, and construction methods for the majority of buildings of all types. This affects projects from solitary churches, residential settlements, and green spaces right through to large cultural, sporting, and education constructions, as well as the engineering structures of the urban and peripheral infrastructure. In order to preserve this existing stock as a resource for the future, new recording and evaluation tools that take into account technical, construction, ecological, and economic factors are necessary. This book presents possibilities for the management of our recent constructed heritage on the basis of ongoing projects by the DFG-Netzwerk Bauforschung Jungere Baubestande 1945+ buildings preservation network.

Adrian Smith + Gordon Gill Architecture's, 2006-2021 monograph showcases the spectacular work of the firm from the first 15 years of its practice through drawings, renderings, model photography, photography of built work, competition entries, exhibition materials, master plans, interiors, and special research projects and publications. The projects featured in the monograph cover a wide variety of AS+GG's high-performance, energy-efficient, aesthetically striking architecture on an international scale in a wide range of typologies and scales, from low- and mid-rise residential, commercial, and cultural buildings to mixed-use supertall towers. Projects explored include supertall towers, large-scale mixed-use complexes, corporate offices, exhibition facilities, cultural facilities and museums, civic and public spaces, hotels and residential complexes, institutional projects, and high-tech laboratory facilities.

In 2001, Pascal Muller and Peter Sigrist, who died in 2012, founded their architectural office in Zurich. Their dynamism led them to construct two exceptional buildings in 2006 and 2007, which were highly regarded by experts: the municipal administration centre in Affoltern am Albis and the festival cabin in Amriswil, a concentric structure that fittingly reflects the atmosphere of a festive tent. Since then, several residential developments have followed, such as the coherent Frohheim estate in Zurich-Affoltern and the widely regarded Kalkbreite in Zurich, which was developed over a tram garage and was the result of a new cooperative concept. Public buildings such as the Kunstfreilager Dreispitz in Basel and the Volketswil community centre also attracted attention. This volume presents in detail 18 buildings and projects from the past 16 years, including texts, plans and images. A further 21 buildings are described with texts and one or two images in the list of works. The exciting presentation of works is complemented by illuminating essays by Sabine von Fischer (with interview sections), Ariel Huber and Kornel Ringli. Text in English and German.

Gundula Zach and Michel Zund attracted initial attention in 2001 with their winning competition design for the prominent Sechseleutenplatz. Since 2000, the Zurich architects have won around 20 competitions, out of which they have developed housing and renovated school facilities with intelligence and an exceptional sense of architectural qualities. Text in English and German.

Powerful, memorable architecture in response to diverse conditions and briefs, conceived and developed by the Geneva architectural couple Kristina Sylla Widmann and Marc Widmann: this volume presents five school buildings and facilities with a high architectural quality, as well as several outstanding residential and administrative buildings. Text in English and German.

Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built.

Health and Architecture offers a uniquely global overview of the healthcare facility in the pre-modern era, engaging in a cross-cultural analysis of the architectural response to medical developments and the formation of specialized hospitals as an independent building typology. Whether constructed as part of Chinese palaces in the 15th century or the religious complexes in 16th century Ottoman Istanbul, the healthcare facility throughout history is a built environment intended to promote healing and caring. The essays in this volume address how the relationships between architectural forms associated with healthcare and other buildings in the pre-modern era, such as bathhouses, almshouses, schools and places of worship, reflect changing attitudes towards healing. They explore the impact of medical advances on the design of hospitals across various times and geographies, and examine the historic construction processes and the stylistic connections between places of care and other building types, and their development in urban context. Deploying new methodological, interdisciplinary and comparative approaches to the analysis of healthcare facilities, Health and Architecture demonstrates how the spaces of healthcare themselves offer some of the most powerful and practical articulations of therapy.