Building Better Universities provides a wide-ranging summary and critical review of the increasing number of groundbreaking initiatives undertaken by universities and colleges around the world. It suggests that we have reached a key moment for the higher education sector in which the services, location, scale, ownership, and distinctiveness of education are being altered dramatically, whether universities and colleges want it or not. These shifts are affecting traditional assumptions about both the future shape of higher education institutions, and the roles of and relationships between learners, teachers, researchers, managers, businesses, communities and other stakeholders.

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Building Better Universities" aims to bridge the gap between educational ideas about what the university is, or should be for, and its day-to-day practices and organisation. It roams across strategic, operational, and institutional issues; space planning and building design; and technological change, in order to bring together issues that are often dealt with separately. By analysing the many challenges faced by higher education in the contemporary period, and exploring the various ways universities and colleges are responding, this powerful book aims to support a step-change in debates over the future of higher education, and to enable senior managers and faculty to develop more strategic and creative ways of enabling effective twenty-first-century learning in their own institutions."

When architecture is the subject of an exhibition, there is almost always a dilemma: architecture can only be represented through drawings, models, and photographs; the physicality of architecture per se is missing. The abstraction of architecture for exhibition and the absence of architectural experience in architectural exhibition are in fact two sides of the same coin: The problem of the lack of an architectural reality. In this book, Yong He Chang traces the history of architectural intervention in exhibitions and answers the above questions through more than forty exhibition designs made by Chang and Atelier FCJZ. The book showcases his original approach to construction and shares his thoughts on the relationship between architecture and the timeless aspects of 'exhibition'. It also includes a discussion of a series of issues Yong He Chang and his team have encountered in designing exhibitions and installations, and the responses they came up with.

Bathhouses (hamams) play a prominent role in Turkish culture, because of their architectural value and social function as places of hygiene, relaxation and interaction. Continuously shaped by social and historical change, the life story of Mimar Sinan's Cemberlitas Hamami in Istanbul provides an important example: established in 1583/4, it was modernized during the Turkish Republic (since 1923) and is now a tourist attraction. As a social space shared by tourists and Turks, it is a critical site through which to investigate how global tourism affects local traditions and how places provide a nucleus of cultural belonging in a globalized world. This original study, taking a biographical approach to tell the story of a Turkish bathhouse, contributes to the fields of Islamic, Ottoman and modern Turkish cultural, architectural, social and economic history.

This indispensable reference book captures key recent developments in the rapidly evolving field of sustainable hospital architecture. Today's architects must provide hospitals which enable high quality care for diverse patient populations in carbon neutral care settings, and this book succinctly considers what needs to be done in order to meet that challenge. The contemporary hospital is viewed in the context of global climate change, the planet's diminishing natural resources and the spiralling cost of operating healthcare facilities. Stephen Verderber considers the future of the hospital, and supplies a compendium of 100 planning and design considerations for the building type. The book includes twenty-eight case studies of built and unbuilt hospitals from around the world. These are grouped into five types - autonomous community based hospitals, children's hospitals, rehabilitation and elderly care centres and hospitals, regional medical centre campuses, and visionary (unbuilt) projects. Beautifully and extensively illustrated with many photographs, diagrams and floor plans, this is essential reading for all architects, planners, engineers, product manufacturers, clients, healthcare providers and government agencies involved in the present and future of sustainable healthcare environments.

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.

The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911-74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village near the Giza Pyramids in Greater Cairo. The center, internationally acclaimed for its tapestries and sculptures, began partly as an art school for young villagers, reflecting Wissa Wassef's aim of reviving traditional Egyptian architecture and crafts, and his belief in the innate creative power and potential of children. Less well known are Wissa Wassef's prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef's architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture. Wissa Wassef renounced self-promotion and monetary reward in his work, placing human physical and psychological well-being at the center of his architectural philosophy. An astute observer and modest personality, he saw himself as part of the people and began experimenting with participatory design and people-centered architecture before they became popular. The Architecture of Ramses Wissa Wassef reveals Wissa Wassef's profuse architectural oeuvre, which spanned private villas and rural houses, as well as public buildings, such as churches, schools, and museums, highlighting his rich contribution to Egypt's architectural heritage at a moment when that heritage is at risk of being lost.

