First printed edition of the building accounts of one of London's most remarkable edifices. Founded by Henry VII, the Savoy hospital was designed to execute corporal works of mercy and commemorate the king through prayer by housing one hundred poor men every night in palatial surroundings. The building complex, one of the landmarks of early Tudor London, was unique for English hospitals in its adoption of a cross-shaped ward, but its structural details have remained obscure. Published for the first time here, the building accounts record, edited here for the first time, provides detailed evidence of that structure, as well as of the hundreds of craftsmen and laborers who toiled to complete it. In addition to the accounts themselves, this volume contains a thorough contextual introduction, elucidatory notes, and a glossary of building terms. Charlotte A. Stanford is Associate Professor of Comparative Arts and Letters at Brigham Young University.

In 1934 Sir Giles Gilbert Scott began work on designs for a substantial new library building opposite the Old Bodleian Library site in Broad Street, Oxford in order to provide much-needed space for the growing numbers of books housed in the library and the number of readers using them. Opened in 1946 (having been delayed by the Second World War), for seventy years the New Bodleian served the academic community and readers visiting Oxford, housing 3.5 million items. Scott's innovative designs meant that the New Bodleian became a Grade II-listed building in 2003. In 2009, thanks to a generous bequest from the Garfield Weston Foundation, plans got underway for a complete refurbishment of the building to meet the needs of twenty-first-century research and the Bodleian's expanding collections. The architects Wilkinson Eyre were appointed to develop the project adapting the Grade II listed building for its new use as a special collections library while keeping the facade intact. Their brief was to redesign reading rooms for the consultation of rare books, manuscripts, archives, music and maps, provide new research facilities (including support for digital scholarship), new teaching facilities, improved conservation laboratories, state-of-the-art storage for Bodleian Libraries' valuable special collections and enhanced public access through a new entrance hall and exhibition space. This book tells the story of how the vision for the Weston Library was realized. Like the project itself, it represents a collaboration between clients and consultants as they place the project in context, describing in detail the many architectural, academic, curatorial and heritage issues addressed throughout the process, and the challenges of meeting the needs of an internationally renowned, four-hundred-year-old institution in the twenty-first century.

Atop broad stone stairs flanked by statues of ancient lawgivers, the U.S. Supreme Court building stands as a shining temple to the American idea of justice. As solidly as the building occupies a physical space in the nation's capital, its architecture defines a cultural, social, and political space in the public imagination. Through these spaces, this book explores the home of the most revered institution of U.S. politics-its origin, history, and meaning as an expression of democratic principles. The U.S. Supreme Court building opened its doors in 1935. Although it is a latecomer to the capital, the Court shares the neoclassical style of the older executive mansion and capitol building, and thus provides a coherent architectural representation of governmental power in the capital city. More than the story of the construction of one building or its technical architectural elements, The U.S. Supreme Court's Democratic Spaces is the story of the Court's evolution and its succession of earlier homes in Washington, D.C., Philadelphia, and New York. This timely study of how the Supreme Court building shapes Washington as a space and a place for political action and meaning yields a multidimensional view and deeper appreciation of the ways that our physical surroundings manifest who we are as a people and what we value as a society.

This book advocates an approach to lighting design that focuses on how people experience illumination. Lighting Design in Shared Public Spaces contextualises light, dark and lighting design within the settings, sensations, ideas and imaginaries that form our understandings of ourselves and the world around us. The chapters in this collection bring a new perspective to lighting design, arguing for an approach that addresses how lighting is experienced, understood and valued by people. Across a range of new case studies from Australia, Germany, Denmark, and the United Kingdom, the authors account for lighting design's crucial role in shaping our dynamic and messy experiential worlds. With many turning to innovative ethnographic methodologies, they powerfully demonstrate how feelings of comfort, safety, security, vulnerability, care and well-being can configure in and through how people experience and manipulate light and dark. By focusing on how lighting is improvised, arranged, avoided and composed in relation to the people and things it acts upon, the book advances understandings of lighting design by showing how improved experiences of the built environment can result from more sensitive and context-specific illumination. The book is intended for social scientists who are interested in the lit or sensory world, as well as designers, architects, urban planners and others concerned with how the experience of light, dark and lighting might be both better understood and implemented in our shared public spaces.

Artron is the foremost printing enterprise in China. As the core project of Artron’s printing culture industry, the Artron art website is actively setting up to create archives for artists. Moreover, since the site is at the periphery of the city, the art center will need to be conceived with a one-stop multi-service printing facility and cultural center. The site of Shenzhen’s Artron Art Center is located on the city edge, surrounded by three highways. In order to keep away from the noisy and chaotic environment, the building is idealized to be a landmark to define this area. Since the main view of this building will come from the three adjacent highways, the building shape should be continuous and integrated with the large-scale urban infrastructure to form a dialogue between the two. Taking into account the volume as a whole, the architects must think about how to digest this huge volume. On the one hand, on the premise of integrity and continuity, the gaps between the different parts of the volumes were created to bring people the comfortable visual impression when walking in this territory.

