Since 1842, when Governor Tilghman M. Tucker and his family occupied the mansion shortly after his inauguration on January 10, the Mississippi Governor's Mansion has served as the state's official executive residence. Designed by William Nichols in the popular classical style, the mansion soon became a Jackson landmark, and a legendary hospitality surrounded its early years. Mississippi's first families "threw open the doors" of the mansion and shared its hospitality with plain citizens as graciously and generously as they did with celebrities. This tradition was interrupted only during the Civil War when the state capital was moved to eastern Mississippi to escape the advance of Union troops. Although much of Jackson was burned during the Vicksburg campaign in the summer of 1863, the mansion was spared. General William T. Sherman used it briefly as a command post, and his troops bivouacked on its spacious grounds.

At the beginning of the twentieth century, advancing real estate prices in Jackson caused the legislature to consider the disposal of the mansion to make its downtown location available for commercial development. This proposal promoted various civic and patriotic organizations throughout the state to wage a "Save the Mansion" campaign. The legislature was implored not to destroy "what Sherman would not burn." Sentiment prevailed over commerce, and the mansion was saved.

However, structural deterioration over the next seventy years was left uncorrected, and by 1971 was so advanced that the first family was advised to vacate the building. During the following election campaign, Carroll Waller, wife of gubernatorial candidate Bill Waller, called upon the women of Mississippi to join her in an effort to preserve the "home of our heritage" and to restore it to its past splendor. Following his election, Governor Waller and the First Lady initiated a three-year project that restored the mansion to the historical period of its construction and guaranteed its continued use for many years to come. The mansion was designated a National Historic Landmark in 1975.

Theatres and auditoriums, even small ones that are meant to support performance, are highly complex buildings. In this book, two professional theatre design and engineering consultants explore the keys to making these buildings successful.

In response to the 1845 Lunacy Act, initial, and what appeared to be perfunctory discussions took place in 1846 on the need for Newcastle to build its own asylum for pauper lunatics. It wasn't until 1863 however, that proper consideration was given for the first time on whether the city should indeed build its own asylum or at least look into possible alternatives. When it eventually opened in 1869, the high ideals associated with such a venture were superseded almost from the outset by the need for enlargement to address the continual problems of overcrowding. This subsequently led to an almost constant programme of expansion that saw the asylum grow ever bigger in size over the next few decades. In the 1960's - almost one hundred years later - proposals were put forward for a programme of closure that would herald the end of the asylum era. These proposals, in effect, were to be the precursor of care in the community initiatives which would eventually see the demise of mental hospitals such as St. Nicholas - although this would take many years to come to fruition. The physical manifestation of this process, for example, only began to have an impact from the early 1980's onwards through the gradual contraction and displacement of hospital services as they became increasingly community-based. St Nicholas Hospital has had a long and varied history in its role as both lunatic asylum and psychiatric hospital. Nevertheless, despite various references to its presence in a number of local histories, its past has never been fully investigated in any great depth - until now. This book attempts to encapsulate the origins and history of Newcastle's lunatic asylum in its entirety, from first opening in 1869 until what may be regarded as its eventual demise in 2001.

Greening Your Office shows us why we should green up at work, and covers the many areas where more environmentally friendly initiatives can be put into practice in a simple A-Z format. It includes case studies of successes from offices both big and small to inspire others to follow in their footsteps. The book hows how, by making small changes, individuals and organisations can: * Reduce costs * Reduce waste * Increase sales * Create a positive feeling at work * Do your bit for climate change Greening Your Office is for anyone who works in an office, both management and staff, from the large offices of global corporations to the person working from a home office.

The illustrated volume Work. Best of Interior Design focuses on the design of modern office spaces and buildings. Starting with traditional cubicles, on to custom designed work environments, and ending in open team spaces and interaction areas, Work presents all kinds of new space concepts. Creativity is given no limits: An exciting interplay of color and light, strict steel-and-glass structure or the self-aware building of the natural material wood - on 400 pages you will find 40 projects in the most contrasting styles and designs from around the world.

