The Jules Bordet Institute is one of the largest integrated cancer centers in Europe. Located at the heart of the Erasme campus in Anderlecht, Belgium, the university hospital's structure evolved from the objective to establish smooth connections with its environment. The building's luminous patios and extensive timber cladding rhythmize the collaborative design by Brunet Saunier Architecture, Archi 2000, and TPF Engineering, emanating in an interplay of natural shades and lights and a welcoming atmosphere. Through texts, photographs, and plans, Institut Jules Bordet Instituut retraces the different stages of the project. From the initial medical vision to the arrival of the first patients, the publication outlines the architectural approach to intensifying the relationship between medical practice and research, integrating technological changes, and improving the comfort of its patients.

Accessible architecture is about much more than wide doorways and low-placed light switches. Accessibility means independent and self-reliant living and mobility for people of all ages and in any situation in life. Enabling this requires a clear awareness of the related concepts and principles that need to be adopted into the planning at an early stage. This manual presents both public buildings and orientation systems in the fields of culture, transport, and education, as well as examples from the worlds of work and health. Informative essays provide an insight into the theory of signage, while selected projects are described from the perspective of Design for All. Large-scale images and drawings illustrate ten design parameters Best-of collection of the practical handbooks on accessible architecture and wayfinding Incorporate two areas of design to ease our daily life

Following her success with Lost Charleston, local author and city tour guide Leigh Jones Handal brings a fresh approach to one of the key titles in Pavilion Books’ trademark series. Charleston, South Carolina is one of the most popular East Coast tourist destinations. The flashpoint of the Civil War, what remains of Fort Sumter in Charleston is still a much-visited attraction, and despite bombardment by the Federal Navy, earthquakes and many hurricanes, the South Carolina city has retained its 19th-century charm.  City guide Leigh Jones Handal tells the story of the Charleston she loves through archive photos matched with their modern viewpoint, including the Jenkins Orphanage whose band were the likely originators of the Charleston dance. There are vintage photos of the great plantation houses, plus the grand buildings on Meeting Street, and the soaring spires of Charleston’s many churches.  Downtown many of the classic mansions, such as the Miles Brewton House, have been retained, along with the Market Hall and the Customs House, and though the trolleys no longer run along Broad Street, it is still recognizable from a century before.  Leigh Jones Handal has uncovered a treasury of vintages images which have been matched with modern photos to show new aspects of this enduringly fascinating city.

Ruhrchemie AG, a chemical company based in Oberhausen (Germany) has, since its founding in 1928, consistently maintained a photographic archive of the company's history. In addition to numerous professional and amateur photographers, whose pictures were shown in company magazines and brochures, Ruhrchemie commissioned photographs from luminaries of the profession such as Albert Renger-Patzsch and Robert H usser. This book of photographs presents a selection from the wide range of images in the collection, including factory architecture, industrial landscapes, and employees. Renger-Patzsch's cool approach, which aimed for objectivity, was ideally suited to the representation of both industrial architecture and engineering structures. In contrast to Renger-Patzsch's images, which are mostly devoid of human beings, H usser photographed the workers in the workplace. Apart from his trademark black and white photos, more than one hundred color slides have been preserved in the company's archive. Many of these are published here for the first time. Text in English and German. Contents: A directed view. Industrial photography for the Ruhrchemie AG in Oberhausen; Asrchitectures, Processes, Products; Chemical Images. The Ruhrchemie in photographic records. Photographers: Albert Renger-Patzsch / Karl Hugo Schm lz / Ludwig Windstosser / Bernd and Hilla Becher / Rudolf Holtappel / Robert H usser / Joachim Schumacher / Hermann Dornhege / Christian Diehl.

Designed by Atlanta architect A. Thomas Bradbury and opened in 1968, the mansion has been home to eight first families and houses a distinguished collection of American art and antiques. Often called "the people's house," the mansion is always on display, always serving the public. Memories of the Mansion tells the story of theGeorgia Governor's Mansion-what preceded it and how it came to be as well as the stories of the people who have lived and worked here since its opening in 1968. The authors worked closely with the former first families (Maddox, Carter, Busbee, Harris, Miller, Barnes, Perdue, and Deal) to capture behind-the-scenes anecdotes of what life was like in the state's most public house. This richly illustrated book not only documents this extraordinary place and the people who have lived and worked here, but it will also help ensure the preservation of this historic resource so that it may continue to serve the state and its people.

During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. 'Basic Forms' represents the culmination of their career. Although the subject matter is unglamorous-mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks-the Bechers' passion for their work imbues these photographs with beauty and solemnity. The Bechers restricted the conditions of each photograph-taking them early in the morning, on overcast days, so as to eliminate shadow and distribute light evenly. Each image is centered and frontally framed, its parallel lines set on an even plane. There are no human figures, nor are there birds in the sky. The result is a treasury of precisely functional architectural forms, a sublime example of conceptual artistic practices, and a series of "perfect sculptures of a bygone industrial age."