The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. Engagingly written and beautifully illustrated, it is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, insightfully comparing historic artworks and spaces with contemporary ones, addressing key questions such as 'if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?' and setting out examples of what does and doesn't work.

The Library at Trinity College Dublin dates back to the establishment of the college by Queen Elizabeth I in 1592. The library is the largest in Ireland, containing more than 6.2 million volumes and an extensive collection of early manuscripts, including the internationally famous Book of Kells, which attracts around 1 million visitors annually from around the world. A visit to the Book of Kells includes a visit to the Long Room, the main chamber of the Old Library, and one of the most beautiful and impressive libraries and architectural spaces in the world. In this, the first of a new series called Pocket Photo Books, photographer Harry Cory Wright explores the richness of the architecture and collections of the Long Room, resulting in a book that brings the reader close to the sense of being there. With a brief introduction by Trinity's Librarian and College Archivist, Helen Shenton, about her own experience of the Long Room, this beautifully designed book of exquisite photographs will appeal to all visitors to Trinity College Dublin, and to anyone keen to explore in detail one of the most awe-inspiring libraries and architectural spaces in the world.

The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.

Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City's most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, "The Heavens in the Attic," is the first detailed history of the Hayden Planetarium, from the museum's earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum's labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day the book includes some of the most important and colorful characters in the city's history, including the notoriously corrupt and powerful "Boss" Tweed, "Father of New York City" Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.

No other building type captures the imagination like the skyscraper. Here, Eric Hoeweler presents convincing evidence that the future of tall buildings is as secure today as it was over one hundred years ago. Described and accompanied by striking full-colour photography are over fifty new constructions that punctuate the skylines of the major cities around the world. Incisive essays delve into cutting-edge skyscraper design and building, as well as offering a brief history of the skyscraper, the evolution of the `green' or sustainable skyscraper, their symbolism and design, and the meteoric rise of the skyscraper in Asia. A special section is devoted to the designs for Ground Zero, including never-before-published drawings and plans. Far from being a dying form, the skyscraper continues to exert a huge influence on the international landscape, and a continued reinvention of the form awaits us in the next decade.

Zhu Pei's Jingdezhen Imperial Kiln Museum recalls a time of glory of the once "Millenium Porcelain Capital" city, Jingdezhen, and extends these memories to the present. Inspired by the perception of Jingdezhen's specific regional culture (porcelain) and the survival wisdom of the locals, the museum is a symbol of the past and future. The contemporary architecture magnificently resonates the ages: the building form is reminiscent of ancient traditional brick kilns, and its landscape - with mirror pools, bamboo groves, kiln ruins, and courtyards - recreates an impression of Jingdezhen's vibrant porcelain past. As an "Architecture of Nature," that evokes both contemporaneity and ancient vibes, the museum subverts typical perceptions of modern-day museums. Coloured photos, drawings, essays, and interviews provide detailed insights on the conception of the museum - from design concept to environmental strategies, to construction techniques and construction materials - as well as the architect's personal perspectives on the overall concept and intention of the museum. The pages also feature commentaries on the museum by well-known architects, including Steven Holl, Kenneth Frampton, Mohsen Mostafavi, Rem Koolhaas, and Arata Isozaki.

The historical and cultural aspects of the Cold War have been much studied, yet its physical manifestations in England - its buildings and structures - have remained largely unknown. To the great landscape historian WG Hoskins writing in the 1950's they were profoundly alien: "England of the ... electric fence, of the high barbed wire around some unmentionable devilment.... Barbaric England of the scientists, the military men, and the politicians". Now these survivors of the Cold War are, in their turn, disappearing fast, like medieval monasteries and bastioned forts before them - only with more limited scope for regeneration and reuse. This book is the first to look at these monuments to the Cold War. It is heavily illustrated with photographs of the sites as they survive today, archive photographs (many previously unpublished), modern and historic air photographs, site and building plans, and specially commissioned interpretative drawings. It also endeavours look at the installations within the military and political context of what was one of the defining phenomena of the late 20th century.

A comprehensive look at Brunel's most famous and his lesser-known achievements. This remarkable book takes each of his triumphs and explores them in historical context, as well as from engineering and architectural point of view. An excellent 'gazetteer' gives the reader a chance to go out and folow Brunel's engineering trail. Over 80 diagrams and 60 photographs bring the subject to life.