Hailed by some as the Eighth Wonder of the World when it opened in 1883, the Brooklyn Bridge is one of the world's most recognizable and beloved icons. For over one hundred years it has excited and fascinated with stories of ingenuity and heroism and it has been endorsed as a flawless symbol of municipal improvement and a prime emblem of American technological progress. Despite its impressive physical presence, however, Brooklyn's grand old bridge is much more than a testament of engineering and architectural achievement. As Richard Haw shows in this first-of-its-kind cultural history, the Brooklyn Bridge owes as much to the imagination of the public as it does to the historical events and technical prowess that were integral to its construction. Bringing together more than sixty images of the bridge that, over the years, have graced postcards, magazine covers and book jackets and appeared in advertisements, cartoons, films and photographs, Haw traces the diverse and sometimes jarring ways in which this majestic structure has been received, adopted and interpreted as an American idea. Haw's account is not a history of how the bridge was made, but rather of what people have made of the Brooklyn Bridge--in film, music, literature, art and politics--from its opening ceremonies to the blackout of 2003. Classic accounts from such writers and artists as H. G. Wells, Charles Reznikoff, Hart Crane, Lewis Mumford, Joseph Pennell, Walker Evans and Georgia O'Keeffe, among many others, present the bridge as a deserted, purely aestheticized romantic ideal, while others, including Henry James, Joseph Stella, Yun Gee, Ernest Poole, Alfred Kazin, Paul Auster and Don DeLillo, offer a counter-narrativeas they question not only the role of the bridge in American society, but its function as a profoundly public, communal place. Also included are never-before-published photographs by William Gedney and a discussion of Alexis Rockman's provocative new mural "Manifest Destiny. Drawing on hundreds of cultural artifacts, from the poignant, to the intellectual, to the downright quirky, "The Brooklyn Bridge sheds new light on topics such as ethnic and foreign responses to America, nationalism, memory, parade culture, commemoration, popular culture, and post-9/11 America icons. In the end, we realize that this impressive span is as culturally remarkable today as it was technologically and physically astounding in the nineteenth century.

The built environment does not exist in a vacuum. It is constructed in a social sense and therefore regarded as a cultural source and area of communication that can be decoded. Architecture and design affects the environment experience and influences human interactions and social activities. The aim of this study was to explore the relations between the built environment and human behaviour with focus on social institutional settings. The role of the built environment was assessed and its effect on environment experience and social processes. This was achieved by investigating different school buildings to illustrate a range of designs and its effects in relation to their social value and pedagogical benefit for children. It was found that the physical and social environments and the characteristics of people are closely interlinked. Environmental competence and awareness of aspects of environmental psychology within caring, socialising and therapeutic settings can therefore be seen as a component of good practice. This study is intended for everyone interested in, studying or working in the field of social work and social care and offers a foundation for further reading.

Chapter titles are ...(1) General and Background Information ...(2) Failure Modes and Wedge Sliding Analysis ...(3) Stability Requirements - Load Conditions, Site Information, Safety Factors, Seismic Stability, etc. ...(4) Loads and Loading Conditions including Water Loading Conditions, Uplift Loads, Earthquake Loading Conditions, etc. ...(5) Soil Forces and Single Wedge Sliding Analysis ...(6) Stability Considerations and Analytical Methods, including Advanced Analysis ...(7) Evaluating and Improving Stability of Existing Structures, supplemented with Case Histories ...(8) Anchoring Structures - Tensioned Anchor Loads, Structural Anchor Design, Stress and Load Testing, and Monitoring Structural Anchors.

From the mid-nineteenth to the early twentieth century, the aesthetic implications of iron engineering were debated in German architectural theory. Historians have traditionally interpreted this debate as evidence of the architectural profession's growing affirmation of the modern ideals of industrial advance and rational thought. This study argues that in the Janus-faced culture of early modern Germany, in which romantic Idealism and rational thought both held sway, architects were not yet convinced that iron construction should be understood solely as a sign of modern progress. During a period of heightened ambivalence toward modernization, architects tested the capacity of iron engineering to accommodate a range of cultural values. Drawing evidence from the theoretical writings of architects and critics, including Hermann Muthesius, Paul Schultze-Naumburg, and Peter Behrens, as well as engineers, such as Franz Reuleaux, this study reveals the range of rhetorical strategies employed to test iron construction's capacity for both Zivilisation and Kultur. The book provides a new perspective on modern building discourse for historians of architecture, engineering, and culture.

