From the Rust Belt to Silicon Valley, the intersection between architecture and industry has provided a rich and evolving source for historians of architecture. In a historical context, industrial architecture evokes the smoking factories of the nineteenth century or Fordist production complexes of the twentieth century. This book documents the changing nature of industrial building and planning from the end of the nineteenth century to the beginning of the twenty-first century. Drawing on research from the United States, Europe and Australia, this collection of essays highlights key moments in industrial architecture and planning representative of the wider paradigms in the field. Areas of analysis include industrial production, factories, hydroelectricity, aerospace, logistics, finance, scientific research and mining. The selected case studies serve to highlight architectural and planning innovations in industry and their contributions to wider cultural and societal currents. This richly illustrated collection will be of interest for a wide range of built environment studies, incorporating findings from both historical and theoretical scholarship and design research.

Whilst sustainability is already an important driver in the new building sector, this book explores how those involved in refurbishment of commercial building are moving this agenda forward. It includes chapters by developers, surveyors, cost consultants, architects, building physicists and other players, on the role they each can play in enabling refurbishment to be commercially, environmentally and socially sustainable. Case studies from northern climates show real examples of different building types, ages and uses and will demonstrate what action has been taken to create more sustainable buildings.

The chapters raise and discuss all the relevant issues that need to be considered in retrofitting decision making. Changing standards, planning, process management, financing, technical issues, site organisation, commissioning and subsequent building management are all considered. The book demonstrates that buildings can be made comfortable to occupy, easy to manage and low in energy demand and environmental impact.

Founded in 1902 by entrepreneur and senator Ferdinando Bocconi, the university is the most important and renowned private university in Italy. Established in order to provide a high level of economic education for the new Italian ruling class, in the course of its history Bocconi has trained prime ministers, great entrepreneurs, and even celebrities from the digital world. This book shows the university s structures through expansive photography taken specifically for it by photographer Massimo Siragusa. The Bocconi buildings represent a fascinating compendium of modern and contemporary architecture, having been designed by some of the most important Italian architects of the twentieth century, such as Giuseppe Pagano, Giovanni Muzio, and Ignazio Gardella, as well as recent international archistars such as Shelley McNamara and the Japanese SANAA studio.

Design for Pediatric and Neonatal Critical Care provides an overview of the design and research issues associated with the development of environments for pediatric and neonatal intensive care. This is the first and only book dedicated to this topic and was created to support individuals interested in developing and studying critical care environments for children and their families. In addition to a detailed analysis of the literature from research and practice, the author provides a summary of the historical development of critical care for infants and children, and information regarding the role of PICUs and NICUs in the critical care system. A discussion of current codes and future trends is also provided. Design for Pediatric and Neonatal Critical Care includes essays from prominent voices in the field ranging from inspired young architects and researchers to world-renowned healthcare design and research icons. Illustrations of work that has been identified as exemplary or representative of recent directions are included, which will help those planning new or remodeled projects to identify and examine precedents. This book is intended to help designers and researchers enhance healing environments for young patients in critical care settings and provide information in support of the families and staff who provide care for these children and infants.

As a building type, art museums are unparalleled for the opportunities they provide for architectural investigation and experimentation. They are frequently key components of urban revitalization and often push the limits of building technology. Art museums are places of pleasure, education and contemplation. They are remarkable by their prominence and sheer quantity, and their lessons are useful for all architects and for all building types. This book provides explicit and comprehensive coverage of the most important museums built in the first ten years of the 21st Century in the United States and Europe. By dissecting and analyzing each case, Ronnie Self allows the reader to get under the skin of each design and fully understand the process behind these remarkable buildings. Richly designed with full technical illustrations and sections the book includes the work of Tadao Ando, Zaha Hadid, Peter Cook & Colin Fournier, Renzo Piano, Yoshi Taniguchi, Herzog & de Meuron, Jean Nouvel, SANAA, Daniel Libeskind, Diller Scofidio & Renfro, Steven Holl, Coop Himmelb(l)au, Bernard Tschumi, Sauerbruch Hutton, and Shigeru Ban & Jean de Gastines. Together these diverse projects provide a catalogue of design solutions for the contemporary museum and a snapshot of current architectural thought and culture. One of few books on this subject written by an architect, Self's analysis thoroughly and critically appraises each project from multiple aspects and crucially takes the reader from concept to building. This is an essential book for any professional engaged in designing a museum.

