A fascinating account of the story of the Yves Saint Laurent Museum in Marrakech - and a gorgeous homage to creativity Conceived as a candid diary, this remarkable book documents the 1,423 days that it took to design, build, and inaugurate a beloved architecture and fashion destination. From the moment the up-and-coming French-Moroccan practice Studio KO received a call from YSL's longtime partner Pierre Berge to the opening of the museum's doors in 2017, one month after Berge died, the entire process of bringing the building to life - its commission, the creative process behind it, and its construction - is told and illustrated here as never before.

The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V&A as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the Museum's 19th-century interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V&A's first Director, Henry Cole, conceived the Museum's building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole's expressed policy to 'assemble a splendid collection of objects representing the application of Fine Arts to manufacture' was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton , G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques.It represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and an essential backdrop to understanding the evolution of the Museum's early collections and identity.

From cathedrals to cubicles, people go to great lengths and expense to design their living and working environments. They want their spaces to be places where they enjoy being, reflecting who they are and what they care about. The resultant environments in turn become loud, albeit unvocal, leaders for people occupying those corresponding spaces. The design and use of work and living spaces typifies and thematizes expectations for the group. Essentially, the architecture of rooms, buildings and cities creates cultures by conveying explicit and implicit messages. This is evident when people approach and walk into St. Basil's Cathedral in Moscow, the Forbidden City in Beijing, the Sydney Opera House in Sydney, Australia, the Jewish Museum in Berlin, or the Rothko Chapel in Houston, to name some examples. While leaders oftentimes lack the resources to have their spaces mirror the greatest architectural achievements of the world, they are in a position to use the art and science of architecture, at whatever scale is available, to their advantage. The creative and intentional use of space and place advances and promotes cherished values and enhances organizational effectiveness. This book explores the essence of good architecture and establishes relevant connections for leaders and managers to strategically design and use the organizational workplace and space to support their mission and purpose, and create aesthetically meaningful work environments. It equips leaders to be culturally astute on what defines good architecture and to incorporate principles of beauty in their leadership practices accordingly and will be of interest to researchers, academics, professionals, and students in the fields of leadership, organizational studies, and architecture theory and practice.

This book provides detailed information on how to set up Deep Energy Retrofits (DERs) in public buildings, and shares in-depth insights into the current status of the major technologies, strategies and best practice examples of how to cost-effectively combine them. Case studies from the U.S.A. and Europe show that that Deep Energy Retrofit can be achieved with a limited core technologies bundle readily available on the market. Characteristics of some of these core technology measures depend on the technologies available on an individual nation's market, on the minimum requirements of national standards, and on economics (as determined by a life cycle cost analysis). Also, requirements to building envelope-related technologies (e.g., insulation levels, windows, vapor and water barriers, and requirements for building airtightness) depend on specific climate conditions. This Guide provides best practice examples of how to apply these technologies in different construction situations. High levels of energy use reduction using core technology bundles along with improvements in indoor climate and thermal comfort can be only achieved when a Deep Energy Retrofit adopts a quality assurance process. In addition to design, construction, commissioning, and post-occupancy phases of the quality assurance process, the Guide emphasizes the importance of clearly and concisely formulating and documenting the Owner's goals, expectations, and requirements for the renovated building during development of the statement of work. Another important component of the quality assurance process is a procurement phase, during which bidders' qualifications, their understanding of the scope of work and its requirements, and their previous experience are analyzed. The building sector holds the potential for tremendous improvements in terms of energy efficiency and reducing carbon emissions, and energy retrofits to the existing building stock represent a significant opportunity in the transition to a low-carbon future. Moreover, investing in highly efficient building materials and systems can replace long-term energy imports, contribute to cost cutting, and create a wealth of new jobs. Yet, while the technologies needed in order to improve energy efficiency are readily available, significant progress has not yet been made, and "best practices" for implementing building technologies and renewable energy sources are still relegated to small "niche" applications. Offering essential information on Deep Energy Retrofits, the book offers a valuable asset for architects, public authorities, project developers, and engineers alike.

Atop broad stone stairs flanked by statues of ancient lawgivers, the U.S. Supreme Court building stands as a shining temple to the American idea of justice. As solidly as the building occupies a physical space in the nation's capital, its architecture defines a cultural, social, and political space in the public imagination. Through these spaces, this book explores the home of the most revered institution of U.S. politics-its origin, history, and meaning as an expression of democratic principles. The U.S. Supreme Court building opened its doors in 1935. Although it is a latecomer to the capital, the Court shares the neoclassical style of the older executive mansion and capitol building, and thus provides a coherent architectural representation of governmental power in the capital city. More than the story of the construction of one building or its technical architectural elements, The U.S. Supreme Court's Democratic Spaces is the story of the Court's evolution and its succession of earlier homes in Washington, D.C., Philadelphia, and New York. This timely study of how the Supreme Court building shapes Washington as a space and a place for political action and meaning yields a multidimensional view and deeper appreciation of the ways that our physical surroundings manifest who we are as a people and what we value as a society.