Although airports are now best known for interminable waits at check-in counters, liquid restrictions for carry-on luggage, and humiliating shoe-removal rituals at security, they were once the backdrops for jet-setters who strutted, martinis in hand, through curvilinear terminals designed by Eero Saarinen. In the critically acclaimed Naked Airport, Alastair Gordon traces the cultural history of this defining institution from its origins in muddy fields to its frontline position in the struggle against international terrorism.From global politics to action movies to the daily commute, Gordon shows how the airport has changed our sense of time, distance, and style, and ultimately the way cities are built and business is done. He introduces the people who shaped and were shaped by this place of sudden transition: pilots like Charles Lindbergh, architects like Le Corbusier, and political figures like Fiorello LaGuardia and Adolf Hitler. "Naked Airport" is a profoundly original history of a long-neglected yet central component of modern life.

The story of the building of the Adam Joseph Lewis Center at Oberlin College in the context of ecological design, institutional learning, and the green campus movement. The story of the Adam Joseph Lewis Center at Oberlin College-the first substantially green building to be built on a college campus-encompasses more than the particulars of one building. In Design on the Edge, David Orr writes about the planning and design of Oberlin's environmental studies building as part of a larger story about the art and science of ecological design and the ability of institutions of higher learning themselves to learn. The Lewis Center, which has attracted worldwide attention as a model of ecological design, operates according to environmental principles. It is powered entirely by solar energy, features landscaping with fruit trees and vegetable gardens, and houses a Living Machine, which processes all wastewater for reuse in the building or landscape. Orr puts the Lewis Center into historical design context and describes the obstacles and successes he encountered in obtaining funds and college approval, interweaving the particulars of the center with thoughts on the larger environmental and societal issues the building process illustrates. Equal parts analysis, personal reflection, and call to action, Design on the Edge illustrates the process of institutional change, institutional learning, and the political economy of design. It describes how the idea of the Lewis Center originated and was translated into reality with the help of such environmental visionaries as William McDonough and John Todd, and how the building has performed since its completion. College and university administrators will spend 17 billion dollars on new buildings over the next few years. Design on the Edge is essential reading for architects, planners, and environmentalists who need to sell the innovations of ecological design to wary institutions, and for educators and students whose profession is undermined by the very buildings they work in-and for anyone who has ever tried to change an organization for the better.

In this comprehensive survey combining architectural and social policy studies, Robert D. Leighninger Jr. reappraises the enduring achievements of public investment during the New Deal era. Leighninger argues that, though these initiatives produced the lasting backbone of the U.S. physical and cultural infrastructure, the value of these long-range investments is now being forgotten. In response Leighninger systematically assesses the schools, housing, bridges, roads, power plants, courthouses, hospitals, museums, stadiums, zoos, parks, and other public facilities built under the auspices of the New Deal. Many of the structures are still in use today. Although a multitude of studies have focused on specific agencies, Leighninger offers an exhaustive survey of all the building agencies established as part of the New Deal. In addition to reviewing the large- and small-scale objectives of such operations as the Public Works Administration, Civilian Conservation Corps, Works Progress Administration, and Tennessee Valley Authority, Leighninger applies the New Deal experience to current public policy issues. He evaluates the impact of public works on stimulating the economy, the role of public jobs in a national employment policy, the means of financing infrastructure, and the paradox of viewing public works as "pork."

On October 1, 1982, The Walt Disney Company opened its EPCOT Center to the world, heralding changes that would take the Disney property in Florida from a mere theme park to a world-class resort destination. Authors Steve Alcorn and David Green were there, as employees of Disney's WED Imagineering. "Building a Better Mouse" tells the tale of the "hundreds of mostly young, mostly bright and all embarrassingly idealistic people" who worked on Epcot, and gives a unique insider's perspective on what it was like to be in the trenches as a Disney Imagineer in the early 1980s, from pixie dusting - when new employees are indoctrinated into all things Disney - through the craziness of the engineering design process, right up until the last frantic dash to opening day. It is a breathtaking, breezy, E-ticket ride of a book, required reading for both hard-core Disneyphiles and people interested in the business side of themed entertainment.