In this innovative volume, Jerry D. Moore discusses public architecture in the context of the cultural, political and religious life of the pre-hispanic Andes. Archaeologists have invested enormous effort in excavating and documenting prehistoric buildings, but analytical approaches to architecture remain as yet undeveloped. Architecture and Power in the Ancient Andes uses new analytical methods to approach architecture and its relationship to Andean society, exploring three themes in particular: the architecture of monuments, the architecture of ritual, and the architecture of social control. It provides both a methodology for the study of public architecture and an example of how that methodology can be applied. Jerry D. Moore's clear and richly illustrated discussion represents an original perspective on architecture and its role in ritual, ideology, and power in the ancient world.

Visiting a museum is an experience that normally sets our concentration on the artworks or on its architecture. That is correct, however there is an invisible factor called "narrative structure" that deals with the construction of different routes to walk an exhibition and to unveil the space of museum. This specific discipline is the argument of the first book in a series dedicated to theoretical research.

The courthouses of Georgia's 159 counties hold the keys to the history of individual families and entire communities alike. From their primary role as the temples of justice for our court system to their better-known function as the official repository of public records for significant life events, these buildings anchor many of Georgia's town squares.
In "Courthouses of Georgia," internationally recognized photographer Greg Newington captures the prominence and character of these great structures. His images pay tribute to the community's investment in preserving historic courthouses for future generations and celebrate new facilities designed to accommodate expanded county programs and services, keeping pace with the state's tremendous growth.
"Courthouses of Georgia" commemorates the centennial anniversary of Association County Commissioners of Georgia (ACCG), Georgia's county government association. In his introduction to this lavishly illustrated book, former Georgia House of Representatives majority leader Larry Walker shares memories of county courthouses by legislators, authors, judges, and other notable state figures, and historian George Justice highlights the proud civic and architectural heritage of each structure to provide additional context. Organized by the nine travel regions of Georgia, the book offers the perfect starting point for touring any of Georgia's counties and instills an appreciation for historic preservation.

Eye-Popping Show-Stopping Libraries starts out by recounting the beginning of the relationship between the American Institute of Architects (AIA) and the American Library Association (ALA) to establish the Library Building awards and traces the development of the program over the following five decades. In the next seven chapters the authors have grouped selected award-winning libraries by big themes, to explore the evolution of service innovations and design trends; most of the selected case studies include exterior and interior photographs, as well as floor plans. The final chapter offers some thoughts on what a half-century of award-winning architecture can tell us about the future of library service and library design. In the afterword the authors review the initial round of seventeen award-winning libraries from 1963, to assess how the designs have held up over time, and to describe the current disposition of the building. Three appendixes offer a chronological list of award recipients, an alphabetical list of awardees by library, and an alphabetical list by architect. The fourth and final appendix is a chronological list of jury members. This full-color, beautifully illustrated with 141 images book presents these exemplary libraries as an exploration of the evolution of library service and design. It examines the award-winning libraries by big themes to explore how service trends and design trends have evolved. Documentation of featured library buildings (including photographs and plans) is an important element.

Halley VI Research Station is the first fully re-locatable research station in the world. It was commissioned in 2006 and its unique and innovative structure was the result of an international design competition in collaboration with the Royal Institute of British Architects (RIBA). The research facility is segmented into eight modules, each sitting atop ski-fitted, hydraulic legs that can be individually raised to overcome snow accumulation, allowing the module to be towed independently to a new location. Halley VI is designed by London-based Hugh Broughton Architects and AECOM, a global engineering design firm. The new book tells the story of this exciting piece of architecture in an essay by Ruth Slavid. Around 100 photographs, mostly in colour, plans and diagrams document the various modules of the re-locatable station and its present site. Captions offering comprehensive technical information about the structure complement the images. Photographs are contributed by British photographer James Morris, who has gained much international recognition for his work in architectural and landscape photography.