"The new campus was conceived to change how we work, interrelate, and spur collaboration and innovation. All are fundamentally important to Eaton's ability to attract the best talent, ensure we perform at the highest levels, and further heighten our historic capabilities to solve the world s most demanding power management problems. Our new campus is meeting all of these lofty objectives." - Alexander M. Cutler, Chief Executive Officer, Eaton. Eaton Center is the expression of the values of a century-old company with deep roots in the American Midwest. Rising above the rolling terrain of northern Ohio that was once farmland, the building takes its place between woods and a reflecting pond, with a bearing that recalls a manse in the countryside. The experience of Eaton is planar: it extends space and views, both close and distant, through the landscape, connecting the building and its people to the place, and the values held in common. Eaton Center is the product of a dedicated client and design team and the values that brought them together to create a special place to work. Authored by architecture critic Dr Michael J. Crosbie, this highly visual book documents that collaboration between Eaton and the design team and the resulting dramatic transformation of the land into Eaton's new home on the North American plain.

The patient room is the smallest cell of the hospital organism. Its layout determines the structure of the ward and is therefore a decisive factor for the entire building. Many requirements have to be met. The patient's sense of well-being can be positively influenced by the design: homely materials, an attractive view and sufficient privacy are important objectives. Equally important are the working conditions for the staff, especially short distances and an efficient care routine. Finally, even the risk of infection can be reduced by a conscientiously planned room layout. This publication provides a systematic overview of the design task patient room and shows exemplary solutions: both typologically and in selected case studies.

Examines material culture and the act of institution creation, especially through architecture and landscape, to recount a deeper history of the lives of African American women in the post-Civil War South. This volume focuses broadly on the history of the social welfare reform work of nineteenth-century African American women who founded industrial and normal schools in the American South. Through their work in architecture and education, these women helped to memorialize the trauma and struggle of black Americans. Author Angel David Nieves tells the story of women such as Elizabeth Evelyn Wright (1872-1906), founder of the Voorhees Industrial School (now Voorhees College) in Denmark, South Carolina, in 1897, who not only promoted a program of race uplift through industrial education but also engaged with many of the pioneering African American architects of the period to design a school and surrounding community. Similarly, Jane (Jennie) Serepta Dean (1848-1913), a former slave, networked with elite Northern white designers to found the Manassas Industrial School in Manassas, Virginia, in 1892. An Architecture of Education examines the work of these women educators and reformers as a form of nascent nation building, noting the ways in which the social and political ideology of race uplift and gendered agency that they embodied was inscribed on the built environment through the design and construction of these model schools. In uncovering these women's role in the shaping of African American public spheres in the post-Reconstruction South, the book makes an important contribution to the history of African Americans' long struggle for equality and civil rights in the United States.

Tegel Airport, opened in 1974 in West Berlin, was not only finished under budget and on time but today also remains an impressive work of art. For their design of the terminal, the architects chose the figure of a large hexagon with edges of 120 metres. A sophisticated use of space created an 'airport of short distances', with as little as 28 metres between the doors of the cars and the aircraft. Peter Ortner's photographs capture his uniquely personal view of the airport complex - the details so familiar to anyone who has travelled through or waited inside Tegel. Text in English and German.

Poetic and political, Strayed Homes invites architects, interior designers, and urbanists to think again about common concepts in architecture – ‘private’, ‘public’ and ‘home’. Whereas most writing about the public/private focusses on urban space, this book focusses on the domestic – exploring those overlooked, everyday places where private and intimate activities take place in public. With four chapters set in four small, liminal spaces: the launderette, the greasy spoon, the fire escape, and the sleeper train - the book is part architectural history, part cultural history. It follows a series of allusions and impressions, to explore how films, adverts, books and anecdotes shape experiences of everyday architecture. Making a case for the poetic interpretation of space, the book can be used as a sourcebook for architects, designers, and theorists alike – prompting the reader to rethink the emotional state of leaving home, intimacy in public, and lonely dreaming.

Contemporary Museum Architecture and Design showcases 18 diverse essays written by people who design, work in, and study museums, offering a variety of perspectives on this complex building type. Throughout, the authors emphasize new kinds of experiences that museum architecture helps create, connecting ideas about design at various levels of analysis, from thinking about how the building sits in the city to exploring the details of technology. With sections focusing on museums as architectural icons, community engagement through design, the role of gallery spaces in the experience of museums, disability experiences, and sustainable design for museums, the collected chapters cover topics both familiar and fresh to those interested in museum architecture. Featuring over 150 color illustrations, this book celebrates successful museum architecture while the critical analysis sheds light on important issues to consider in museum design. Written by an international range of museum administrators, architects, and researchers this collection is an essential resource for understanding the social impacts of museum architecture and design for professionals, students, and museum-lovers alike.