Brings together research, theory and practical applications for designing coffee shops and cafes that serve as third places and enhance community connections Provides practical design guidelines, including location, accessibility, seating, lighting, sound and more Includes 8 case studies from across four different countries - Includes over 110 black and white images

With only a handful of British coalmines remaining active and with targets set to reduce carbon emissions, the coal industry now seems to be heading towards extinction. Yet, it was coal that turned Britain into a world-leader during the Industrial Revolution and established the conditions for the modern state. In the 20th century, it generated building programmes on a massive scale concerning miners' welfare, settlements and housing. The form, space, organisation, and aesthetics of architecture became of critical importance not just to the process of the industry's modernisation but also how it was perceived and understood both within and outside its workforce. But despite the centrality of coal mining and its workers to the development of modern Britain, as well as the contemporary recognition that aspects of its innovative architecture received, its built legacy has often been overlooked and physically almost completely erased. Divided into three parts, this is the first book which provides a critical and comprehensive examination of the architecture of coal in Britain and how it responded to the needs of the industry and, perhaps more significantly, its labour force. Part I explores the relationship between the architecture of coal and the provision of welfare. While this produced a series of enlightened built projects for miners and their communities especially between the wars - educational buildings, reading rooms, holiday camps, welfare institutes, sports grounds, swimming pools, medical centres, children's playgrounds, etc. - it focusses on the paradigmatic integration of aesthetics and programme seen most emphatically in the creation of over 600 pithead baths. Part II looks at settlement and the relationships between responses to often adverse conditions within domestic environments in mining settlements and the development of broader and influential theories and practices concerning housing. Finally, Part III explores the modernisation of the industry during the post-war period arguing that that architectural design and representation became pivotal to the functional and symbolic requirements of the newly Nationalised entity and its position within, and singular contribution to, post-war society.

Railway buildings have always had a fascinating character all of their own, despite many no longer being in operational railway service. This book tells the story of how these buildings evolved alongside the development of the railway in Great Britain and examines how architects over the years have responded to the operational, social and cultural influences that define their work. Written for those with a keen interest in architecture and the railway, as well as those new to the subject, The Architecture and Legacy of British Railway Buildings provides an unique insight into the production of railway architecture, both in the context of railway management and the significant periods of ownership, and the swings in national mood for railway-based transportation. As well as tracing its history, the authors take time to consider the legacy these buildings have left behind and the impact of heritage on a continually forward-looking industry. Topics covered include: the context of railway architecture today; the history of how it came into existence; the evolution of different railway building types; the unique aspects of railway building design, and finally, the key railway development periods and their architectural influences.

Buildings provide tremendous insights into the character of imperialism, not least in the manner in which Western forms were spread across the globe. They reveal the projection of power and authority in colonised landscapes, as well the economic ambitions and social and cultural needs of colonial peoples in all types of colonies. They also represent a colonial order of social classes and racial divisions, together with the ways in which these were inflected through domestic living space, places of work and various aspects of cultural relations. They illuminate the desires of Europeans to indulge in cultural and religious proselytisation, encouraging indigenous peoples to adopt western norms. But the resistance of the supposedly subordinate people led to the invasion, adoption and adaptation of such buildings for a post-colonial world. The book will be vital reading for all students and scholars interested in the widest aspects of material culture. -- .

Far and away the best narrative of western architecture in existence...it stands out as an intellectual triumph. - Sir John Summerson In this highly acclaimed, classic reference work David Watkin traces the history of western architecture from the earliest times in Mesopotamia and Egypt to the late twentieth century. For this seventh edition, revising author Owen Hopkins provides a new introduction contextualizing Watkin's approach. The final chapter on the twenty-first century has been completely rewritten by Hopkins, who brings the story right up to date with the inclusion of such topics as re-use, digital cities and virtual architecture.

"Unity Temple makes an entirely new architecture and is the first expression of it. That is my contribution to modern architecture, and that, to me, is modern architecture."

Frank Lloyd Wright

Early on the morning of June 4, 1905, lightning struck the steeple of Unity Church in the Chicago suburb of Oak Park, igniting a fire that would raze the building to the ground. The Unitarian congre-gation suddenly needed a home and turned to local architect Frank Lloyd Wright for a new approach.

Thus begins the story of a watershed moment in the career of the world's most influential architect and in the history of twentieth-century architecture and design. With Wright's execution of Unity Temple, the ideas he'd been working on and experimenting with for years were finally brought to fruition, and modern design was born.

As cycling continues to enjoy a worldwide revival, experiments in new cycling facilities are underway everywhere. "Cycle Infrastructure" includes international examples, interviews with the makers of prominent cycling routes and a glimpse at future innovations. The possibilities that cycling offers for the spatial qualities and comfort of cities are enormous, but have not been fully realized. This publication is an engaging and motivating handbook for anyone interested in the development, design and promotion of high-quality cycling routes. Its goal is to activate the full potential of cycling for the urban landscape and to consider cycling infrastructure as an integral design challenge, rather than purely an issue of traffic engineering. It includes text by Stefan Bendiks and Aglaee Degros, the founders of Artgineering, an organization for research and design on the boundary between urban planning and infrastructure.