The quintessential New England barn-photogenic, full of character, and framed by flaming autumn foliage-is an endangered species. Of some 30,000 barns in Vermont alone, nearly a thousand a year are lost to fire, collapse, or bulldozers. Thomas Durant Visser's field guide to the barns, silos, sugar houses, granaries, tobacco barns, and potato houses of New England is an attempt to document not just their structure but their traditions and innovations before the surviving architectural evidence of this rich rural heritage is lost forever.
A recognized authority on historic barn preservation, Visser has combed the six-state region for representative barns and outbuildings, and 200 of his photographs are reproduced here. The text, which includes accounts from 18th- and 19th-century observers, describes key architectural characteristics, historic uses, and geographic distribution as well as specific features like timbers and frames, sheathings, doors, and cupolas. From English barns to bank barns, from ice houses to outhouses, these irreplaceable assets, Visser writes, "linger as vulnerable survivors of the past. Yet before these buildings vanish, each has a story to tell." Travelers, residents, and scholars alike will find Visser's text invaluable in uncovering, understanding, and appreciating the stories inherent in these dwindling cultural artifacts.

Over the past twenty years European cities have become the envy of the world: a Kraftwerk Utopia of historic centres, supermodernist concert halls, imaginative public spaces and futuristic egalitarian housing estates which, interconnected by high-speed trains traversing open borders, have a combination of order and pleasure which is exceptionally unusual elsewhere. In Trans-Europe Express, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it.

Until now, Emil Jauch (1911-1962) has been a little-known protagonist of Swiss post-war architecture. Shaped by the Scandinavian Modernity of the 1930s, his buildings are characterised by a remarkable sensitivity. This book demonstrates the Lucerne architect's empathetic design method by presenting his constructed school buildings. The publication describes the architect's life and work in three chapters, recognising his achievements in school building and classifying them within the European context of a humanising functionalism.

Today, universities serve as the economic engines and cultural centers of many U.S. cities, but how did this come to be? In Building the Ivory Tower, LaDale Winling traces the history of universities' relationship to the American city, illuminating how they embraced their role as urban developers throughout the twentieth century and what this legacy means for contemporary higher education and urban policy. In the twentieth century, the federal government funded growth and redevelopment at American universities—through PWA construction subsidies during the Great Depression, urban renewal funds at mid-century, and loans for student housing in the 1960s. This federal aid was complemented by financial support for enrollment and research, including the GI Bill at the end of World War II and the National Defense Education Act, created to educate scientists and engineers after the launch of the Soviet satellite Sputnik. Federal support allowed universities to implement new visions for campus space and urban life. However, this growth often put these institutions in tension with surrounding communities, intensifying social and economic inequality, and advancing knowledge at the expense of neighbors. Winling uses a series of case studies from the Progressive Era to the present day and covers institutions across the country, from state schools to the Ivy League. He explores how university builders and administrators worked in concert with a variety of interests—including the business community, philanthropists, and all levels of government—to achieve their development goals. Even as concerned citizens and grassroots organizers attempted to influence this process, university builders tapped into the full range of policy and economic tools to push forward their vision. Block by block, road by road, building by building, they constructed carefully managed urban institutions whose economic and political power endures to this day.

The latest in public space designs from around the globe by some of the most experimental international designers and architects working today. "The topic of this book, un-volumetic architecture is the search for creative alternatives to the overly volumetric shape making obsessions of international architecture today and a promising goal for the 21st Century." - James Wines This book examines an important selection of the most important and experimental contemporary designs for public spaces throughout the world and offers a critical reflection of the theme of "unvolumetric architecture" proposed by the designers and theoreticians featured in the book. The series of the selected projects moves from earthworks and environmental interventions to surface design, land marks, events, barriers, canopies and shelters, technical equipment, micro-architecture and the most traditional urban design and involves some of the most prominent international designers including Acconci studio, Shigeru Ban, Eduard Bru, Manuel de Sola Morales, Odille Decq, Diler and Scofidio, Nougichi Isamo, Toyo Ito, Wes Jones, Kengo Kuma, Torres& La Pena, Mary Miss, N!Studio, NL architects, Oma, Site, Italo Rota, Sauerbruch & Hutton, Venturi Scott Brown. The book includes an introductory essay by Denise Scott Brown as well as essays by Wes Jones, Pippo Ciorra, Kengo Kuma, Arie Graafland, Enrico Morteo, James Wines, Bernardo Secchi and Ilhyun Kim.