This book brings together concepts from the building, environmental, behavioural and health sciences to provide an interdisciplinary understanding of office and workplace design. Today, with changes in the world of work and the relentless surge in technology, offices have emerged as the repositories of organizational symbolism, denoted by the spatial design of offices, physical settings and the built environment (architecture, urban locale). Drawing on Euclidian geometry that quantifies space as the distance between two or more points, a body of knowledge on office buildings, the concept of office and office space, and the interrelationships of spatial and behavioural attributes in office design are elucidated. Building and office work-related illnesses, namely sick building syndrome and ailments arising from the indoor environment, and the menace of musculoskeletal disorders are the alarming manifestations that critically affect employee satisfaction, morale and work outcomes. With a focus on office ergonomics, the book brings the discussion on the fundamentals of work design, with emphasis on computer workstation users. Strategic guidance of lighting systems and visual performance in workplaces are directed for better application of ergonomics and improvement in office indoor environment. It discusses the profiles of bioclimatic, indoor air quality, ventilation intervention, lighting and acoustic characteristics in office buildings. Emphasis has been given to the energy performance of buildings, and contemporary perspectives of building sustainability, such as green office building assessment schemes, and national and international building-related standards and codes. Intended for students and professionals from ergonomics, architecture, interior design, as well as construction engineers, health care professionals, and office planners, the book brings a unified overview of the health, safety and environment issues associated with the design of office buildings.

Adapting Building for Changing Uses discusses the comprehensive refurbishment of buildings to enable them to be used for purposes different to those originally intended.
For those involved in the often risky business of conversion of buildings from one type of use to another, Adapting Building for Changing Uses provides secure guidance on which uses may be best suited to a particular location. This guidance is based on a unique decision tool, the "Use Comparator", which was developed through research carried out at UCL in the mid 1990's. The "Use Comparator" compares the physical and locational characteristics of a building with the characteristics best suited to various types of use. A total of 77 targeted types of use are evaluated, in contrast to the 17 uses normally considers by regulatory planners.
Adapting Building for Changing Uses also identifies the key problems experienced by building managers involved in assembling the coalition of Producers, Investors, Marketeers, Regulators and Users, which makes the key decisions in "Adaptive Reuse". The book explores the differing perceptions and attitudes of these key decision agents to matters such as cost, value, risk and robustness, and offers advice on how to avoid the potential for project failure that these differences present.

eBook available with sample pages: 0203223179

Exploring nursery schools and childcare facilities from an architectural perspective, this publication provides a cultural-historical account of their development, defines design tasks, and formulates quality standards for playing-learning architecture and environments. This publication explores nursery schools and childcare facilities from an architectural perspective. The aim is to provide a cultural-historical account of the development of educational buildings for children, to define design tasks, and to formulate quality standards for play-learning architecture and environments.

This is the first book to examine the development of the town hall during the twentieth century and the way in which these civic buildings have responded to the dramatic political, social and architectural changes which took place during the period. Following an overview of the history of the town hall as a building type, it examines the key themes, variations and lessons which emerged during the twentieth century. This is followed by 20 case studies from around the world which include plans, sections and full-colour illustrations. Each of the case studies examines the town hall's procurement, the selection of its architect and the building design, and critically analyses its success and contribution to the type's development. The case studies include: Copenhagen Town Hall, Denmark, Martin Nyrop Stockholm City Hall, Sweden, Ragnar Ostberg Hilversum Town Hall, the Netherlands, Willem M. Dudok Walthamstow Town Hall, Britain, Philip Dalton Hepworth Oslo Town Hall, Norway, Arnstein Arneberg and Magnus Poulsson Casa del Fascio, Como, Italy, Guiseppe Terragni Aarhus Town Hall, Denmark, Arne Jacobsen with Eric Moller Saynatsalo Town Hall, Finland, Alvar Aalto Kurashiki City Hall, Japan, Kenzo Tange Toronto City Hall, Canada, Viljo Revell Boston City Hall, USA, Kallmann, McKinnell and Knowles Dallas City Hall, USA, IM Pei Mississauga City Hall, Canada, Ed Jones and Michael Kirkland Borgoricco Town Hall, Italy, Aldo Rossi Reykjavik City Hall, Iceland, Studio Granda Valdelaguna Town Hall, Spain, Victor Lopez Cotelo and Carlos Puente Fernandez The Hague City Hall, the Netherlands, Richard Meier Iragna Town Hall, Switzerland, Raffaele Cavadini Murcia City Hall, Spain, Jose Rafael Moneo London City Hall, UK, Norman Foster