Shift Clinic design to keep pace with the evolving healthcare industry Modern Clinic Design: Strategies for an Era of Change is a comprehensive guide to optimizing patient experience through the design of the built environment. Written by a team of veteran healthcare interior designers, architects, and engineers, this book addresses the impacts of evolving legislation, changing technologies, and emerging nontraditional clinic models on clinic design, and illustrates effective design strategies for any type of clinic. Readers will find innovative ideas about lean design, design for flexibility, and the use of mock-ups to prototype space plans within a clinic setting, and diagrammed examples including waiting rooms, registration desks, and exam rooms that demonstrate how these ideas are applied to real-world projects. Spurred on by recent healthcare legislation and new technological developments, clinics can now offer a greater variety of services in a greater variety of locations. Designers not only need to know the different requirements for each of these spaces, but also understand how certain design strategies affect the patient's experience in the space. This book explores all aspects of clinic design, and describes how aesthetics and functionality can merge to provide a positive experience for patients, staff, and healthcare providers. * Understand how recent industry developments impact facility design * Learn how design strategies can help create a positive patient experience * Examine emerging clinic models that are becoming increasingly prevalent * Analyze the impact of technology on clinic design A well-designed clinic is essential for the well-being of the patients and health care providers that occupy the space every day. The healthcare industry is shifting, and the healthcare design industry must shift with it to continue producing spaces that are relevant to ever-evolving patient and worker needs. For complete guidance toward the role of design, Modern Clinic Design is a thorough, practical reference.

In 2015, the Vendome column regained its initial splendour thanks to a long restoration campaign supported by the Vendome committee and particularly the Ritz. During the dismantling of the scaffolding, David Bordes took exceptional shots of all the column plates. Published here for the first time, these 450 photographs form a fascinating and totally new corpus: the details of the battle scenes, the military costumes, the landscapes which constitute the setting of the battle of Austerlitz allow one to discover the column as it had never been revealed. Based on the shots of David Bordes, but also on paintings, old photographs, period documents, this widely illustrated art book in exceptional format and workmanship brings the history of the column to life, its sources, its destruction, its restoration, and also describes the moving history of the daily life of the Grande Armee during the Austerlitz campaign.

A fascinating insight into Britain's industrial past as evidenced by its buildings, richly illustrated with intricate line drawings.Industrial Britain goes far beyond the mills and machine houses of the Industrial Revolution to give an engaging insight into Britain's industrial heritage. It looks at the power stations and monumental bridges of Britain, including the buildings and engineering projects associated with the distribution of manufactured goods - docks, canals, railways and warehouses. *The gasworks *Temples of mass production *The mill *Warehouse and manufactory *Dock and harbour buildings *Water power and water storage *Waterways: canals and rivers *The railway age *Breweries and oast houses *Markets and exchanges *The twentieth century: industry on greenfield sitesIt's a story of industrial development, but also a story of its ultimate decline. As manufacturing has been increasingly replaced by services, new uses have been found for at least some of the country's great industrial buildings. Not least as containers for art and heritage, such as the Bankside Power Station (Tate Modern) and Salts Mill. Other buildings featured are still used as originally intended today, such as Smithfield Market in London and the Shepherd Neame brewery in Faversham.Illustrated throughout with over 200 original line drawings, Industrial Britain is a celebration of industrial architecture and its enduring legacy.

This book narrates the complete detailed history of the New Rome Convention centre in Rome and its construction through numerous and evocative images of the work site showing the complexity of the construction stages and the special techniques that were necessary. There are photos of the completed building, by internationally renowned photographers and an essay by Joseph Giovannini, and is completed with very rich iconographic material composed of technical drawings on various scales, and sketches by the Massimiliano Fuksas, author of the work together with Doriana Fuksas. The NUVOLA (NEW CONVENTION CENTRE) is a work of outstanding artistic merit, featuring innovative logistics solutions, and a choice of technically advanced materials. The structure rises in the historic EUR quarter and covers a surface of 55,000 square metres. The project concept can be defined in three images: the Theca, the Nuvola, and the Lama of the hotel structure. The Theca [display case] is the enclosing structure in steel and double glass facades that encases the Nuvola [cloud], the true core of the project, enclosed inside the Display Case box underlining the contrast between the organisation of free space without rules, and a geometrically defined form. The Nuvola contains an auditorium with seating for 1850, cafés and snack bars, and support services for the auditorium. This highly flexible complex is able to house congresses, exhibitions, and events with a seating capacity of almost 9,000 people. The book has been published on various types of paper and differently sized sheets which are inserted within the pages. Studio Fuksas, directed by Massimiliano and Doriana, is one of the most famous international architectural firms in the world. Over the past 40 years, the firm has developed an innovative approach through a surprising variety of projects all over the world and and has been awarded numerous international prizes.

The Netherlands Carillon stands out in the American memorial landscape. Situated between Arlington National Cemetery and the Marine Corps War Memorial, the modernist design of this 127-foot steel bell tower is strangely at odds with its surroundings, much in the same way that its prominent place is at odds with its absence in American memory. In this book, Diederik Oostdijk reveals the intriguing history of this major monument hidden in plain sight. Given to the United States in the 1950s by the Dutch government as a gesture of gratitude for America’s role in the Dutch liberation during World War II and for the Marshall Plan aid that helped rebuild the Dutch economy, the carillon owes its conspicuous placement to the Cold War. Oostdijk traces the history of this monument, from its creation and the pageantry surrounding its presentation through its fall into disrepair and plans for its renewal. In so doing, he resolves the paradox of the carillon’s placement in Arlington and unearths a fascinating and compelling story of diplomacy and humanity. Interweaving art history, campanology, landscape architecture, literature, musicology, and diplomatic history, Bells for America recounts how the Netherlands and the United States reconstructed their national identities and fostered an international relationship in the postwar era through public art.