Immerse yourself with architects Florian Idenburg and LeeAnn Suen as they journey through a wide-ranging collection of the objects, systems, and buildings that have occupied the American office space since the advent of the internet. Through stories and speculations, Idenburg and Suen expose the relationships between space, work, and people, and explore the intentions that have driven the development of office design for working humans. In twelve essays, this book examines the spatial typologies and global phenomena that have defined the office in the last half century. Topics include the return of the work club, the rise of the corporate festival, the way of the charismatic guru, the shattering of the time clock, and the design of playgrounds for work. We cycle through Frank O. Gehry's radical, playful spaces for digital nomads in the advertising world, stagger under the weight of stacks of punch cards, feel the fit of our bodies in the Aeron Chair, answer the phone in Hugh Hefner's bed, and scroll through Lil Miquela's feed. Photographic essays by Iwan Baan provide a visual post-occupancy report on a range of canonical office projects, such as Marcel Breuer's IBM campus in Florida and the Ford Foundation's urban garden in Manhattan. Four intervening catalogs offer collections of experimental workplace products, augural advertisements for office building components, digital office components, and renderings of speculative workplaces; each catalog bridges the reality of the office and how we imagine its alternatives. This book is a theoretical backdrop for architects as much as it is for businesspeople and employees. With curiosity and skepticism, it looks at the spaces and solutions that have been designed for human work, tracing the transformation from work to occupation, from punch cards to "playbor," from today's lived experience to tomorrow's unpredictable, imagined futures.

The past decade of both economic crises in Europe and North America as well as an extraordinary museum boom in many Asian countries has led to new questions and concepts for future museum buildings. New Museums: Intentions, Expectations, Challenges investi gates this paradigm change by presenting 20 recent and future museum projects on all continents. Among the projects discussed are the Smithsonian's National Museum of African American History and Culture in Washington D.C. by Adjaye Associates, the Guggenh eim Helsinki by Moreau Kusonoki Architects , China's Comic and Animation Museum in Hangzhou by MVRDV, the Munchmuseet in Oslo by estudio Herreros, the Zeitz Museum of Contemporary Art Africa in Cape Town by Heatherwick Studio, the Long Museum West Bund in Shanghai by Atelier Deshaus and the extension of the Art Gallery of New South Wales in Sydney by SANAA. Critical texts by leading museum and architecture writers Suzanne MacLeod, Chris Dercon, Karen van den Berg, Wolfgang Ullrich, Kali Tzortzi and Anke Groener shed light on the relation of new museum trends and state of the art architecture

In 2003, the Sion-born architect Alain Wolff founded his architectural office in Lausanne. Since then, a number of remarkable buildings have been produced - mainly in rural areas. For instance the Ecole de la Verrerie is carefully integrated into the surroundings and impresses with its materialisation in wood and concrete. The arrangement of the classrooms and sports hall resembles a well-balanced organism. Text in English, German and French.

In the most comprehensive investigation of the Los Angeles Public Library's early history and architectural genesis ever undertaken, Kenneth Breisch chronicles the institution's first six decades, from its founding as a private library association in 1872 through the completion of the iconic Central Library building in 1933. During this time, the library evolved from an elite organisation ensconced in two rooms on the second floor of a downtown LA commercial block into one of the largest public library systems in the United States-with architect Bertram Grosvenor Goodhue's building, a beloved LA landmark, as its centrepiece. Goodhue developed a new style, fully integrating the building's sculptural and epigraphic program with its architectural forms to express a complex iconography. Working closely with sculptor Lee Oskar Lawrie and philosopher Hartley Burr Alexander, he created a great civic monument that, combined with the library's murals, embodies an overarching theme: the light of learning. "A building should read like a book, from its title entrance to its alley colophon," wrote Alexander-a narrative approach to design that serves as a key to understanding Goodhue's architectural gem.