The whole landscape of space use is undergoing a radical transformation. In the workplace a period of unprecedented change has created a mix of responses with one overriding outcome observable worldwide: the rise of distributed space. In the learning environment the social, political, economic and technological changes responsible for this shift have been further compounded by constantly developing theories of learning and teaching, and a wide acceptance of the importance of learning as the core of the community, resulting in the blending of all aspects of learning into one seamless experience. This book attempts to look at all the forces driving the provision and pedagogic performance of the many spaces, real and virtual, that now accommodate the experience of learning and provide pointers towards the creation and design of learning-centred communities. Part 1 looks at the entire learning universe as it now stands, tracks the way in which its constituent parts came to occupy their role, assesses how they have responded to a complex of drivers and gauges their success in dealing with renewed pressures to perform. It shows that what is required is innovation within the spaces and integration between them. Part 2 finds many examples of innovation in evidence across the world - in schools, the higher and further education campus and in business and cultural spaces - but an almost total absence of integration. Part 3 offers a model that redefines the learning landscape in terms of learning outcomes, mapping spatial requirements and activities into a detailed mechanism that will achieve the best outcome at the most appropriate scale. By encouraging stakeholders to creating an events-based rather than space-based identity, the book hopes to point the way to a fully-integrated learning landscape: a learning community.

The whole landscape of space use is undergoing a radical transformation. In the workplace a period of unprecedented change has created a mix of responses with one overriding outcome observable worldwide: the rise of distributed space. In the learning environment the social, political, economic and technological changes responsible for this shift have been further compounded by constantly developing theories of learning and teaching, and a wide acceptance of the importance of learning as the core of the community, resulting in the blending of all aspects of learning into one seamless experience. This book attempts to look at all the forces driving the provision and pedagogic performance of the many spaces, real and virtual, that now accommodate the experience of learning and provide pointers towards the creation and design of learning-centred communities. Part 1 looks at the entire learning universe as it now stands, tracks the way in which its constituent parts came to occupy their role, assesses how they have responded to a complex of drivers and gauges their success in dealing with renewed pressures to perform. It shows that what is required is innovation within the spaces and integration between them. Part 2 finds many examples of innovation in evidence across the world - in schools, the higher and further education campus and in business and cultural spaces - but an almost total absence of integration. Part 3 offers a model that redefines the learning landscape in terms of learning outcomes, mapping spatial requirements and activities into a detailed mechanism that will achieve the best outcome at the most appropriate scale. By encouraging stakeholders to creating an events-based rather than space-based identity, the book hopes to point the way to a fully-integrated learning landscape: a learning community.

As the ever-changing skylines of cities all over the world show, tall buildings are an increasingly important solution to accommodating growth more sustainably in today s urban areas. Whether it is residential, a workplace or mixed use, the tower is both a statement of intent and the defining image for the new global city.

The Tall Buildings Reference Book addresses all the issues of building tall, from the procurement stage through the design and construction process to new technologies and the building s contribution to the urban habitat. A case study section highlights the latest, the most innovative, the greenest and the most inspirational tall buildings being constructed today.

A team of over fifty experts in all aspects of building tall have contributed to the making of the "Tall Buildings Reference Book," creating an unparalleled source of information and inspiration for architects, engineers and developers.

America holds more than two million inmates in its prisons and jails, and hosts more than two million daily visits to museums, figures which represent a ten-fold increase in the last twenty-five years. Corrections and Collections explores and connects these two massive expansions in our built environment. Author Joe Day shows how institutions of discipline and exhibition have replaced malls and office towers as the anchor tenants of U.S. cities. Prisons and museums, though diametrically opposed in terms of public engagement, class representation, and civic pride, are complementary structures, employing related spatial and visual tactics to secure and array problematic citizens or priceless treasures. Our recent demand for museums and prisons has encouraged architects to be innovative with their design, and experimental with their scale and distribution through our cities. Contemporary museums are the petri dishes of advanced architectural speculation; prisons remain the staging grounds for every new technology of constraint and oversight. Now that criminal and creative transgression are America's defining civic priorities, Corrections and Collections will recalibrate your assumptions about art, architecture, and urban design.