Thinking Big: A History of Davis Langdon provides a history of one of the world's largest quantity surveying companies. They have been involved in the rebuilding of Ground Zero, Chek Lap Kok, the Cooper Union for the Advancement of Science and Art in New York and the Millennium Dome in London, amongst thousands of other projects around the world. Thinking Big is complete with illustrations of projects and details the working of this global multi-million dollar corporation and their impact on some of the most exciting buildings of the last century. Organised around seven chapters that cover different elements of the company's history in detail and written by a senior partner of the company, Thinking Big provides details of the company's foundation in the early years of the twentieth century, through the difficult years of the depression, to the firm's growth in the 1930s and its international expansion in the post-war years. The book discusses the turbulent period of the 1970s and its leading to a merger and growth of new markets in the 1980s. Thinking Big outlines the company's survival during the recession through to its increasing growth and diversification in the new millennium. The book goes on to look at the new challenges the company faces, including sustainability and the current economic crisis.

Through an international range of case studies from the 1870s to the present, this volume analyzes strategies of display in department stores and modern retail spaces. Established scholars and emerging researchers working within a range of disciplinary contexts and historiographical traditions shed light on what constitutes modern retail and the ways in which interior designers, architects, and artists have built or transformed their practice in response to the commercial context.

Building Power examines the ways in which concerns about surveillance informed the design and organization of important building types in the United States between the mid-nineteenth century and World War I. Beginning with settings such as prisons, which were specifically planned around surveillance, Anna Vemer Andrzejewski shows how surveillance also affected the design and use of various buildings and environments, including post offices, factories, offices, houses, and camp meetings. Working with great dexterity from case studies as well as scholarly sources, she argues that surveillance not only motivated a range of common buildings but was also a defining practice of modernism. This wide-ranging study draws on fundamental concepts from Michel Foucault, even as it revises and extends them. For Andrzejewski, surveillance is any act of sustained, close observation of others that is intended to transform behavior--of those under surveillance as well as those who initiate it. This definition allows her to illuminate the many ways in which those in positions of power have attempted to influence the actions of others, whether to create and enforce hierarchical boundaries between people, as in the workplace, or to affirm bonds between like-minded individuals, as at Victorian-era revivalist camp meetings. Thinking about surveillance in these terms also allows Andrzejewski to consider ways in which it has influenced diverse American spaces, ranging from obvious settings relatively removed from daily life (like penal institutions) to everyday spaces familiar to most Americans (like middle-class houses). Moving across the era, as well as across building types, she shows that as the goals andcontexts for surveillance changed, so did its realization in the built environment, resulting in a complicated landscape that influenced both everyday life and the principles of modernism.

Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies-such as temples, summerhouses, towers, and ruins-brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.

Climate change and increasing resource scarcity together with rising traffic volumes force us to develop new environmentally friendly and people-oriented mobility options. In order to provide a positive mobility experience, the transition from one mobility mode to another must be managed smoothly and safely, and individual, shared or public means of transportation must become convenient and easy. Conceptual as well as existing infrastructure projects provide models for future sustainable and connected mobility. This volume focuses on the importance of design, introducing through photos, plans, and brief texts over 60 groundbreaking projects from the disciplines of product design, architecture, and urban planning. With this international overview Mobility Design portrays the current situation of sustainable mobility systems, while identifying mobility as one of the most important design tasks of the future. With project texts by Markus Hieke, Christian Holl, and Martina Metzner

The public sphere is normally considered to be a forum for democratic deliberation. It can serve many other uses, however, such as an arena for strategic communication, a space for identity formation or a 'showcase' for celebrities. By bringing together researchers from political science, public administration, sociology and media studies, New Publics with/out Democracy presents a comprehensive perspective on the transformation of the public sphere in the emerging network society. The book presents a series of theoretical and empirical contributions concerning current changes in political communication, participation, identity and the role of the media and journalists.Within a common framework of analysis, the individual chapters in the book cover a wide range of issues concerning the way political institutions, citizens, NGOs, firms and not least the media and journalists engage the public sphere, such as post-ideological politics, governance by performance and evaluation, transnationalisation, branding, Internet use and journalistic praxis. Although the book clearly suggests that the public sphere is an increasingly important medium of politically active and informed agents, it also insists that it proceeds far beyond the democratic publics of parliament and citizens in civil society.