In fast allen deutschen Grossstadten flammt in der Offentlichkeit immer wieder die kontrovers
gefuhrte Diskussion um den Bau von Hochhausern auf. Die Befurworter verweisen dabei auf die Forderung des Stadtimages mit Hochhausern als Symbolen der wirtschaftlichen Dynamik. Die Gegner sehen durch den Hochhausbau den europaischen Stadtmassstab gesprengt und zerstort. Die Autoren
dieses Bandes aus Planungspraxis und Wissenschaft zeigen, dass jede Stadt ihren eigenen Umgang mit dem Problem der potentiellen Hochhausinvestoren entwickelt hat. Erstmals werden hier die Burohochhausplane deutscher Grossstadte vergleichend analysiert, die unterschiedlichen Planungskulturen offengelegt und die sich daraus ergebenden Perspektiven erortert."

Urban highways are unique windows from which to grasp a city s identity. They can however be responsible for the fragmentation of cities and the degradation of their adjacent living environments. As many urban highways are aging, concerns about their redevelopment, upgrading or dismantling are emerging in many cities of the World. By examining the meaning as well as the opportunities offered by urban gateway corridors, the book attempts to offer a unique perspective on issues related this emerging landscape and transportation issue. More specifically, the book aims to describe the innovative approach to landscape infrastructure planning that was used for the YUL-MTL: Moving Landscapes initiative held in Montreal. Over two years, this initiative combined a design competition and a workshop with collaborative efforts between 20 public agencies to rethink a 17 km stretch of Montreal s Autoroute20 gateway corridor. Linking the downtown area to Montreal-Trudeau international airport, the corridor is mainly composed of transport infrastructures and industrial wastelands in dire need of revitalization along with residential areas.The book presents the collaborative process behind the development of a strategic vision for the area, exposes the winning entries of the competition and describes the subsequent steps that resulted in an "atlas of possibilities" for the future of the area. It provides a broad overview of the main challenges facing any project leader who wishes to gather a wide range of stakeholders towards a common goal: building a shared consensus over the prospective development of large-scale infrastructure projects. It also provides the reader with a diversity of actions and solutions to improve the landscape of transportation corridors and their integration within their surrounding environment. Hence, as the book details the local context of Montreal s infrastructural landscapes, it also offers insights and ideas to improve urban highway integration for cities worldwide. Throughout the book, the permanent bond between cities and infrastructures is not only explored through the lens of landscape preservation but also landscape enhancement and development.This three-pronged approach offers a strategy based on the exploration of gateway corridor landscapes for what they are but also for what they could and should be. As the collaborative process allowed for clarifying the local stakeholders standpoint, the design exercises (ideas competition and workshop) were used as tools to improve the outcomes on the latters. The contribution of the designers particularly helped materializing the strategic framework that resulted from the collaborative process through the addition of design guidelines. Overall, the book shows how the consideration of the landscape when it comes to development projects offers not only a rich contextual knowledge from a transversal and multidisciplinary perspective but also becomes a vector for the coherent planning of infrastructures and their integration within adjacent territories and within the city."