Focusing on the practical issues which need to be addressed by anyone involved in library design, here Ken Worpole offers his renowned expertise to architects, planners, library professionals, students, local government officers and members interested in creating and sustaining successful library buildings and services. Contemporary Library Architecture: A Planning and Design Guide features: a brief history of library architecture an account of some of the most distinctive new library designs of the 20th & 21st centuries an outline of the process for developing a successful brief and establishing a project management team a delineation of the commissioning process practical advice on how to deal with vital elements such as public accessibility, stock-holding, ICT, back office functions, children's services, co-location with other services such as learning centres and tourist & information services an sustainability in depth case studies from around the world, including public and academic libraries from the UK, Europe and the US full colour illustrations throughout, showing technical details and photographs. This book is the ultimate guide for anyone approaching library design.

Skilful architecture without gloss and bling bling In this book, Albert Kirchengast looks at three projects that may serve as models of further construction: Max Dudler, Franz Riepl and Stephen Sergison demonstrate an analogous approach to further construction at the scale levels of village, town and city. With their elementary "constructedness", clean proportions and elegant interplay of volumes in the urban space, these projects embody a permanence without affectation and fashionable elements and provide a meaningful and unassuming background to everyday life. In doing so, they not only answer the pressing question of the ecology of coexistence, but also provide a benchmark within our heterogeneous design culture. Photos by Helene Binet, David Schreyer and Stefan Muller as well as historical illustrations accompany the plea for a masterful 'middle way' in architecture. Architecture of permanence, without affectation and modish elements Three projects by Max Dudler, Franz Riepl and Stephen Sergison Photo spreads by Helene Binet, David Schreyer and Stefan Muller Albert Kirchengast, architectural theorist, author and lecturer at ETH Zurich

One of the problems faced by heritage organizations and museums is adapting old buildings to their needs or building new ones to fit in with historic sites. How exactly do you create a visitor's centre at Stonehenge? The real difficulty lies where the budget is minimal, and the potential damage to the environment or setting enormous. Architecture in Conservation looks at the need of the heritage industry to respond sensitively to the limitations or potentials of the environment. James Strike explains the strategies for producing new development at historic sites, examining the philosophy of conservation practive and stressing the importance of taking into account the characteristics of each individual site. He explains the way in which the methods of producing good developments relate to our very perception of history, and addresses the practical problems involved in developing appropriate sites, including the current architectural interest in pastiche versus modern design. Case studies from around the world demonstrate the potential of each approach. James Strike draws on his broad experience as an architect at English Heritage to show that a sensitive approach to these issues can unlock conservation problems and open up new opportunities for architectural expansion. Architecture in conservation will be of considerable interest to site owners and architects responsible for site development, and to students of architecture, history and building practice and is intended as a handbook for those responsible for commissioning heritage work.

Whatever your type of business, this practical handbook will help you to manage your premises effectively. Whether you are a tenant or an owner-occupier, it will enable you to take an informed approach to commercial property, helping you to negotiate successful transactions, deal with ongoing management issues effectively and get the most from advisers and agents. The handbook takes a practical approach using worked examples and checklists. It provides a step-by-step guide to all the stages of occupation with comprehensive coverage of all the relevant legal and technical information, including: strategic property management financial analysis and decision making negotiating strategy valuation accounting tax and business rates acquisitions purchase and lease terms rent reviews service charges insurance repairs alterations and use planning and environmental issues disposal of surplus space lease expiries and renewals compulsory purchase

"Theatre in Passing" explores spaces of performance in contemporary Moscow. Inspired by French philosopher Michel de Certeau's model of a "second, poetic geography" in which the walker--the everyday practitioner--invents the space observed by the voyeur, this book takes the reader on a tour of spaces of performance in contemporary Moscow. Through text and photography, the city's "theatrical geography" is uncovered, from the Bolshoi Theater in Theater Square to hidden gems like the recently restored Kuskovo estate. With additional sections on street theater and other public gatherings, "Theatre in Passing" is a must-read book for anyone curious about the theatrical architecture and geography of Russia's capital.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. Richard Rogers: The Pompidou Centre, Supercrit #3explores Piano+Rogers' phenomenal project for a new type of major cultural building in Paris. You can hear Richard Rogers' description of the project, see the images and join in the crit. Supported by an extensive illustrated section, this innovative and compelling book is an invaluable resource for any architecture student.

A good hair salon in a sense resembles a theatre, with an atmosphere that inspires the staff to create and helps clients relax. The interior design of salon is vital in communicating the brand value, for consumers are inclined to seek subtle differences between salons based on their experience there, which is affected by the environment. This book is a collection of 70 latest salon designs from all over the world, diverse in style and target effect.