The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.

A history of beloved cricket grounds from around the world. Using a Then and Now format, historic pictures of cricket grounds are paired with their modern-day equivalent to show the dramatic changes that have taken place. Cricket Grounds Then and Now is a history of some of the most famous cricketing venues from around the world, told through the format of Then and Now photos. Author of the bestselling Remarkable Cricket Grounds and Remarkable Village Cricket Grounds, Brian Levison, has assembled a stunning array of vintage photos of the major Test venues such as Lord's, The Oval, Old Trafford, Trent Bridge, Adelaide and the Sydney Cricket Ground, with which are paired a modern photo from the same viewpoint. There are smaller venues too – Saltaire in Yorkshire with its World Heritage mill as a backdrop; New Road, Worcester, viewed across the River Severn from the Cathedral and Ickwell Village Green with its large oak tree firmly inside the boundary rope. The photos show how some features survived for decades – such as the famous scoreboard on the SCG 'Hill' – or the standing terraces at St.Helens. Some grounds, such as the Central Ground in Hastings, have disappeared altogether. At the larger test venues in Australia, drop-in pitches are now the norm, allowing multiple use of the huge stadia, while in the UK, the county 'outgrounds' have gradually been whittled away. Yorkshire have lost Brammall Lane in Sheffield, Kent have abandoned their occupancy of Dover and Maidstone, while Essex have left Leyton in East London. Cricket Grounds Then and Now is a nostalgic trip around the world's cricketing venues showing both massive changes across a century and occasionally (Cheltenham College) no change at all. Grounds include: Barbados, Berlin, Scarborough, Canterbury, Wellington, Ahmedabad, Ageas Bowl, Old Trafford, Trent Bridge, The Gabba, Melbourne Cricket Ground, Hollywood, Tilford, Dublin, Chelmsford, Sydney Cricket Ground, Aigburth, Buxton, Edgbaston, Philadelphia, Worcester, Headingley, Hove, Taunton, Lord's, The Oval, Pietermaritzburg, Cape Town, Sidmouth and Singapore.

As a part of the debate on penitentiary architecture, this book proposes a critical interpretation of the conceptual elements and design approaches involved. This proposal, more than others, "mend" the relationship, between theoretical conception and actual building practice of the prison. The interpretation is developed from the idea that the architectural project, when it materialises in a built structure, is always the material expression of an abstract idea and of a specific vision of the world which manifests itself through the architectural consistency of the building and of the built spaces. For a long time the subject of penitentiary architecture had been neglected by contemporary architectural culture, permitting the design of prisons to be the result of a combination of obsolete practices, security regulations and the wish to reduce construction costs, in detriment of the quality of the interior space and of the efficiency of the penitentiary treatment. Thus the conception of the building focused on severe incarceration, and the refusal to accept the possibility of a more open prison remained mostly unvaried through time. Today, the subject of detention has once again caught the public eye, and that the problems related to it have become untenable. The need has become evident for a more efficient penitentiary system capable of producing positive changes in the detainees. It is thus necessary to re-think the architecture of detention in terms of the quality of space and of the respect of the dignity of the individuals, through new modes of detention, and especially through a knowledgeable design that is the expression of a renewed cultural stance that strengthens the re-educational value of the prison sentence, no longer considering it exclusively as the temporal suspension of certain rights. The objectives expressed through new theoretical developments, represent an ambitious and progressive project aimed at eradicating conservative and backward ideas regarding the role of prison architecture, and propose a new disciplinary conception of the architectural project, open to the academic and professional world in the attempt to solve and make effective the relationship between architectural design, building practices and management of the penitentiary structure. The text presented here focuses on the creation of organisational-functional tools for open-regime minimum security structures and on the identification of architectural solutions in which the residential and domestic features of the structures prevail over the typological and distributive layouts typical of traditional penitentiary buildings. The analysis aims at identifying the main essential principles for an efficient design, such as: the location, size, spatial organisation, typology of housing space, and last but not less important, the rationalisation of the internal flows. The key elements identified are summarised into a series of general design criteria aimed at establishing an efficient relationship between the functional model and the typological structure, as well as between the building and the surrounding urban fabric.

This work describes the building of the first Capitol building in Washington, DC. It follows its progress from the story of the iconography behind the design, the role of Washington and Jefferson in the planning of the design, and the account of the competition for the design - to the development of the exterior, House and Senate wings, and transformation into that building which exists today.

A comprehensive look at Brunel's most famous and his lesser-known achievements. This remarkable book takes each of his triumphs and explores them in historical context, as well as from engineering and architectural point of view. An excellent 'gazetteer' gives the reader a chance to go out and folow Brunel's engineering trail. Over 80 diagrams and 60 photographs bring the subject to life.