Eine Auseinandersetzung mit dem ersten realisierten Bau der aus dem Irak stammenden, in London lebenden und an der AA lehrenden Architektin Zaha Hadid, dem Feuerwehrhaus auf dem Vitra-Firmengelande in Weil am Rhein: Essay, Fotos, Modelle, Collagen. Entscheidend die Einsicht, dass ein Werk der Architektur, das sich den architektonischen Konventionen entzieht, nicht mit denselben Mitteln wahrgenommen und beschrieben werden kann, wie sie uns von der Wahrnehmung und Beschreibung traditioneller Architektur vertraut sind

2017 Choice Outstanding Academic Title The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is one of the world’s most iconic new urban landmarks. Since the opening of its first section in 2009, this unique greenway has exceeded all expectations in terms of attracting visitors, investment, and property development to Manhattan’s West Side. Frequently celebrated as a monument to community-led activism, adaptive re-use of urban infrastructure, and innovative ecological design, the High Line is being used as a model for numerous urban redevelopment plans proliferating worldwide. Deconstructing the High Line is the first book to analyze the High Line from multiple perspectives, critically assessing its aesthetic, economic, ecological, symbolic, and social impacts. Including several essays by planners and architects directly involved in the High Line’s design, this volume also brings together a diverse range of scholars from the fields of urban studies, geography, anthropology, sociology, and cultural studies. Together, they offer insights into the project’s remarkable success, while also giving serious consideration to the critical charge that the High Line is “Disney World on the Hudson,� a project that has merely greened, sanitized, and gentrified an urban neighborhood while displacing longstanding residents and businesses. Deconstructing the High Line is not just for New Yorkers, but for anyone interested in larger issues of public space, neoliberal redevelopment, creative design practice, and urban renewal.    

When the brilliant classical architect Charles Barry won the competition to build a new, Gothic, Houses of Parliament in London he thought it was the chance of a lifetime. It swiftly turned into the most nightmarish building programme of the century. From the beginning, its design, construction and decoration were a battlefield. The practical and political forces ranged against him were immense. The new Palace of Westminster had to be built on acres of unstable quicksand, while the Lords and Commons carried on their work as usual. Its river frontage, a quarter of a mile long, needed to be constructed in the treacherous currents of the Thames. Its towers were so gigantic they required feats of civil engineering and building technology never used before. And the interior demanded spectacular new Gothic features not seen since the middle ages. Rallying the genius of his collaborator Pugin; flanking the mad schemes of a host of crackpot inventors, ignorant busybodies, and hostile politicians; attacking strikes, sewag,e and cholera; charging forward three times over budget and massively behind schedule, it took twenty-five years for Barry to achieve victory with his 'Great Work' in the face of overwhelming odds, and at great personal cost. Mr Barry's War takes up where its prize-winning prequel The Day Parliament Burned Down left off, telling the story of how the greatest building programme in Britain for centuries produced the world's most famous secular cathedral to democracy.

Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built.

Library as Stoa is a reflection on the building design and construction in essays and photographs of Snohetta's Charles Library at Temple University. The library demonstrates the role of public space and innovation in architecture. By using an Automated Storage and Retrieval System (ASRS) for the storage of Temple's entire collection which includes two million books on site, the Charles Library was designed to balance the amount of space for books vs. people, and significantly increase the social spaces to accommodate student and faculty research and collaboration. Using the models of library as studio and creative commons, it is a place for discovery, creation, preservation, and sharing of knowledge. The library includes university partners and important library functions in strategic locations for improved support services for the university community. University Special Collections, an important institutional asset for the university and the city of Philadelphia, is visible and accessible for visitors from the city community. Snohetta's design approach took into account the diversity of the university community, the site conditions and the university's aspirations. The design process included collaboration with the campus community to fully understand the social aspects and future needs of the university. Sited in a prime location on the university's campus, the library is an inspirational destination for the campus and city communities and serves as a change agent, reflective of the future direction of the university.