Presenting a critical and theoretical dimension to retail design, Boutiques and Other Retail Spaces links the ideas behind it to real practice in this innovative and important contribution to architectural/interior theory literature.

Retail structure has been subject to a dramatic and ongoing transformation over the past thirty years, materializing in the emergence of large-scale out-of-town shopping centres and new specialized shops in city centres. These specialized boutiques are highly designed, involving well-known architectural firms such as OMA/Rem Koolhaas, David Chipperfield, Herzog + de Meuron amongst others.

With case studies and over 100 black and white images, Vernet and de Wit set forth original and well-grounded theory to accompany this popular and lucrative area of work.

Designing UNESCO: Art, Architecture and International Politics at Mid-Century represents the first full-length monograph on the genesis, construction and reception of the Paris headquarters of the United Nations' Educational, Scientific and Cultural Organization (UNESCO). The book traces the long and complex birth of UNESCO's permanent seat from its conception in 1950 to its inauguration in 1958, showing how its history constitutes a unique nexus of modernist practices in twentieth-century international politics, art, architecture and criticism. Drawing on a wide range of unpublished archival material and examining critical reception of the building in the local and international press, Christopher Pearson's analysis operates on formal, structural and theoretical levels, revealing many of the largely unspoken assumptions of modern architecture at mid-century and elucidating the conflicted relation between art and science in the post-war period. The volume also throws new light on many of the major architects and artists of the period, among them Breuer, Gropius, Le Corbusier and Eero Saarinen, as well as Picasso, Moore, MirA(3), Arp, Calder and Noguchi. Designing UNESCO is a compelling and original account of one of the most important, yet under-appreciated, buildings of twentieth-century modernism.

For more than 600 years the Livery Companies have played a leading role in commercial activities and social and political life in the City of London. These trade associations, each representing a particular craft or profession, were originally responsible for controlling, for example, wages and working conditions. As the Companies were established and incorporated by royal charter, largely in the 14th and 15th centuries, they began acquiring and adapting buildings from which to operate. The Companies' headquarters - the Livery Halls - gradually evolved from large medieval town houses to become an identifiable building type matched in scale and ambition only by the guild houses of northern European mercantile cities and the Venetian scuole. By the time of the Great Fire of London in 1666, there were at least 53 Livery Halls. Of the 40 Halls standing today, half remain on their medieval sites, but all have been rebuilt several times. To give only two examples: there have been six incarnations of Clothworkers' Hall on Mincing Lane and six Salters' Halls on three different City sites. This beautiful book is the first major exploration of these architecturally significant yet under-researched buildings. Dr Anya Lucas, who has studied the Halls in depth, provides an introduction and an illustrated history of the buildings that have been lost over the centuries. The Great Fire, in particular, resulted in a period of energetic reconstruction. Companies rebuilt and beautified their Halls in recognition that the image they projected was as crucial as their wealth and regulatory powers. More building activity took place in the 18th and 19th centuries as Halls were required to accommodate new functions. Many of the Restoration Halls did not survive these years, and, where they did, alterations continued apace. Only 3 out of 36 Halls remained untouched after the Blitz of 1940-41, leading to another wave of reconstruction, the buildings being predominantly traditional or neo-Georgian in style. Henry Russell surveys each of the 40 present-day Halls, no two of which share an identical plan. Sited across the City from east to west, they range from the London Proof House, the home of the Worshipful Company of Gunmakers, on Commercial Road, outside the old City walls, to HSQ Wellington, headquarters of the Honourable Company of Master Mariners, moored on the Thames at Victoria Embankment. All existing Livery Halls have been photographed especially for the project by the renowned interiors photographer Andreas von Einsiedel, making this a truly outstanding publication.