According to urban academic myth, the first restaurants emerged in the wake of the French Revolution. From the very beginning in the elegant salons of the latter days of the Ancien Regime, the design of restaurants has been closely related to ideas of how food should be presented and how it may be consumed in public. The appearance and atmosphere created by restaurant owners reflects culturally embedded ideals of comfort, sociability and the good life. As a product of the modern metropolis, the restaurant encapsulates and illustrates the profound change in how its patrons viewed themselves as individuals, how they used their cities and how they met friends or business partners over a meal. The architectural design of environments for the consumption of food necessarily involves an exploration and a manipulation of the human experience of space. It reflects ideas about public and private behaviour for which the restaurant offers a stage. Famous architects were commissioned to provide designs for restaurants in order to lure in an ever more demanding urban clientele. The interior designs of restaurants were often employed to present this particular aspect in consciously evoking an imagery of sophisticated modernity. This book presents the restaurant, its cultural and typological history as it evolved over time. In this unique combination it provides valuable knowledge for designers and students of design, and for everyone interested in the cultural history of the modern metropolis.

An exhibition centre is a central focus of a city's economic life, and in many cases a unique expression of its image. For this reason, as well as offering adequate space and infrastructure, it must make a strong, clearly recognizable architectural statement. Over the past couple of decades, new technology and globalization have transformed trade fairs: today they are not so much markets as forums for the exchange of information and contacts. This new volume in the Construction and Design Manual series spotlights twenty-two exemplary European buildings that have overcome the resulting architectural challenges. It also includes an overview of the cultural history of European trade fairs, and an interview on successful exhibitioncentre design with Volkwin Marg of gmp Architekten, one of the world's leading specialists in this area of architecture.

The Access Audit Handbook is an invaluable tool for auditing the accessibility of buildings and services, and for writing reports in appropriate formats in the content of current legislation, funding requirements and best practice in building management. This book offers straightforward advice about undertaking access audits and the various report formats to best communicate recommendations. The practical guidance is supported by a range of up to date and informative case studies, and a new, authoritative worked example of a successful report based on a real-life access audit. An updated checklist for audits is included in the appendix at the back of the book. Also new to the second edition are updates to the legislation chapter - including guidance on the Equality Act, the Building Regulations Part M 2013, and BS8300 - and an additional section covering the current planning policy framework, community engagement and user involvement. Designed to complement the best-selling and recently updated Designing for Accessibility, the new Access Audit Handbook is an indispensable tool for all those involved in access reporting for buildings.

More than any other building type in the twentieth century, the hospital was connected to transformations in the health of populations and expectations of lifespan. From the scale of public health to the level of the individual, the architecture of the modern hospital has reshaped knowledge about health and disease and perceptions of bodily integrity and security. However, the rich and genuinely global architectural history of these hospitals is poorly understood and largely forgotten. This book explores the rapid evolution of hospital design in the twentieth century, analysing the ways in which architects and other specialists reimagined the modern hospital. It examines how the vast expansion of medical institutions over the course of the century was enabled by new approaches to architectural design and it highlights the emerging political conviction that physical health would become the cornerstone of human welfare.

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.

This book brings together 29 projects from the past ten years, completed and ongoing, designed by Paris-based h2o Architects. The presentation is arranged by thematic categories that stem from the firm's singular approach. The tasks vary greatly in type, scale and individual context: From a housing development in Paris to a hotel in Rio de Janeiro, from a temporary school pavilion and a timber construction for a vineyard to the rehabilitation of Paris's Museum of Modern Art in the eastern wing of Palais de Tokyo and other large public spaces. h2o Architectes' proposals are united by an approach that is always both radical and sensitive. Interviews conducted by architect and writer Fanny Leglise and essays by architect and anthropologist Miguel Mazeri and architect Bernard Tschumi shed light on various aspects of the firm's practice, vision and philosophy. The book also features poems by French writer and poet Frederic Forte, composed in situ at several of h2o Architectes' building sites. Photographs, renderings, and plans round out this first comprehensive monograph on one of France's leading up-and-coming architecture firms. Text in English and French.

How do you actually build a people‘s theatre? As simple as necessary, so as not to cause any fear about entering in the audience, and as chic as possible, because theatre is not only about staging on stage. This is the answer of the architectural firm Lederer, Ragnarsdóttir, Oei (Stuttgart) and the construction company Reisch (Bad Saulgau). Their Munich Volkstheater presents itself as a powerfully poetic brick building that is in dialogue with the old buildings of the former Munich cattle yard and gives the neighbourhood an important cultural impulse. Text in English and German.