This book advocates an approach to lighting design that focuses on how people experience illumination. Lighting Design in Shared Public Spaces contextualises light, dark and lighting design within the settings, sensations, ideas and imaginaries that form our understandings of ourselves and the world around us. The chapters in this collection bring a new perspective to lighting design, arguing for an approach that addresses how lighting is experienced, understood and valued by people. Across a range of new case studies from Australia, Germany, Denmark, and the United Kingdom, the authors account for lighting design's crucial role in shaping our dynamic and messy experiential worlds. With many turning to innovative ethnographic methodologies, they powerfully demonstrate how feelings of comfort, safety, security, vulnerability, care and well-being can configure in and through how people experience and manipulate light and dark. By focusing on how lighting is improvised, arranged, avoided and composed in relation to the people and things it acts upon, the book advances understandings of lighting design by showing how improved experiences of the built environment can result from more sensitive and context-specific illumination. The book is intended for social scientists who are interested in the lit or sensory world, as well as designers, architects, urban planners and others concerned with how the experience of light, dark and lighting might be both better understood and implemented in our shared public spaces.

Simon Bradley traces the history of the station, introducing us to the men behind the architecture and looks at its new international status. This fine new edition includes a fascinating chapter on the new hotel and some timely revisions bringing it fully up to date. 'A marvellous piece of social, aesthetic and technological history... it is impossible to praise Bradley's book too highly' A. N. Wilson, Daily Telegraph 'Brilliantly and with deft hand, Simon Bradley makes sense of it all ... fabulous' Sunday Telegraph 'A masterpiece of historical context ... immensely readable' Sunday Times 'This fine book examines the history of both the church that gave the station its name and the railway terminus ... unexpectedly compelling' Daily Mail

Brings together research, theory and practical applications for designing coffee shops and cafes that serve as third places and enhance community connections Provides practical design guidelines, including location, accessibility, seating, lighting, sound and more Includes 8 case studies from across four different countries - Includes over 110 black and white images

The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. Engagingly written and beautifully illustrated, it is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, insightfully comparing historic artworks and spaces with contemporary ones, addressing key questions such as 'if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?' and setting out examples of what does and doesn't work.

Following her success with Lost Charleston, local author and city tour guide Leigh Jones Handal brings a fresh approach to one of the key titles in Pavilion Books’ trademark series. Charleston, South Carolina is one of the most popular East Coast tourist destinations. The flashpoint of the Civil War, what remains of Fort Sumter in Charleston is still a much-visited attraction, and despite bombardment by the Federal Navy, earthquakes and many hurricanes, the South Carolina city has retained its 19th-century charm.  City guide Leigh Jones Handal tells the story of the Charleston she loves through archive photos matched with their modern viewpoint, including the Jenkins Orphanage whose band were the likely originators of the Charleston dance. There are vintage photos of the great plantation houses, plus the grand buildings on Meeting Street, and the soaring spires of Charleston’s many churches.  Downtown many of the classic mansions, such as the Miles Brewton House, have been retained, along with the Market Hall and the Customs House, and though the trolleys no longer run along Broad Street, it is still recognizable from a century before.  Leigh Jones Handal has uncovered a treasury of vintages images which have been matched with modern photos to show new aspects of this enduringly fascinating city.

The foodservice industry gets more competitive every day. As a result, initial planning is extremely important and has become a key factor in determining the success or failure of an operation. This fully updated edition of the best-selling text on foodservice facilities planning shows students how to create a facility that blends the most efficient work environment with an ambience that will attract more customers. Students will find all-new information on how to—

• cost-effectively design an operation
• properly select and efficiently maintain equipment
• successfully plan and accurately evaluate foodservice layouts
• plan fast-food facilities and bakeshops
• cut costs through more efficient energy planning.

Equipped with this comprehensive book, students will develop expertise in all aspects of foodservice facilities planning, from prospectus to finished facility. The author provides sample layouts of award-winning floor plans from which effective designs can be modeled. Students will also find practical exercises that help prepare them for common problems that may arise while planning their own operation. They will also learn how to organize data to begin planning, how to develop feasibility studies, how to fully equip and operate their own facility, and most important, how to make their facility achieve maximum productivity and profits. Whether you are a student just learning the business, a foodservice planner, consultant, or decision maker in the industry, this practical reference book can make you an indispensable member of the foodservice facility planning team. An ideal classroom tool for students interested in careers in the foodservice industry, Foodservice Facilities Planning can also offer firm guidance to veteran foodservice planners, consultants, and decision makers.

When we think about Victorian factories, 'Dark Satanic Mills' might spring to mind - images of blackened buildings and exhausted, exploited workers struggling in unhealthy and ungodly conditions. But for some employees this image was far from the truth, and this is the subject of 'The Factory in a Garden' which traces the history of a factory gardens movement from its late-eighteenth century beginnings in Britain to its twenty-first century equivalent in Google's vegetable gardens at their headquarters in California. The book is the first study of its kind examining the development of parks, gardens, and outdoor leisure facilities for factories in Britain and America as a model for the reshaping of the corporate environment in the twenty-first century. This is also the first book to give a comprehensive account of the contribution of gardens, gardening and recreation to the history of responsible capitalism and ethical working practices. -- .