With only a handful of British coalmines remaining active and with targets set to reduce carbon emissions, the coal industry now seems to be heading towards extinction. Yet, it was coal that turned Britain into a world-leader during the Industrial Revolution and established the conditions for the modern state. In the 20th century, it generated building programmes on a massive scale concerning miners' welfare, settlements and housing. The form, space, organisation, and aesthetics of architecture became of critical importance not just to the process of the industry's modernisation but also how it was perceived and understood both within and outside its workforce. But despite the centrality of coal mining and its workers to the development of modern Britain, as well as the contemporary recognition that aspects of its innovative architecture received, its built legacy has often been overlooked and physically almost completely erased. Divided into three parts, this is the first book which provides a critical and comprehensive examination of the architecture of coal in Britain and how it responded to the needs of the industry and, perhaps more significantly, its labour force. Part I explores the relationship between the architecture of coal and the provision of welfare. While this produced a series of enlightened built projects for miners and their communities especially between the wars - educational buildings, reading rooms, holiday camps, welfare institutes, sports grounds, swimming pools, medical centres, children's playgrounds, etc. - it focusses on the paradigmatic integration of aesthetics and programme seen most emphatically in the creation of over 600 pithead baths. Part II looks at settlement and the relationships between responses to often adverse conditions within domestic environments in mining settlements and the development of broader and influential theories and practices concerning housing. Finally, Part III explores the modernisation of the industry during the post-war period arguing that that architectural design and representation became pivotal to the functional and symbolic requirements of the newly Nationalised entity and its position within, and singular contribution to, post-war society.

Following on from the best selling Healthy Living Centres, this new edition explores the process of planning and designing buildings for frontline medical practice. Incorporating the theory that good design means healthy living the author shows the beneficial effects that a good brief can bring to the staff, patients and visitors of health care facilities and gives a practical guide to achieving this. After reviewing the historical approach to primary health care and outlining key current and projected developments, the book goes on to reveal the network of relationships that influence the design of the new generation of frontline medical practices. Purves sets new standards and procedures for uncovering and resolving the inherent conflicts of the design process, and shows how investment in effective architecture is beneficial to all users. International case studies including examples from the US, Japan and South Africa provide technical detail and show what a good design can achieve * Comprehensive technical coverage of primary health care planning and design * Exploration of the design process, focusing on the relationship between the architectural and medical profession * Highly illustrated, including 8 colour plate sections

Building Community in Buildings takes us on a fascinating journey through workplaces large and small, old and new, traditional and contemporary, to explore the dynamic relationships between people and the structures in which they work. Noting that a child born today will spend 90 percent of his or her life inside, Jana Kemp and Ken Baker integrate insights from management and building design to reveal new understandings about workplace productivity and performance. Showcasing dozens of examples-from office buildings to libraries to hospitals-the authors highlight innovative practies that utilize space to promote creativity and collaboration, improve morale and motivation, and ensure employee health and safety. Featuring over a dozen photographs, practical recommendations, and the tools to conduct a workplace design survey in your own organization, Building Community in Buildings ultimately demonstrates that by investing in spaces that support people needs, companies will strengthen bottom-line results. Building Community in Buildings takes us on a fascinating journey through workplaces large and small, old and new, traditional and contemporary, to explore the dynamic relationships between people and the structures in which they work. Consider that in the 1950s, average North Americans spent approximately 50 percent of their time in buildings, compared to a child born today, who will spend 90 percent of his or her life inside. Clearly and increasingly, our social and cultural relationships are deeply influenced by the physical spaces in which they are created. Jana Kemp and Ken Baker integrate insights from management and building design to reveal new understandings about workplace productivity and performance. Showcasing dozens of examples-from the redesign of the Hood River Library in Oregon (with input from front-line employees) to the creation of open, naturally-lit spaces in Lockheed Building 157 (increasing employee productivity by 15%), the authors highlight innovative practices that utilize space to promote creativity and collaboration, improve morale and motivation, and ensure employee health and safety. They also explore the pros and cons of virtual workplaces, in which people are connected electronically but not physically, and trace the impact and influences of such trends as the green building movement. Featuring over a dozen photographs, practical recommendations, and the tools to conduct a workplace design survey in your own organization, Building Community in Buildings ultimately demonstrates that by investing in spaces that support people needs, companies will strengthen bottom-line results.

Through a detailed study of the principal spaces of Italian cities, this book explores the relationship between political systems and their methods of representation in architecture. Illustrated by contemporary photographs and analytical drawings, it examines significant piazzas and situates these examples in their social and political contexts, highlighting the urban evidence of shifts between autocratic and democratic forms of government through history. The ideological role of political architecture is analyzed through the work of various theorists including ancient sources, Renaissance thinkers and modern critics. The complex evolution of individual spaces over time is represented by their physical layering from ancient times to the present day. Other examples connect the development of different characteristic types of Italian urban form in chronological sequence, categorized by art historical and political periods.