Originally published in 1931, Representative British Architects profiles twelve of the foremost practitioners of the time in architecture. In an age when the designs of the Victorian and Edwardian era were being challenged by the new ideas of Modernism, the men in this volume were responsible for a range of imposing public and commercial buildings that are still celebrated today. Featured architects: S D Adshead Robert Atkinson Herbert Baker Reginald Blomfield Arthur J Davis E Guy Dawber Clough Willams-Ellis W Curtis Green H V Lanchester Edwin L Lutyens Giles Gilbert Scott Walter Tapper Writing from an informed position as Director of the Liverpool School of Architecture, C H Reilly produces in-depth and illuminating portraits of some of the period's leading architects.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This classic of scientific reporting by English chemist Robert Boyle, first published in 1661, is the best known of his many works. In this volume, Boyle defines the term "element," asserting that all natural phenomena can be explained by the motion and organization of primary particles. 1911 edition.

A provocative look at architecture-"exceptionally intelligent and original" (Jonathan Yardley, "The Washington Post Book World")
Deyan Sudjic-"probably the most influential figure in architecture you've never heard of" - argues that architecture, far from being auteur art, must be understood as a naked expression of power. From the grandiose projects of Stalin and Hitler to the "theme park" excess of today's presidential libraries, Sudjic goes behind the scenes of history's great manipulators of building propaganda-and exposes Rem Koolhaas, Frank Gehry, and other architects in a disturbing new light. This controversial book is essential reading for all those interested in the power of architecture-or the architecture of power.
* A "Washington Post Book World" Best Book of the Year

By Rob Smith

ISBN: 978 1846930430
Published: 2007
Pages: 120

Description

This book is based on a GCSE course, and is very popular
The view through the eyepiece of a good Telescope is an experience which often marks the turning point from an interest in telescopes to an overwhelming urge to own one. However, a visit to a telescope supplier and a study of the prices, can deter all but the most passionate of Amateur Astronomers. However, the remedy is a simple one; almost anyone who wishes to may build a Telescope capable of studying the surface of the Moon, the rings of Saturn, the brighter Moons of Jupiter, Nebulae and Double Stars.

About the Author

Rob Smith graduated in Electronics, Physics and Mathematics and then spent some years working for large electronics companies and restoring Astronomical Observatories. After his first wife suddenly died he picked up the pieces of his life and married again, this time to a lady from Russia. Having lived for some years in Spain he and his new family returned to Hampshire where he now works as a Lecturer.

Ancient American palaces still captivate those who stand before them. Even in their fallen and ruined condition, the palaces project such power that, according to the editors of this new collection, it must have been deliberately drawn into their formal designs, spatial layouts, and choice of locations. Such messages separated palaces from other elite architecture and reinforced the power and privilege of those residing in them. Indeed, as Christie and Sarro write, "the relation between political power and architecture is a pervasive and intriguing theme in the Americas."

Given the variety of cultures, time periods, and geographical locations examined within, the editors of this book have grouped the articles into four sections. The first looks at palaces in cultures where they have not previously been identified, including the Huaca of Moche Site, the Wari of Peru, and Chaco Canyon in the U.S. Southwest. The second section discusses palaces as "stage sets" that express power, such as those found among the Maya, among the Coast Salish of the Pacific Northwest, and at El Tajin on the Mexican Gulf Coast. The third part of the volume presents cases in which differences in elite residences imply differences in social status, with examples from Pasado de la Amada, the Valley of Oaxaca, Teotihuacan, and the Aztecs. The final section compares architectural strategies between cultures; the models here are Farfan, Peru, under both the Chimu and the Inka, and the separate states of the Maya and the Inka.

Such scope, and the quality of the scholarship, make Palaces and Power in the Americas a must-have work on the subject.