This book demonstrates how aesthetics, design elements, and visual literacy can be implemented in the library to enhance spaces, programs, services, instruction, and outreach so that your library will appeal to all users. Libraries have come to accept that they must rethink how they appeal to users, and harnessing the power of design can be a powerful means for addressing the changing needs of the community. Decker and Porter introduce "engaging design"-an umbrella term that incorporates multiple design frameworks with a focus on a three-prong approach: aesthetics, design thinking, and service design. These frameworks can be used to guide design choices that will aid in teaching and engaging current and potential library users. In the course of a lively and interesting narrative, Engaging Design introduces basic concepts of aesthetics and good design and explores examples of its successful uses in the academic, public, and special library. It provides simple steps for implementing subtle, but powerful, techniques to improve instruction, human-computer interaction, e-learning, public services spaces, wayfinding signage, and all manner of library programs, events, and services. In addition, the authors recommend easy-to-implement best practices that will help librarians to enhance library-goers' experience. Library administrators will also look to this book for assistance in best addressing the needs of the modern library user. Clearly explains how to recognize, understand, and interpret basic design techniques Teaches librarians how to attract and target their efforts towards specific groups of library users Outlines principles of good design in instruction programs, space planning and design tasks, outreach initiatives, and other library programs and activities Offers easy-to-follow steps to good design for wayfinding, instruction, and library usage

Modeme Baukonstruktionen erfordern ein sorgfaltiges Planen, Konstruieren und Ausfuh ren. Dazu sind solide Kenntnisse der Baustatik notig. Dies gilt nicht nur fur den Konstrukteur und Statiker, sondern auch fur den Planenden im Architekturburo und den Bauleiter auf der Baustelle. Bei der Planung, Konstruktion und Ausfuhrung eines Bauwerkes ist nicht nur seine Funk tion ausschlaggebend. Um Bauschaden zu vermeiden, mussen die Baustoffe entsprechend ihren Eigenschaften eingesetzt werden; die Bauteile sind unter Beachtung ihrer statischen Bedeutung zu konstruieren und die jeweils neuesten Erkenntnisse der Bauphysik zu berucksichtigen. Das vorliegende zweiteilige Werk vermittelt die wichtigen einfachen statischen Gesetze und deren Anwendung im Rahmen einer technischen Allgemeinbildung; es dient nicht der Ausbildung spezialisierter Statiker. Manche Probleme werden daher bewusst vereinfacht und dem Zweck des Buches entsprechend besonders praxisnah dargestellt. Viele durchgerechne te Beispiele erlautern und vertiefen die Darstellung; eine sehr grosse Zahl von Ubungsaufga ben, deren Losungen am Bandende gebracht werden, soll zur sicheren Handhabung und breiten Anwendung des Stoffes befahigen. Die beiden Bande werden daher vielen in der Bautechnik Tatigen eine Hilfe bei der Losung ublicher statischer Probleme sein; sie sind zum Selbststudium geeignet. Teil 1 "Grundlagen" geht auf die wichtigsten Probleme der einfachen Statik ein. Ohne komplizierte theoretische Ableitungen werden die Formeln entWickelt und dargestellt, die zur Bestimmung der ausseren und inneren Krafte in den Bauteilen erforderlich sind. Besondere mathematische Kenntnisse werden nicht vorausgesetzt. Teil 2 "Festigkeitslehre" erklart die Beanspruchung der Bauteile und die Bemessung von Konstruktionsteilen aus Holz, Mauerwerk, Beton und Stahl sowie die Bodenpressung."

Documents the building project which took place in 2012

By Rob Smith

ISBN: 978 1846930430
Published: 2007
Pages: 120

Description

This book is based on a GCSE course, and is very popular
The view through the eyepiece of a good Telescope is an experience which often marks the turning point from an interest in telescopes to an overwhelming urge to own one. However, a visit to a telescope supplier and a study of the prices, can deter all but the most passionate of Amateur Astronomers. However, the remedy is a simple one; almost anyone who wishes to may build a Telescope capable of studying the surface of the Moon, the rings of Saturn, the brighter Moons of Jupiter, Nebulae and Double Stars.

About the Author

Rob Smith graduated in Electronics, Physics and Mathematics and then spent some years working for large electronics companies and restoring Astronomical Observatories. After his first wife suddenly died he picked up the pieces of his life and married again, this time to a lady from Russia. Having lived for some years in Spain he and his new family returned to Hampshire where he now works as a Lecturer.